Richard Carstone Character Analysis

This is the Court of Chancery; which has its decaying houses and its blighted lands in every shire; which has its worn-out lunatic in every madhouse, and its dead in every churchyard; which has its ruined suitor, with his slipshod heels and threadbare dress, borrowing and begging through the round of every man’s acquaintance; […] there is not an honorable man among its practitioners who would not give—who does not often give—the warning, ‘Suffer any wrong that can be done you, rather than come here!’

She was a pretty, very diminutive, plump woman, of from forty to fifty, with handsome eyes, though they had a curious habit of seeming to look a long way off. As if—I am quoting Richard again—they could see nothing nearer than Africa!

‘We are never to get out of Chancery! We have come by another way to our place of meeting yesterday, and—by the Great Seal, here’s the old lady again!’

A little way within the shop-door, lay heaps of old crackled parchment scrolls, and discolored and dog’s-eared law- papers […] One had only to fancy, as Richard whispered to Ada and me while we all stood looking in, that yonder bones in a corner, piled together and picked very clean, were the bones of clients, to make the picture complete.

She partly drew aside the curtain of the long low garret-window, and called our attention to a number of bird-cages hanging there: some containing several birds. There were larks, linnets, and goldfinches—I should think at least twenty. ‘I began to keep the little creatures,’ she said, ‘with an object that the wards will readily comprehend. With the intention of restoring them to liberty. When my judgment should be given. Ye-es! They die in prison, though. Their lives, poor silly things, are so short in comparison with Chancery proceedings, that, one by one, the whole collection has died over and over again.’

We observed that the wind always changed when Mrs. Pardiggle became the subject of conversation; and that it invariably interrupted Mr. Jarndyce, and prevented his going any farther, when he had remarked that there were two classes of charitable people: one, the people who did a little and made a great deal of noise; the other, the people who did a great deal and made no noise at all.

‘How much of this indecision of character,’ Mr Jarndyce said to me, ‘is chargeable on that incomprehensible heap of uncertainty and procrastination on which he has been thrown from his birth, I don’t pretend to say; but that Chancery, among its other sins, is responsible for some of it, I can plainly see. It has engendered or confirmed in him a habit of putting off—and trusting to this, that, and the other chance, without knowing what chance—and dismissing everything as unsettled, uncertain, and confused.’

Mr Guppy suspects everybody who enters on the occupation of a stool in Kenge and Carboy’s office, of entertaining, as a matter of course, sinister designs upon him. He is clear that every such person wants to depose him. If he be ever asked how, why, when, or wherefore, he shuts up one eye and shakes his head. On the strength of these profound views, he in the most ingenious manner takes infinite pains to counterplot, when there is no plot; and plays the deepest games of chess without any adversary.

I never shall forget those two seated side by side in the lantern’s light; Richard, all flush and fire and laughter, with the reins in his hand; Mr. Vholes, quite still, black-gloved, and buttoned up, looking at him as if he were looking at his prey and charming it. I have before me the whole picture of the warm dark night, the summer lightning, the dusty track of road closed in by hedgerows and high trees, the gaunt pale horse with his ears pricked up, and the driving away at speed to Jarndyce and Jarndyce.

Mr. Vholes gives it a rap, and it sounds as hollow as a coffin. Not to Richard, though. There is encouragement in the sound to him. Perhaps Mr. Vholes knows there is.

This is the Court of Chancery; which has its decaying houses and its blighted lands in every shire; which has its worn-out lunatic in every madhouse, and its dead in every churchyard; which has its ruined suitor, with his slipshod heels and threadbare dress, borrowing and begging through the round of every man’s acquaintance; […] there is not an honorable man among its practitioners who would not give—who does not often give—the warning, ‘Suffer any wrong that can be done you, rather than come here!’

She was a pretty, very diminutive, plump woman, of from forty to fifty, with handsome eyes, though they had a curious habit of seeming to look a long way off. As if—I am quoting Richard again—they could see nothing nearer than Africa!

‘We are never to get out of Chancery! We have come by another way to our place of meeting yesterday, and—by the Great Seal, here’s the old lady again!’

A little way within the shop-door, lay heaps of old crackled parchment scrolls, and discolored and dog’s-eared law- papers […] One had only to fancy, as Richard whispered to Ada and me while we all stood looking in, that yonder bones in a corner, piled together and picked very clean, were the bones of clients, to make the picture complete.

She partly drew aside the curtain of the long low garret-window, and called our attention to a number of bird-cages hanging there: some containing several birds. There were larks, linnets, and goldfinches—I should think at least twenty. ‘I began to keep the little creatures,’ she said, ‘with an object that the wards will readily comprehend. With the intention of restoring them to liberty. When my judgment should be given. Ye-es! They die in prison, though. Their lives, poor silly things, are so short in comparison with Chancery proceedings, that, one by one, the whole collection has died over and over again.’

We observed that the wind always changed when Mrs. Pardiggle became the subject of conversation; and that it invariably interrupted Mr. Jarndyce, and prevented his going any farther, when he had remarked that there were two classes of charitable people: one, the people who did a little and made a great deal of noise; the other, the people who did a great deal and made no noise at all.

‘How much of this indecision of character,’ Mr Jarndyce said to me, ‘is chargeable on that incomprehensible heap of uncertainty and procrastination on which he has been thrown from his birth, I don’t pretend to say; but that Chancery, among its other sins, is responsible for some of it, I can plainly see. It has engendered or confirmed in him a habit of putting off—and trusting to this, that, and the other chance, without knowing what chance—and dismissing everything as unsettled, uncertain, and confused.’

Mr Guppy suspects everybody who enters on the occupation of a stool in Kenge and Carboy’s office, of entertaining, as a matter of course, sinister designs upon him. He is clear that every such person wants to depose him. If he be ever asked how, why, when, or wherefore, he shuts up one eye and shakes his head. On the strength of these profound views, he in the most ingenious manner takes infinite pains to counterplot, when there is no plot; and plays the deepest games of chess without any adversary.

I never shall forget those two seated side by side in the lantern’s light; Richard, all flush and fire and laughter, with the reins in his hand; Mr. Vholes, quite still, black-gloved, and buttoned up, looking at him as if he were looking at his prey and charming it. I have before me the whole picture of the warm dark night, the summer lightning, the dusty track of road closed in by hedgerows and high trees, the gaunt pale horse with his ears pricked up, and the driving away at speed to Jarndyce and Jarndyce.

Mr. Vholes gives it a rap, and it sounds as hollow as a coffin. Not to Richard, though. There is encouragement in the sound to him. Perhaps Mr. Vholes knows there is.