LitCharts makes it easy to find quotes by
chapter,
character,
and theme. We assign a color and icon like this one
to each theme, making it easy to track which themes apply to each quote below.
Need another quote?
Need analysis on another quote?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
Need analysis for a quote we don't cover?
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
A LitCharts expert can help.
Request it
Request it
Request analysis
Request analysis
Request analysis
Book 1, Chapter 1
Quotes
It was the best of times, it was the worst of times, it was the age of wisdom, it was the age of foolishness, it was the epoch of belief, it was the epoch of incredulity, it was the season of Light, it was the season of Darkness, it was the spring of hope, it was the winter of despair, we had everything before us, we had nothing before us, we were all going direct to Heaven, we were all going direct the other way.
Related Themes:
Related Literary Devices:
Page Number and Citation:
5
Explanation and Analysis:
Book 1, Chapter 3
Quotes
A wonderful fact to reflect upon, that every human creature is constituted to be that profound secret and mystery to every other. A solemn consideration, when I enter a great city by night, that every one of those darkly clustered houses encloses its own secret; that every room in every one of them encloses its own secret; that every beating heart in the hundreds of thousands of breasts there, is, in some of its imaginings, a secret to the heart nearest it!
The children had ancient faces and grave voices; and upon them, and upon the grown faces, and ploughed into every furrow of age and coming up afresh, was the sign, Hunger. It was prevalent everywhere. Hunger was pushed out of the tall houses, in the wretched clothing that hung upon poles and lines; Hunger was patched into them with straw and rag and wood and paper; Hunger was repeated in every fragment of the small modicum of firewood that the man sawed off; Hunger stared down from the smokeless chimneys, and started up from the filthy street that had no offal, among its refuse, of anything to eat. Hunger was the inscription on the baker's shelves, written in every small loaf of his scanty stock of bad bread; at the sausage-shop, in every dead-dog preparation that was offered for sale.
If you hear in my voice … any resemblance to a voice that once was sweet music in your ears, weep for it, weep for it! If you touch, in touching my hair, anything that recalls a beloved head that lay on your breast when you were young and free, weep for it, weep for it! If, when I hint to you of a Home that is before us, where I will be true to you with all my duty and with all my faithful service, I bring back the remembrance of a Home long desolate, while your poor heart pined away, weep for it, weep for it!
Related Characters:Lucie Manette (speaker), Dr. Alexandre Manette
Only his daughter had the power of charming this black brooding from his mind. She was the golden thread that united him to a Past beyond his misery, and to a Present beyond his misery: and the sound of her voice, the light of her face, the touch of her hand, had a strong beneficial influence with him almost always.
Related Characters:Dr. Alexandre Manette, Lucie Manette
Waste forces within him, and a desert all around, this man stood still on his way across a silent terrace, and saw for a moment, lying in the wilderness before him, a mirage of honourable ambition, self-denial, and perseverance. In the fair city of this vision, there were airy galleries from which the loves and graces looked upon him, gardens in which the fruits of life hung ripening, waters of Hope that sparkled in his sight. A moment, and it was gone. Climbing to a high chamber in a well of houses, he threw himself down in his clothes on a neglected bed, and its pillow was wet with wasted tears.
Expressive signs of what made them poor, were not wanting; the tax for the state, the tax for the church, the tax for the lord, tax local and tax general, were to be paid here and to be paid there, according to solemn inscription in the little village, until the wonder was, that there was any village left unswallowed.
"Repression is the only lasting philosophy. The dark deference of fear and slavery, my friend," observed the Marquis, "will keep the dogs obedient to the whip, as long as this roof," looking up to it, "shuts out the sky."
Related Characters:Marquis St. Evrémonde (speaker), Charles Darnay (a.k.a. Charles Evrémonde)
He had loved Lucie Manette from the hour of his danger. He had never heard a sound so sweet and dear as the sound of her compassionate voice; he had never seen a face so tenderly beautiful, as hers when it was confronted with his own on the edge of the grave that had been dug for him.
Related Characters:Charles Darnay (a.k.a. Charles Evrémonde), Lucie Manette
For you, and for any dear to you, I would do anything. If my career were of that better kind that there was any opportunity or capacity of sacrifice in it, I would embrace any sacrifice for you and for those dear to you. Try to hold me in your mind, at some quiet times, as ardent and sincere in this one thing. The time will come, the time will not be long in coming, when new ties will be formed about you […] O Miss Manette, […] when you see your own bright beauty springing up anew at your feet, think now and then that there is a man who would give his life, to keep a life you love beside you!
Related Characters:Sydney Carton (speaker), Lucie Manette
Another darkness was closing in as surely, when the church bells, then ringing pleasantly in many an airy steeple over France, should be melted into thundering cannon; when the military drums should be beating to drown a wretched voice, that night all potent as the voice of Power and Plenty, Freedom and Life. So much was closing in about the women who sat knitting, knitting, that they their very selves were closing in around a structure yet unbuilt, where they were to sit knitting, knitting, counting dropping heads.
