Beowulf

by

Anonymous

Beowulf: Metaphors 4 key examples

Definition of Metaphor
A metaphor is a figure of speech that compares two different things by saying that one thing is the other. The comparison in a metaphor can be stated explicitly, as... read full definition
A metaphor is a figure of speech that compares two different things by saying that one thing is the other. The comparison in a metaphor... read full definition
A metaphor is a figure of speech that compares two different things by saying that one thing is the other... read full definition
Celebration (Lines 837–1250)
Explanation and Analysis—Nails Like Steel:

The narrator uses both a simile and a metaphor that compare the nails on Grendel’s hands to steel. After Beowulf’s defeat of Grendel, the monster escapes from Heorot, mortally wounded, leaving his arm behind in Beowfulf’s tight grasp. The narrator states that: 

For rescue, however, 
he left behind him his hand in pledge, 
arm and shoulder; nor aught of help 
could the cursed one thus procure at all [...]
More silent seemed the son of Ecglaf 
in boastful speech of his battle-deeds,
since athelings all, through the earl's great prowess,
beheld that hand, on the high roof gazing,
foeman's fingers,—the forepart of each
of the sturdy nails to steel was likest,—
heathen's "hand-spear," hostile warrior's
claw uncanny. 'Twas clear, they said,
that him no blade of the brave could touch,
how keen soever, or cut away
that battle-hand bloody from baneful foe.

The Danes and Beowulf’s men “beheld that hand” in awe, noting in a simile that “the sturdy nails to steel was likest,” and further characterizing the hand in a metaphor as a “hand-spear.” Their examination of Grendel’s severed arm reveals that the monster was far from human, with a distinctive and powerful body. The comparisons drawn between Grendel’s nails and various forms of metal emphasize his lethal capabilities. Additionally, these comparisons underscore Beowulf’s strength. Because Grendel does not fight with a weapon, Beowulf decides to fight the monster with his bare hands, making it an “even” fight. In this passage, however, the crowd observes that Grendel’s hands are already weapons in a sense, implying that Beowulf defeated the odds in his slaying of Grendel. 

Explanation and Analysis—Stored with Sagas :

The narrator uses a series of metaphors to describe the activity of storytelling. After Beowulf’s defeat of Grendel, a scop, a word for poet used in Old English poetry, memorializes Beowulf’s accomplishments: 

From time to time, a thane of the king, 
who had made many vaunts, and was mindful of verses,
stored with sagas and songs of old, 
bound word to word in well-knit rime, 
welded his lay; this warrior soon 
of Beowulf's quest right cleverly sang, 
and artfully added an excellent tale, 
in well-ranged words, of the warlike deeds 
he had heard in saga of Sigemund.
Strange the story: he said it all,—

This scop, who is also a “thane” who serves the King, has “made many vaunts” and is “mindful of verses,” suggesting that he is a well-experienced storyteller. The narrator metaphorically describes the scop’s poems as if they are physical goods that must be crafted and stored. The scop is “stored with sagas and songs of old,” as if they are physically inside him. Further, the scop tells stories of legendary warriors in a “well-knit [rhyme],” metaphorical language which suggests that the storyteller has weaved threads of previous stories into one. The narrator of the poem, then, praises the fictional storyteller and treats the art of poetry as if it is a profession or craft in its own right. 

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Explanation and Analysis—Vault of Heaven:

The narrator uses a common historical idiom, the “vault of heaven,” when praising the bravery of Beowulf and his band of warriors. After Beowulf mortally injures Grendel, the monster flees back to its lair. After surveying Grendel’s lair and confirming that he has died, the band of warriors returns to Heorot: 

Home then rode the hoary clansmen 
from that merry journey, and many a youth,
on horses white, the hardy warriors, 
back from the mere. Then Beowulf's glory 
eager they echoed, and all averred 
that from sea to sea, or south or north, 
there was no other in earth's domain, 
under vault of heaven, more valiant found, 
of warriors none more worthy to rule!

Beowulf earns the praise and admiration of those around him for his incredible accomplishment in defeating the supernaturally strong Grendel. “Beowulf’s glory” is “echoed” by all, and the group declares that there is no warrior “more valiant” than him anywhere on earth, from “sea to sea, or north to south,” neither on Earth nor “under vault of heaven.” The “vault of heaven” is a historical idiom that metaphorically imagines the stars and planets as if they were painted on the ceiling of some tremendous building, such as a church. Many ancient cultures believed that the earth was flat and that the stars and planets were embedded in a spherical dome or “vault” over the earth, and the poem’s use of this idiom both reflects this once-common belief and emphasizes Beowulf's achievement.  

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Beowulf’s Funeral (Lines 3110–3182)
Explanation and Analysis—Shepherd of Gems:

The narrator uses a metaphor that compares the ferocious dragon to a “shepherd” when describing a scene in which several of Beowulf’s men, including Wiglaf, furnish his grave with the treasures they find in the dragons’ hoard: 

No lots they cast for keeping the hoard
when once the warriors saw it in hall, 
altogether without a guardian,
lying there lost. And little they mourned
when they had hastily haled it out, 
dear-bought treasure! The dragon they cast,
the worm, o'er the wall for the wave to take,
and surges swallowed that shepherd of gems.
Then the woven gold on a wain was laden— 
countless quite!—and the king was borne, hoary 
hero, to Hrones-Ness.

The men, mourning the death of their virtuous King, have no interest in keeping the “dear-bought” but rusty treasures. Instead of dividing the treasure between themselves, they decide to bury it with the King. They are much less respectful, however, to the body of the slain dragon, which they toss over the cliff to be “swallowed” by the waves below. Here, the narrator describes the dragon as a “shepherd of gems.” In this metaphor, the dragon is imagined as taking care of the hoard of treasures, just as a shepherd takes care of his flock of sheep. There is a sense of bitter irony in this metaphor, as the dragon did not protect life, as a shepherd does, but instead destroyed it. 

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