LitCharts assigns a color and icon to each theme in Brooklyn, which you can use to track the themes throughout the work.
Time and Adaptability
Immigration, Social Status, and Reputation
Communication, Hidden Emotion, and Secrecy
Coming of Age and Passivity
Summary
Analysis
Eilis Lacey sits in the living room of her childhood home in Enniscorthy, Ireland with a textbook in her lap. She will soon finish the bookkeeping classes she’s been taking, but right now she gazes out the window and sees her sister, Rose, walking down the street carrying a beautiful new handbag. When Rose enters the house, she quickly puts on lipstick and prepares to go to the local golf club. While she readies herself, her mother compliments her looks and says she’ll be the prettiest woman at the club. When she’s ready to leave, Rose turns to Eilis and gives her money to go to the movies, joking with her mother by saying that she won’t pay for her to accompany Eilis, who can tell her the plot of the film when she returns. The three women laugh, and then Rose hears her ride arrive and leaves.
At the outset of the novel, Eilis leads a relatively sheltered life. As she looks out the window, she sees her sister as an active and beautiful person—someone she admires. Unlike Rose, though, Eilis hasn’t yet grown up quite enough to enjoy a professionally or socially rewarding life. After all, she’s still studying to become a bookkeeper, so she can’t have a job like her sister yet. Consequently, she stays home with her mother while her sister presents herself proudly to the world. This, in turn, establishes Eilis’s relative passivity in comparison to Rose’s proactive, motivated nature.
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Shortly after Rose leaves, a young woman comes to the Lacey household and tells Eilis that Miss Kelly, the owner of a nearby grocery store, wants to see her. Eilis can’t fathom why Miss Kelly would want to speak to her, but she quickly prepares herself to pay a visit because she doesn’t feel like going to the movies or continuing to study for her bookkeeping class. On her way to the store, she thinks about how her mother doesn’t shop in Miss Kelly’s store because it’s too expensive. She also senses that her mother dislikes Miss Kelly, though she doesn’t know why. All she truly knows about Miss Kelly is that everyone says she sells the best, highest quality food in town.
As Eilis walks to Miss Kelly’s store, her awareness of socioeconomic status brings itself to the forefront of the novel. Although her sister is a well-respected young woman who belongs to the local golf club, her family isn’t wealthy enough to shop at Miss Kelly’s store—something Eilis apparently knows all too well. As a result, readers see that Eilis is attuned to matters of class and, to a certain extent, reputation.
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When Eilis arrives at the grocery store, Miss Kelly looks at her in what Eilis thinks is a disapproving way, but Miss Kelly then informs her that she needs help in the store. She says she has heard that Eilis has no job but is good with numbers, and when Eilis asks how she knows this, she tells her that “anyone who is anyone” comes into her store and that she hears everything. Because the shop is overrun each Sunday after mass, she needs someone to work the register, especially since Mary, her only employee, is incapable of working with numbers. As she speaks, Eilis decides that she can’t refuse the offer, since working in Miss Kelly’s store will be better than not having a job at all. Accordingly, she agrees to come in the next day to learn the prices.
When Miss Kelly goes out of her way to say that “anyone who is anyone” shops in her store, she establishes that Eilis isn’t the only person who pays attention to social status in Enniscorthy. Unfortunately for Eilis, though, this comment also emphasizes the fact that Miss Kelly doesn’t see her family as noteworthy, since they don’t shop at her store. Despite this insensitive comment, though, Eilis decides to accept Miss Kelly’s job offer—a sign that she’s eager to find employment so that she can lead a life that resembles her sister’s.
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Eilis assures Miss Kelly that she will tie her hair back when she works and that she’ll make sure to buy a suitable outfit for work. Before she leaves, Miss Kelly says that Eilis’s mother will be happy that she has a job, as will Rose, who Miss Kelly has heard is quite good at golf. On her way home, Eilis thinks about what her family will really think about her working in a grocery store. She knows that her mother will be happy that she’s making money, even if she dislikes Miss Kelly. Rose, on the other hand, will most likely think that working at a cash register is beneath Eilis, but Eilis doesn’t think she’ll actually say this out loud.
Oddly enough, both Miss Kelly and Rose seem to think that they are superior to one another. Although Eilis’s family doesn’t shop at Miss Kelly’s because it’s too expensive, Rose still sees herself and her sister as better than someone like Miss Kelly. That she won’t want Eilis to work at a cash register hints that Rose thinks her sister is destined for great things, even if their family’s current social status doesn’t provide her with many opportunities at the moment. What’s more, Eilis’s hypothesis that Rose won’t actually articulate any of this suggests that they don’t always openly express their feelings to one another.