My husband, it is so. I fear he is not to be reclaimed; there is scarcely a hope that anything in his character or fortunes is reparable now. But, I am sure that he is capable of good things, gentle things, even magnanimous things.
Related Characters:Lucie Manette (speaker), Charles Darnay (a.k.a. Charles Evrémonde), Dr. Alexandre Manette
The sea of black and threatening waters, and of destructive upheaving of wave against wave, whose depths were yet unfathomed and whose forces were yet unknown. The remorseless sea of turbulently swaying shapes, voices of vengeance, and faces hardened in the furnaces of suffering until the touch of pity could make no mark on them.
With the rising and falling of the blaze, the stone faces showed as if they were in torment. When great masses of stone and timber fell, the face with the two dints in the nose became obscured: anon struggled out of the smoke again, as if it were the face of the cruel Marquis, burning at the stake and contending with the fire.
Like the mariner in the old story, the winds and streams had driven him within the influence of the Loadstone Rock, and it was drawing him to itself, and he must go. Everything that arose before his mind drifted him on, faster and faster, more and more steadily, to the terrible attraction. His latent uneasiness had been … that he who could not fail to know that he was better than they, was not there, trying to do something to stay bloodshed, and assert the claims of mercy and humanity.
Related Characters:Charles Darnay (a.k.a. Charles Evrémonde)
Not a mean village closed upon him, not a common barrier dropped across the road behind him, but he knew it to be another iron door in the series that was barred between him and England. The universal watchfulness so encompassed him, that if he had been taken in a net, or were being forwarded to his destination in a cage, he could not have felt his freedom more completely gone.
Related Characters:Charles Darnay (a.k.a. Charles Evrémonde)
As these ruffians turned and turned, their matted locks now flung forward over their eyes, now flung backward over their necks, some women held wine to their mouths that they might drink; and what with dropping blood, and what with dropping wine, and what with the stream of sparks struck out of the stone, all their wicked atmosphere seemed gore and fire. The eye could not detect one creature in the group free from the smear of blood.
Above all, one hideous figure grew … the figure of the sharp female called La Guillotine. It was the popular theme for jests; it was the best cure for headache, it infallibly prevented the hair from turning grey, it imparted a peculiar delicacy to the complexion, it was the National Razor which shaved close: who kissed La Guillotine, looked through the little window and sneezed into the sack. It was the sign of the regeneration of the human race. It superseded the Cross. Models of it were worn on breasts from which the Cross was discarded, and it was bowed down to and believed in where the Cross was denied.
Looking at the Jury and the turbulent audience, he might have thought that the usual order of things was reversed, and that the felons were trying the honest men.
Related Characters:Charles Darnay (a.k.a. Charles Evrémonde)
Miss Pross recalled soon afterwards, and to the end of her life remembered, that as she pressed her hands on Sydney's arm and looked up in his face, imploring him to do no hurt to Solomon, there was a braced purpose in the arm and a kind of inspiration in the eyes, which not only contradicted his light manner, but changed and raised the man.
Related Characters:Sydney Carton, John Barsad (a.k.a Solomon Pross), Miss Pross
Before that unjust Tribunal, there was little or no order of procedure, ensuring to any accused person any reasonable hearing. There could have been no such Revolution, if all laws, forms, and ceremonies, had not first been so monstrously abused, that the suicidal vengeance of the Revolution was to scatter them all to the winds.
The boy's eyes, which had been fixed on mine, slowly turned to the looker-on, and I saw in the two faces that all he said was true. The two opposing kinds of pride confronting one another, I can see, even in this Bastille; the gentleman's, all negligent indifference; the peasants, all trodden-down sentiment, and passionate revenge.
Related Characters:Dr. Alexandre Manette (speaker), Marquis St. Evrémonde
There were many women at that time, upon whom the time laid a dreadfully disfiguring hand; but, there was not one among them more to be dreaded than this ruthless woman, now taking her way along the streets … imbued from her childhood with a brooding sense of wrong, and an inveterate hatred of a class, opportunity had developed her into a tigress. She was absolutely without pity.
"I am the resurrection and the life, saith the Lord: he that believeth in me, though he were dead, yet shall he live: and whosoever liveth and believeth in me, shall never die."
Along the Paris streets, the death-carts rumble, hollow and harsh. Six tumbrils carry the day's wine to La Guillotine. All the devouring and insatiate Monsters imagined since imagination could record itself, are fused in the one realisation, Guillotine. … Crush humanity out of shape once more, under similar hammers, and it will twist itself into the same tortured forms. Sow the same seed of rapacious license and oppression over again, and it will surely yield the same fruit according to its kind.