LitCharts assigns a color and icon to each theme in Fathers and Sons, which you can use to track the themes throughout the work.
Tradition and Progress
Nature vs. Materialism
Love vs. Nihilism
Generational Conflict
Summary
Analysis
About two weeks pass, with Arkady enjoying his leisure and Bazarov working on his scientific experiments. Everyone gets accustomed to Bazarov, especially Fenichka, after Bazarov heals Mitya one night when the baby gets sick. At the same time, Pavel despises Bazarov as an “impudent fellow, a cynic and a vulgarian.” The servants feel that Bazarov is one of them, except for Prokofyich, who dislikes him.
Bazarov continues to curry favor with the servants, who find him relatable, except for those of the old school, like Prokofyich, who prefer a clearer class distinction. Meanwhile, the hostility between Pavel and Bazarov continues to simmer.
Active
Themes
Bazarov gets up early in the mornings to collect grass and insect specimens, and Arkady sometimes goes with him. They often argue, and Bazarov always wins the arguments, though Arkady is the more eloquent of the two. One day Nikolai goes out to meet the young men in the garden and hears them arguing. Bazarov says that Nikolai is old fashioned and has “had his day.” Nikolai goes back inside. Bazarov argues that Arkady ought to persuade his father to stop reading romantic “rubbish” like Pushkin and give him something “sensible” to read instead—Büchner’s Stoff und Kraft, for instance.
Arkady is more attentive to the beauty of language, whereas Bazarov is more forceful in argument. Arkady is willing to push back against Bazarov’s ideas and not accept all of them wholesale. However, Bazarov is influencing Arkady to think that materialism—like that promoted in Büchner’s materialist treatise—is better than romantic literature because it is “useful.” Attaching importance to poetry and literature is outdated and a waste of time to Bazarov.
Active
Themes
That day Nikolai sits with Pavel at dinner. He feels hurt, having hoped that he and Arkady could now grow closer. Instead, Arkady has “forged ahead,” and they can no longer understand one another. Pavel dismisses Bazarov as a conceited “quack.” Nikolai disagrees, but he can’t figure out where he went wrong. He’s always sought to be progressive, even “radical,” and has tried to keep up with the age—but to no avail. He tells Pavel that, earlier, while he sat reading Pushkin’s The Gypsies, Arkady came up and, with “an affectionate look of pity,” replaced Pushkin with Stoff und Kraft.
Nikolai’s hopes for a renewed relationship with Arkady have been disappointed, as Arkady has far outpaced him despite Nikolai’s best efforts to stay abreast of progress. Pavel’s dismissal of Bazarov doesn’t help. Arkady’s rather condescending rejection of the literature Nikolai prizes, like Pushkin, feels like a personal rejection to him, not just a recommendation of something different.
Active
Themes
Pavel examines the ninth edition of Stoff und Kraft and asks Nikolai what he makes of the book. Nikolai replies that either he is stupid or it is all rubbish; he supposes the former. Then he changes the subject, telling Pavel that Kolyazin, a bigwig privy councilor who is a relative of theirs, is visiting the province and wishes to see them. Pavel dismisses this, pointing out that he and Nikolai are “back numbers” anyway—although he’s sure he has “a skirmish with that doctor fellow” in front of him before all is said and done.
In light of Arkady’s behavior since returning home, Nikolai, despite being only in his 40s, feels that society has advanced beyond his ability to understand. Again, the differences between them evoke a personal sense of loss; it’s not primarily about abstract principles for Nikolai.
Active
Themes
Get the entire Fathers and Sons LitChart as a printable PDF.
"My students can't get enough of your charts and their results have gone through the roof." -Graham S.
Later that day, at tea-time, Pavel comes to the table irritable and looking for a fight. He waits impatiently for Bazarov to give him a pretext, and finally Bazarov obliges, calling a neighboring landowner “a complete rotter, a third-rate aristocrat.” Pavel inquires whether Bazarov considers all aristocrats to be “rotters,” and then Pavel gives the English aristocracy as an example of “genuine” aristocrats who are worthy of a liberal person’s respect. (As he does so, he takes on an ever more aristocratic accent, a relic from the days of Alexander I.) Pavel argues that aristocratic self-respect and good character—like his own habit of dressing finely even in the depths of the country—are the backbone of the social fabric.
Here it’s quite obvious how personally Pavel takes Bazarov’s rejection of aristocracy. When Bazarov rejects aristocrats, Pavel unconsciously takes on the applicable accent. And he argues that his own “aristocratic” choices have a justification that is beneficial to broader society. Thus Bazarov’s sneering rejection of all things aristocratic is an affront to Pavel’s existence.
Active
Themes
Pavel then argues that “aristocratism” is merely a principle, and “only immoral or silly people” can do without principles; the logic of history demands them. Bazarov retorts that humanity doesn’t have time for such abstractions; no one needs “logic” to put a piece of bread in their mouth when they’re hungry. The only thing upon which conduct should be based is what is “useful”; all else should be repudiated. Arkady “[glows] with satisfaction” during this exchange.
Pavel goes on to argue that history is built on principles, but Bazarov objects that we should only be concerned about what enables people to feed themselves. Anything that’s not useful for survival should be rejected. This underscores the fundamentally utilitarian basis of nihilism. Arkady enjoys seeing his uncle bested by his new mentor.
Active
Themes
Pavel argues that one cannot just destroy; one must also construct, but Bazarov maintains that “that is not our affair … the ground must be cleared first.” Arkady adds “pompously” that “the present condition of the people requires” this. Pavel vehemently rejects that this really represents Russian needs and aspirations. The Russian people, he says, hold tradition sacred and can’t live without faith. The young men continue to insist that this fact proves nothing.
Bazarov’s and Arkady’s view is that the older liberal emphasis on reforming institutions is misguided. They’re only concerned with tearing down what’s proven itself not to be useful. Thus, the generations have entirely different views on what “progress” is. Pavel argues that this is completely disconnected from a realistic understanding of the Russian people.
Active
Themes
Nikolai tries to disrupt the exchange. Pavel calms his brother and addresses Bazarov once more, arguing that such “materialism” has been tried before and has always proven itself to be bankrupt. Bazarov is beginning to get angry. Endless debating of social issues, he says, is a waste of time; “so-called progressives and reformers” never accomplish anything. That is why nihilists have decided to “confine ourselves to abuse” rather than trying to do anything “serious.”
Pavel sees the young men’s perspective as just another example of naïve, youthful idealism. Moreover, there’s nothing new under the sun; they think they’re being radical, but such efforts have failed before. Bazarov sees Pavel as fundamentally missing the point—agitating for reform has never actually achieved anything, so nihilists are trying a different tack altogether.
Active
Themes
Quotes
When Arkady agrees with Bazarov, Pavel groans that such a force as nihilism is fundamentally uncivilized. Anyway, nihilists are too few to make any difference among the Russian masses. When Bazarov says that nihilists are more numerous than Pavel thinks, Pavel calls this an “almost Satanic pride” and mocks the presumption of youths who reject everything as “rubbish.” Bazarov continues to argue that there is no public or private institution that should not be ruthlessly repudiated, including the peasant commune and the family. He and Arkady excuse themselves to go and dissect frogs, leaving Pavel and Nikolai speechless.
Pavel sees the young nihilists as fundamentally undercutting society and their project as inherent arrogant. For Bazarov especially, this just reinforces his commitment to nihilism. His and Arkady’s abrupt departure to dissect frogs fittingly concludes the argument; for them, scientific experiments yield far more useful knowledge than fruitless debates.