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On her way home, Eilis goes to her friend Nancy’s house. Her other friend, Annette, is there too, and the three girls go outside so that Nancy can avoid her family in order to tell Eilis her big news. The news is that Nancy danced with a wealthy and desirable young man named George Sheridan the previous weekend. She excitedly tells her that she danced the final four songs with George and that George walked her home. Everyone, she says, saw this happen, so she’s somewhat surprised that Eilis hasn’t already heard about it.
Nancy’s excitement about dancing with George Sheridan only further underlines just how much people in Enniscorthy care about status and social class. An eligible bachelor, George stands for everything that someone like Eilis is supposed to want: an opportunity to advance up the social latter. However, it’s worth noting the difference between the ways in which Eilis and Nancy are trying to attain upward mobility. Whereas Nancy sees her possible relationship with George as a chance to secure the life she wants, Eilis is focused on how getting a job might affect her ability to lead a better life.
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Eilis tells Nancy and Annette that Miss Kelly offered her a job. In response, Nancy scoffs at the idea of Eilis accepting such a position, but Eilis tells her that she accepted it because she wants the money. This, she points out, will enable her to accompany Nancy and Annette to the dances at the Athenaeum on Sunday nights, so Nancy asks if she’ll come with her that weekend, since Annette can’t make it. Although George might not be there, she says, she still wants moral support. At first, Eilis is skeptical, saying that she doesn’t like the men who attend the dances because all they’re interested in is getting drunk and becoming physical with the women. But because Nancy insists that George isn’t like that, she agrees to come with her to the dance.
When Nancy disparages Eilis’s decision to work in Miss Kelly’s shop, she embodies an elitist mindset, the very same one that Rose seems to have cultivated. The difference, though, is that Rose will most likely disapprove of her sister’s new job not just because she’s elitist, but because she simply wants the best for Eilis. Nancy, on the other hand, inconsiderately discredits the value of making money, acting as if meeting an eligible bachelor like George Sheridan is the only acceptable way to attain stability and happiness in life.
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When Eilis goes to the grocery store to be trained, she notices that Miss Kelly changes the way she greets customers based on whether or not she sees them as important figures in society. To some, she says nothing at all. To others, she simply smiles. But to a select few, she kindly greets them, calls them by name, and gives them whatever they want without taking any money, instead noting down the transaction in a small ledger. As she trains Eilis, she makes disparaging comments about Mary’s intelligence and abilities, even though Mary can hear her saying these things. She even speaks this way before customers, and even they don’t seem to be bothered by her mean-spirited treatment of Mary. In fact, one woman agrees with her when she condescendingly suggests that “the Lord makes all types.” “Sure,” the customer says, “don’t we need people to sweep the streets?”
Once again, the snobbery of Miss Kelly’s grocery store brings itself to bear on Eilis, who is already well aware that her family is unable to shop at the store. As Miss Kelly tries to posture as an important woman with admirable connections in society, she goes out of her way to demean Mary. That nobody seems to be bothered by this suggests that the people in Eilis’s society are used to this kind of stratification between classes. In fact, the customer who says that society needs people to “sweep the streets” underscores this idea, clearly implying that it’s perfectly acceptable for a community to privilege to certain people over others.
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On Saturday night, Eilis sets her alarm for work the next day. She now sleeps in her brothers’ old room, since all three of them have gone to Birmingham to work, leaving the house with just Eilis, Rose, and their mother. For the most part, the family depends financially on Rose, who works in a local office and is widely respected as a fashionable dresser and admirable golfer. She’s already 30, but Eilis thinks she grows better looking every year. Despite this, she only has temporary boyfriends, and she sometimes talks about how she has a better life than her many friends who got married early and had children. Eilis respects her sister’s independence and appreciates that Rose tries to advocate for her, even if this doesn’t always work out. For example, Rose tried to get her a job in her office, but the boss was uninterested in hiring Eilis.
Eilis’s respect for Rose is apparent as she considers just how admirable her sister is. What’s most interesting about Rose’s popularity is that she and her family are still unable to shop in Miss Kelly’s store. This suggests that social status and wealth don’t necessarily always accord with one another, since it’s clear that Eilis’s family is well-respected even though they don’t have as much money as other families. This, it seems, places extra importance on how people like Eilis and Rose present themselves, as they maintain their social standing not by earning large amounts of money, but by cultivating a respected image.
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Eilis doesn’t tell Rose that she accepted a job at the grocery store, though she does tell her mother, who speaks critically about Miss Kelly. According to her, Miss Kelly is “evil incarnate” and only cares about wealthy people. Eilis’s mother also reveals that she told Rose about her new position, but she advises her daughter not to pay Rose any mind if she criticizes her decision.
