Robert Frobisher Character Analysis

A telegram, Sixsmith? You ass.

Don’t send any more, I beg you—telegrams attract attention!

V.A. was unsure of himself for once. “I dreamt of a … nightmarish café, brilliantly lit, but underground, with no way out. I’d been dead a long, long time. The waitresses all had the same face. The food was soap, the only drink was cups of lather. The music in the café was”—he wagged an exhausted finger at the MS—“this.”

She plays with that birthmark in the hollow of my shoulder, the one you said resembles a comet—can’t abide the woman dabbling with my skin.

Robert Frobisher mentions a comet-shaped birthmark between his shoulder blade and collarbone.

I just don’t believe in this crap. I just don’t believe it. I don’t.

I will not deny a nascent sense of a silver lining to this tragic turn. My Haymarket office suite housed ninety-five unsold shrink-wraps of Dermot Hoggins’s Knuckle Sandwich, impassioned memoir of Britain’s soon to be most famous murderer. Frank Sprat—my stalwart printer in Sevenoaks, to whom I owed so much money I had the poor man over a barrel—still had the plates and was ready to roll at a moment’s notice.

Hardcovers, ladies and gentlemen.

Fourteen pounds ninety-nine pence a shot.

A taste of honey!

Spent the fortnight gone in the music room, reworking my year’s fragments into a “sextet for overlapping soloists”: piano, clarinet, ‘cello, flute, oboe, and violin, each in its own language of key, scale, and color. In the first set, each solo is interrupted by its successor: in the second, each interruption is recontinued, in order. Revolutionary or gimmicky? Shan’t know until it’s finished, and by then it’ll be too late, but it’s the first thing I think of when I wake, and the last thing I think of before I fall asleep.

Time cannot permeate this sabbatical. We do not stay dead long. Once my Luger lets me go, my birth, next time around, will be upon me in a heartbeat. Thirteen years from now we’ll meet again at Gresham, ten years later I’ll be back in this same room, holding this same gun, composing this same letter, my resolution as perfect as my many-headed sextet. Such elegant certainties comfort me at this quiet hour.

A telegram, Sixsmith? You ass.

Don’t send any more, I beg you—telegrams attract attention!

V.A. was unsure of himself for once. “I dreamt of a … nightmarish café, brilliantly lit, but underground, with no way out. I’d been dead a long, long time. The waitresses all had the same face. The food was soap, the only drink was cups of lather. The music in the café was”—he wagged an exhausted finger at the MS—“this.”

She plays with that birthmark in the hollow of my shoulder, the one you said resembles a comet—can’t abide the woman dabbling with my skin.

Robert Frobisher mentions a comet-shaped birthmark between his shoulder blade and collarbone.

I just don’t believe in this crap. I just don’t believe it. I don’t.

I will not deny a nascent sense of a silver lining to this tragic turn. My Haymarket office suite housed ninety-five unsold shrink-wraps of Dermot Hoggins’s Knuckle Sandwich, impassioned memoir of Britain’s soon to be most famous murderer. Frank Sprat—my stalwart printer in Sevenoaks, to whom I owed so much money I had the poor man over a barrel—still had the plates and was ready to roll at a moment’s notice.

Hardcovers, ladies and gentlemen.

Fourteen pounds ninety-nine pence a shot.

A taste of honey!

Spent the fortnight gone in the music room, reworking my year’s fragments into a “sextet for overlapping soloists”: piano, clarinet, ‘cello, flute, oboe, and violin, each in its own language of key, scale, and color. In the first set, each solo is interrupted by its successor: in the second, each interruption is recontinued, in order. Revolutionary or gimmicky? Shan’t know until it’s finished, and by then it’ll be too late, but it’s the first thing I think of when I wake, and the last thing I think of before I fall asleep.

Time cannot permeate this sabbatical. We do not stay dead long. Once my Luger lets me go, my birth, next time around, will be upon me in a heartbeat. Thirteen years from now we’ll meet again at Gresham, ten years later I’ll be back in this same room, holding this same gun, composing this same letter, my resolution as perfect as my many-headed sextet. Such elegant certainties comfort me at this quiet hour.