Again, it’s obvious that Eilis cares deeply about what her sister thinks. Sensing this, her mother tells her not to pay attention to Rose if she expresses her disappointment regarding the fact that she took a job at Miss Kelly’s store. Strangely enough, though, even Eilis’s mother seems to somewhat disapprove of Eilis working with Miss Kelly, though she doesn’t try to stop Eilis from doing so—a sign that she doesn’t want to turn away the money. In addition, it’s worth noting that Eilis initially plans to keep her employment a secret from Rose, thereby demonstrating her willingness to hide certain details about her life from her loved ones.
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Part of the deal that Eilis worked out with Miss Kelly is that she’ll accompany her to mass on Sunday mornings before going to the shop. As she sits through the church service, she reflects upon the fact that she hasn’t been to morning mass since a long ago Christmas, when her father was still alive and her brothers still lived at home. When the service ends, she, Miss Kelly, and Mary go to the shop, at which point Mary begins to unpack loaves of bread and move them to the front of the store. As she does so, Eilis is surprised to find that these loaves are a day old, since there are no deliveries on Sunday. As she makes this discovery, Miss Kelly tells her that this bread is only for “special customers.” Other customers, she says, should be content to eat even older bread.
That Miss Kelly saves the best food for certain customers is relatively unsurprising, considering her desire to endear herself to the wealthiest and most respected members of the community. And though Eilis also comes from a family that is quite cognizant of social status, she is still unsettled that she has to help Miss Kelly perpetuate this brand of favoritism, which is so blatantly shallow. Nonetheless, she doesn’t let this stop her from following Miss Kelly’s instructions and doing her job, a fact that indicates that she’s willing to simply do what people tell her to do.
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Throughout the day, Miss Kelly gives preference to certain customers, often allowing them to cut the line even when this frustrates the other shoppers. That evening, Eilis can’t help but talk about her first day over dinner, despite her original plan to not say anything about her new job in front of Rose. In response, Rose says that she once went to the store and Miss Kelly served someone else before her, at which point she left without buying anything. Hearing this, Eilis’s mother says again that Miss Kelly is “evil incarnate,” revealing that she and her friends used to call her “Nettles Kelly” in school because her full name is Nelly Kelly. And though Eilis and Rose feel bad upon hearing this, Eilis can’t help but start to imitate Miss Kelly, which makes all three of them laugh.
When Eilis, Rose, and her mother laugh about Miss Kelly, readers see that Miss Kelly’s elitist behavior actively invites scorn. This makes sense, since Rose herself has experienced Miss Kelly’s snobbery. At the same time, though, readers get the sense that Rose and her mother perpetuate the same kind of elitism as Miss Kelly, since they ultimately view working in a grocery store as beneath Eilis. Consequently, they effectively play into the very worldview that they criticize.
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Eilis wonders as she, her sister, and her mother laugh if anyone else realizes that this is the first time they’ve laughed at the dinner table since her brother Jack followed her other two brothers to Birmingham. As she thinks this, she wishes she could bring her brother up in conversation, but she fears that this will make her mother sad, so she simply continues imitating Miss Kelly.
For the first time, readers sense the extent to which Eilis and her family members are emotionally estranged from one another. Even in this moment of levity, Eilis can’t bring herself to mention her brothers’ departure, fearing that this will only upset her mother. In this way, she tries to protect her mother by ignoring her own emotions and refusing to articulate what she’s actually thinking.
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That night, Eilis meets Nancy at her house and walks with her to the dance. She feels self-conscious because she can tell that she didn’t put enough effort into her appearance, especially compared to Nancy, who has clearly gone out of her way to look especially beautiful. This, she knows, is because she wants George Sheridan to notice her again, though Nancy tells Eilis that she doesn’t want George to know that she has returned to the Athenaeum just for him. This is why she needs Eilis to make it look like they’re in constant conversation, hoping that she’ll seem preoccupied but still available if George wants to ask her to dance. As they enter the dance hall, Eilis senses Nancy’s anxiety, knowing that her friend must be thinking about how she was abandoned by her former boyfriend just one year ago.
While Nancy focuses on establishing a relationship with George, Eilis seems completely uninterested in finding a boyfriend. The only reason she’s going to the dance is to give her friend moral support, and she doesn’t think even briefly about the possibility of meeting somebody with whom she might dance. This, it seems, is either because she’s not yet interested in pursuing romantic relationships or because she’s more focused on attaining upward mobility through her professional life than on doing so through her love life.
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Eilis thinks about George Sheridan, who is handsome and has a car. He also owns a successful store in town, making him the perfect catch. When Eilis and Nancy arrive at the dance, though, George is nowhere to be seen, so they stand to the side and try to make themselves look unavailable to the men who are there. These people, Eilis and Nancy think, look like country bumpkins, and Nancy suddenly wishes that she had made herself look purposefully ugly so that nobody would approach her. Before long, though, George bounds into the hall with his friend Jim Farrell and a group of their rugby teammates, and Nancy suddenly becomes overwhelmingly nervous.
Once again, Eilis judges people based on their social status, deciding that the men at the dance are undesirable because they don’t live up to a certain standard—a standard that Rose would most likely want her sister to implement in her selection of a potential boyfriend.
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Just when it seems that George won’t pay Nancy any attention, he asks her to dance. After the first song, he and Nancy invite Eilis to have a lemonade with them, at which point they migrate to the bar on the side of the room, where they meet up with Jim Farrell. As they drink the lemonade, Eilis gets the distinct feeling that Jim dislikes both her and Nancy, since he refuses to say anything to them. To her horror, George and Nancy begin to dance again. As they do so, Jim steps forward and Eilis prepares herself, thinking that he’s going to ask her to dance and deciding to accept when he does, since she has no other choice. Instead, though, he pauses, steps back once more, and looks around the room, avoiding Eilis’s gaze. He then ignores her for the rest of the set, so she leaves.
After Eilis has spent the entire night judging everyone and deciding that she’s above them, she suddenly finds herself feeling as if she isn’t good enough for Jim Farrell. What’s interesting, though, is that she resolves to accept Jim Farrell’s invitation to dance when she thinks he’s about to ask, thinking that this is her only choice. That she thinks this implies that she tends to go along with whatever comes her way, failing to see that she has the ability to choose what she wants to do. At the same time, though, it’s worth noting that this passive way of moving through the world is most likely informed by the outdated view that men should have more power than women.
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The next day, Eilis tells her mother and Rose about what happened at the dance. They both advise her not to pay too much attention to the way Jim Farrell treated her, even though her mother also says a few nice things about Jim’s parents. Eilis suggests that perhaps Jim thinks Nancy isn’t good enough for George, and when her mother says that this would be ridiculous because Nancy is one of the prettiest girls in town, Rose points out that George’s mother might not agree. In response, Eilis’s mother says that some of the shopkeepers in town think they’re better than everyone else just because they get to sit behind a counter. Later, she says that she’s hoping Eilis will soon find a “proper job” that will enable her to leave Miss Kelly’s grocery store.
Eilis’s mother’s comment about shopkeepers once more highlights the condescending attitude she has toward people who work in stores. Knowing that people like George Sheridan’s mother and Miss Kelly think they’re extremely important, Eilis’s mother resents the idea that such people would look down on individuals like herself. This resentment then causes her to speak with a similar kind of condescension, thereby perpetuating the elitism that apparently sows so much division in her community.
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One evening, Rose mentions at dinner that she played golf with an Irish priest named Father Flood who lives in America. She tells her mother that Father Flood remembers her from a long time ago, and though her mother can’t recall him, Rose informs her that she invited him for tea. When he arrives the following day, her mother still doesn’t remember him, but this doesn’t stop her from welcoming him into the house. As the conversation develops, Eilis realizes that Father Flood knows about her job at Miss Kelly’s, since he says she could have a better job if she moved to Brooklyn, where he now lives. At first, Eilis’s mother doesn’t like this idea, but Father Flood assures her that it’s safe and that there are plenty of Irish people in his parish. As they talk, Eilis understands that this is why Rose invited the priest over.
Rose doesn’t like that her sister works at Miss Kelly’s grocery store, since she thinks Eilis is destined for better things. For this reason, it seems, she has gone out of her way to give Eilis a new opportunity—namely, the chance to migrate to the United States in search of more economic opportunities. As this plan first takes hold, it’s worth pointing out that Eilis doesn't seem to participate in the conversation very much, instead simply watching this important decision unfold before her.
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As Father Flood discusses the possibility of helping Eilis move to Brooklyn, Eilis starts trying to commit her surroundings to memory, sensing that she’ll soon be leaving everything she knows behind. She then wonders if her mother and sister would be so supportive of this idea if she hadn’t recently started working at a grocery store, and she regrets telling them so much about her job. Although they had many laughs over dinner about Miss Kelly, Eilis now sees that Rose doesn’t actually think it’s funny that she’s working in a grocery store.
As Eilis regrets telling her mother and sister so much about her job at Miss Kelly’s, it becomes clear that she doesn’t like the idea of moving to the United States. Instead of speaking up and expressing this sentiment, though, she merely wishes she had realized earlier that Rose might try to push her toward new opportunities—opportunities she’s too sheepish to refuse.
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In the days after Father Flood’s visit, nobody says anything about the idea of Eilis moving to Brooklyn. This silence, Eilis knows, confirms that her mother and sister have both agreed that she should go. As she reflects upon the prospect of leaving, she thinks about the fact that people can become wealthy in the United States. She also wonders why she has the distinct feeling that people who go to America don’t end up missing home as much as people who go to England.
That Eilis takes her mother and sister’s silence as a sign that they’ve decided her future for her suggests that she’s used to a lack of communication in her family. Rather than speaking openly about this opportunity and letting Eilis decide for herself, her mother and sister remain quiet, demonstrating their reticence to share their feelings. Indeed, their silence tacitly implies that Eilis would be crazy not to take this opportunity—a viewpoint that Eilis apparently understands, as she sees going to America as something nobody ever regrets.
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Eventually, Eilis receives a letter from Father Flood outlining the details of her possible migration to America. He informs her that he has found her a sales floor position at department store in Brooklyn, adding that there will be “plenty of opportunity for promotion and very good prospects” if she accepts the job. He doesn’t mention how much she would be paid, nor how she’ll pay for the transatlantic voyage. Instead, he gives her directions about how to obtain a visa. While Eilis reads this letter, she waits for her mother to say something, but Mrs. Lacey only speaks up to say that she should keep the letter to show to Rose when she gets home from work.
Father Flood’s letter emphasizes that moving to Brooklyn will give Eilis the chance to attain upward mobility. In fact, he even takes it for granted that this is in itself a reason to migrate, considering that he doesn’t even say how much money she’ll be making. In this way, readers sense that the mere idea of advancement is enough to convince people like Eilis and her family members that she should move away from home. Although she will be working a job that isn’t much better than her current position at Miss Kelly’s store, the fact that she might be able to enjoy professional growth makes the prospect seem alluring and worthwhile.
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In the ensuing weeks, Eilis gathers the necessary documents for her migration to the United States. Father Flood gives her a sponsorship letter and gets her officially hired at Bartocci & Company, the department store in Brooklyn that he mentioned in his first letter. Meanwhile, her three brothers agree to pay for her transatlantic voyage, and Rose says she’ll give Eilis money to survive when she first reaches New York. Because she can tell that the news of her departure will soon spread through the town (especially since her mother won’t be able to keep herself from talking about it), she goes directly to Miss Kelly and informs her that she’ll be leaving in a month.
That Eilis’s mother won’t be able to stop herself from telling everyone that her daughter is going to America is noteworthy, since it once again underlines how much she cares about social status and reputation. It also suggests that migrating to the United States has a certain social currency amongst people in Enniscorthy, since Mrs. Lacey clearly wants to brag about Eilis and her new opportunity to attain upward mobility.
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Miss Kelly tells Eilis that she no longer needs her help. Eilis tries to say that she wants to work until she leaves, but Miss Kelly says that people will talk too much about her imminent departure and that this will be too distracting. However, she says that Eilis can work in the shop during the holidays, and Eilis realizes that Miss Kelly is the first person to even mention that she might come back to Ireland for Christmas or other holidays. This causes her to think about how she has always assumed she would spend her entire life in Enniscorthy. She would perhaps work until she got married and had children, she used to think, and then she would simply live in town with her husband and family. Now, though, she suddenly feels like she will have a different existence—one for which she feels unprepared.
In this scene, Miss Kelly passive aggressively punishes Eilis for pursuing her opportunity to go to the United States. Given that Miss Kelly is such a social climber, it’s likely that she resents Eilis for getting to do something that is so widely respected in Enniscorthy—something that Miss Kelly herself never got the chance to do. However, their conversation doesn’t give Eilis a sense of vindication or pride. Instead, it forces her to realize that she is about to make a significant life change, one that she never envisioned for herself. Because she is relatively passive when it comes to making decisions about her own life, it comes as a shock to her when she realizes that she’s about to do something that is actually quite active, since migrating across the Atlantic ocean is something that requires resolve and determination.
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After telling Miss Kelly about her departure, Eilis begins to fear her departure. The kind of fear she feels, though, is the kind that she always thought she would feel right before her wedding, since this would be a time period during which people would look at her “with light in their eyes,” which is how people have been regarding her in the past few days. Instead of dwelling on this thought, she chooses not to think about what her final weeks in Enniscorthy will be like, worrying that she’ll lose her resolve and find herself unable to leave.
The fact that people look reverently at Eilis because she’s about to migrate to the United States confirms the notion that her community deeply respects anyone who is upwardly mobile. It also confirms that people conflate the very act of migrating with advancement, associating immigration with opportunity and success. This is disorienting to Eilis, who has never actually pursued something so widely respected. And though she has misgivings, she decides not to say anything, once again proving that she has a tendency to hide her emotions.
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One day, Eilis comes to understand that both her mother and Rose are also hiding their feelings about her departure. In a conversation with their neighbor, her mother is forced to admit that she’ll be distraught when Eilis leaves, and she even has to leave the room to contain her emotions. Still, Eilis doesn’t let herself think about the fact that she doesn’t truly want to go to Brooklyn. Instead of dwelling on this, she focuses on practical matters, like what kind of clothing she should pack.
In this section, it becomes clear that Eilis isn’t the only one in her family to conceal her emotions. To that end, she takes cues from her mother, who appears unwilling to let her daughters see her sadness. Meanwhile, Eilis tries hard to avoid saying anything that might worry or bother her mother, meaning that they both try to protect each other from emotional hardship. This, in turn, causes them both to suffer their misgivings in solitude.
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While Eilis is busy packing, Rose calls her into her room to offer her some pieces of jewelry to take to America. As she shows her the collection, Eilis has the disconcerting realization that by sending Eilis to America, Rose is effectively ensuring that she’ll never get married or move out of the house. This is because it’s obvious that their mother doesn’t want to live alone, and since nobody else will be there to take care of her, this duty will fall to Rose when Eilis leaves. As she tries on a necklace, Eilis senses that Rose is aware that she won’t be able to get married or lead her own life if Eilis goes to America. This causes her to think about how Rose would be better suited to a life in Brooklyn, and she feels bad that her sister is sacrificing herself for her.
As Eilis’s departure nears, she feels less and less ready to leave home. She even starts suspecting that she’s unfit to live in America, once again looking up to her sister and thinking that Rose is better than her. And though it might be true that Rose is more independent and self-sufficient, this doesn’t necessarily mean that Eilis herself isn’t also capable of succeeding abroad. Either way, Eilis says nothing about what she’s thinking, failing to reach out to Rose because she’s so used to hiding her feelings.
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Still trying on Rose’s jewelry, Eilis wonders if her mother also thinks that “the wrong sister” is going to Brooklyn. She then considers the fact that both Rose and her mother must be aware of all of these dynamics, thinking that they both know so much but can’t bring themselves to actually speak their thoughts. In turn, she decides to not say anything about the misgivings she has about migrating to America, resolving to trick her mother and Rose into thinking that she’s excited for this new adventure. After all, she feels as if their family already has enough sadness in it, so she doesn’t want to add even more sorrow.
When Eilis decides not to voice her misgivings about moving to Brooklyn, readers see that her family’s tendency to hide their emotions perpetuates itself. Rather than speaking openly with her mother and sister, Eilis thinks that she owes it to them to remain silent, thinking that it’s her job to protect them from sadness. In turn, she merely estranges herself from her loved ones before she even leaves for the United States.
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When it comes time for her to leave, Eilis goes with Rose to Dublin, where they eat lunch at a hotel and wait for her to board a boat bound for Liverpool, where Jack will meet her and pass the time with her until she gets on an ocean liner bound for America. While Eilis eats lunch with Rose, she thinks about the allure of moving to America, sensing that what she’s doing is quite exciting and respectable even if she’s destined for an unremarkable job. She also reflects on the way Rose behaves in public, admiring her sister for her confidence, poise, and ability to convince the ticket collector at the docks to let her board the boat and stay with Eilis until just before it leaves.
Although she’s hesitant to move to Brooklyn, Eilis understands that this adventure will improve her social capital at home, regardless of what happens when she reaches her destination. With this in mind, she once again admires her sister’s ability to cultivate an enviable public image, and readers get the sense that she herself will try to establish this kind of elegant self-confidence when she lives in America.
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In Liverpool, Eilis is overjoyed to see Jack, but he doesn’t want her to hug him because he worries that people will think they’re in a relationship. Smiling, he and Eilis deposit her luggage and go out for the day. Jack tells her about his life in England, though he’s not very forthcoming and she has to pry for details. When she asks if he would ever consider returning to Ireland, he says that there isn’t anything calling him back, though this isn’t how he felt in the first months after he moved to England. During this time, he says, he desperately wanted to go home, but he’s finally used to life in a different country. As Eilis presses him for more details about his life, she learns that he has a girlfriend, but he refuses to tell Eilis anything about her.
Jack’s relative unwillingness to tell Eilis many details about his life in England aligns with their family’s tendency to avoid sharing too much about themselves. Still, though, he gives her an important piece of information when he tells her that his first months in England were especially hard. This is relevant to Eilis’s life because she’s about to move to a new country and will likely experience the same feeling of homesickness. The fact that Jack has grown accustomed to his new life is also worth remembering as the novel progresses, since it suggests that people are capable of adapting to new circumstances.
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When Eilis finally boards the ocean liner, she makes her way to her cabin, which is in third class and therefore deep in the ship. As she situates herself in the bottom bunk of her tiny cabin, she thinks about Jack’s comment about missing home when he first went to England. She remembers that he said nothing about this in his letters home, and she suspects that he has never told anyone about how he felt. This causes her to wonder if perhaps all of her brothers experienced these feelings and were able to help each other. She, on the other hand, will be alone in America, and will have nobody to help her through such difficulties.
As Eilis settles into her cabin, the magnitude of what she’s doing by migrating to America dawns on her. Although it was easy to passively let Rose and Father Flood plan her travels, she now must rise to the occasion by actually going through with the plan. Unsurprisingly, then, she begins to feel daunted not only by the fact that she’ll soon be on her own for the first time in her life, but that this will take place in a foreign country. Although Jack’s experience in England suggests that homesickness passes, it’s hard to apply his words to Eilis’s situation, since he was surrounded by his brothers, whereas Eilis will have no family members to help her.
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The cabin door opens and a woman enters with a very large suitcase, ignoring Eilis as she drags it into the tiny room. Once inside, she turns to Eilis and says that she’s in her bunk, claiming that her ticket states that the bottom bed should be hers. As Eilis moves to the top bunk, the woman introduces herself as Georgina and then says that she’ll never travel in third class again. She then invites Eilis to have a cigarette with her above deck, but Eilis declines because she doesn’t smoke. Later, Georgina returns to the cabin when the engines of the ship fire on, and she invites Eilis to come on-deck with her to watch the lights of Liverpool recede as the boat pulls away. As they go up, she says they might be able to meet someone who will get them into the first-class lounge.
It’s worth remembering that Eilis is from a small town. As a result, her interaction with Georgina just might be one of the first times she has ever had an extended conversation with somebody from a different country. To add to this, Georgina is a rather brazen and unique person, somebody who is clearly well-traveled and who has been on ocean liners before. In this regard, then, Eilis’s interaction with Georgina is the first new experience of her journey.
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Eilis accompanies Georgina out of the cabin and up to the deck, observing her stylish haircut and confident way of moving. Once they’re on-deck, Georgina tells Eilis to follow her because she knows how to get into the first-class lounge, but Eilis politely declines. In response, Georgina turns and looks at her, saying, “Suit yourself. But, by the look of it and from what I’ve heard, it’s going to be one of those nights, one of the worst.” Not knowing what this means, Eilis say farewell and makes her way to the third-class dining room, which is mostly empty. After eating a bowl of soup and some meat and potatoes, she returns to her cabin to sleep, wondering if Georgina was really able to get into the first-class lounge.
Unlike Georgina, Eilis doesn’t want to break the rules. This is because she’s never been away from home and therefore she is hesitant to do anything that might get her in trouble. Indeed, simply going to the third-class lounge and eating dinner is a new experience for her, to say nothing of what it would be like to break into first-class. Already, then, it’s clear that her journey to America will be full of adventurous new experiences.
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Alone in her cabin, Eilis tries to open the door to the bathroom that she and Georgina will be sharing with the people next door, each room having its own entrance to the toilet. When she tries the door, though, she finds that it’s locked, and nobody responds when she knocks, though she keeps trying. Before long, she gets worried that the door will never open—a particularly upsetting thought, since she suddenly realizes that she has to defecate. As this need becomes more urgent, she leaves the cabin and searches for a bathroom somewhere else on the ship, but she’s unsuccessful. During her search, the ship lurches forward as it pulls away from the harbor. Before long, Eilis becomes so desperate that she finds a mop bucket into which she relieves herself, using the mop itself to clean herself after she’s finished.
Although Eilis is eager to follow the ship’s rules because it’s her first time away from home, she finds herself in a precarious situation in which she has to fend for herself, regardless of what she is or isn’t supposed to do. When she’s forced to relieve herself in a bucket in the ship’s hallway, she demonstrates her resourcefulness, proving that she’s capable of handling whatever life throws at her, though defecating into an empty pale on her first night away from Enniscorthy certainly isn’t what she had in mind when she thought about migrating to America.
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After putting the soiled bucket in a secluded corner, Eilis sheepishly makes her way back to the cabin, gets into bed, and falls asleep. Soon, though, she awakes to find herself filmed in sweat, and she intuits that she’s about to vomit. As she frantically gets off the top bunk, she accidentally spews some of her dinner all over the cabin. Because the bathroom is still locked, she bursts into the hallway, throwing up as she goes. Then, because the ship is rocking back and forth so violently, she gets on all fours and continues to void herself onto the floor, wanting to finish as quickly as possible so that nobody catches her making such a mess. Every time she tries to stand, though, she becomes nauseous and throws up again.
In this moment, Eilis has no choice but to succumb to seasickness. No matter how much Rose and Father Flood have planned for her to have a smooth journey to America, there’s no changing that the ocean liner is rocking nauseatingly with the waves. In turn, Tóibín suggests that sometimes there’s simply nothing a person can do to avoid hardship and discomfort in life.
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Once Eilis returns to her cabin, she hears someone retching on the other side of the bathroom door and understands that this is why it’s locked—her neighbors knew that the waters would be choppy, so they locked her out of the bathroom to avoid having to share it. She then remembers that Georgina said it was going to be a rough night. Trying to clean up the vomit in her cabin with a mop, she soon sees that the task is impossible and returns the mop to the hallway, at which point she vomits again. All the while, the ship feels as if it’s not making any progress at all, and she wonders just how far her cabin is below the water line. Back in bed, she tries to melt into the swaying motion and thinks about her mother and her life in Enniscorthy.
Even though there’s nothing anyone can do to stop themselves from getting seasick, Eilis’s neighbors have slightly improved their predicament by ensuring that they won’t have to share the bathroom. This, unfortunately, puts Eilis in an even worse situation, ultimately forcing her to endure an even more harrowing night than she otherwise would have.
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The next morning, Eilis wakes up when Georgina—who was gone all night—puts her hand on her forehead. Eilis tells her that their neighbors locked the bathroom door, and Georgina sympathizes with her, saying that people always do that. As she says this, she takes a nail file from her bag and uses it to unlatch the lock. She and Eilis then block the other door so that their neighbors will no longer have access to the bathroom. When Eilis asks if she made a huge mess in the hallway, Georgina says that she did, but she also says the entire ship is covered in vomit, including first class. She then informs Eilis that they’re in the middle of a terrible storm, instructing her to not eat anything and to simply drink lots of water.
Georgina’s comment that the entire ocean liner—including the first-class cabin—is covered in vomit highlights the superficial nature of social status and class disparity. No matter how much money the people in first-class spend to have their own comfortable quarters, they can’t avoid the same fate as everyone else on the ship. This, in turn, underscores that there’s nothing anyone can do to avoid the pitfalls of the human condition, no matter how hard people work to feel superior to others.
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Georgina tells Eilis that she was caught in first-class and sent back to her cabin, which means they’ll be spending the night together. She also says that the ship will be going through sickening waves for the next day or two, meaning that they will both be vomiting quite a lot. After that, though, they will be in “calm waters.” When Eilis asks if she looks bad, Georgina responds, “Oh, yes, and so does every person on this boat.”
Georgina assures Eilis that, though they will continue to feel bad for a couple of days, this hellish experience will eventually pass. This is an important message, since it shows Eilis that sometimes in life the only thing a person can do is wait out hardship or discomfort. This, in turn, becomes a central metaphor for the entire novel, as Eilis later experiences emotional difficulties that she discovers will recede as long as she is patient and doesn’t try to change things over which she has no control.
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Georgina stresses the importance of eating nothing and drinking water, telling Eilis to vomit whenever she wants and promising that she’ll feel better the following day. She knows this, she says, because she takes transatlantic voyages every year to see her mother, enduring the agony for a week but relishing the chance to see her family.
Again, Georgina tries to show Eilis that even her most intense discomfort will eventually pass—a valuable life lesson as Eilis makes her way toward a new existence in Brooklyn.
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Once the storm passes, Georgina meets the neighbors with whom she agrees to share the bathroom. Eilis has been throwing up for two nights in a row, and she can’t believe that she has to be on the boat for four more nights, but she slowly begins to feel like herself again when they reach calmer waters. Shortly before they arrive in America, Georgina gives her advice about how best to pass through customs at Ellis Island, helping her choose what outfit to wear and how to wear her hair. She also helps her put on make-up and instructs her not to cough in front of any officials, since they might think she has tuberculosis and bar her from entering the country. Other than that, though, Eilis has little to worry about because the visa Father Flood helped her obtain is quite hard to get.
Although she was perhaps a bit rude at first, Georgina proves to be a fantastic guide for Eilis, teaching her not only how to wait out hardship, but also how to present herself so that she won’t have any trouble when they reach New York. All in all, the entire voyage has been a good learning experience for Eilis, though her true adventure—the one in which she must actually establish a new life in a foreign country—has yet to begin.