The Oscar Holden record physically symbolizes the role of music as a unifying force in the novel. Over the course of their friendship, and Keiko’s imprisonment in internment camps, Henry and Keiko share two different recorded copies of the same song that the jazz musician Oscar Holden dedicates to them. As the novel unfolds, both these copies are lost to Henry, and ultimately both return to him, one broken in half and one whole and intact. Henry himself sums up this magical quality of music: music is “a place where people […] [don’t] care what you [look] like, where you were born, or where your family [is] from.” Because it is a recording of Henry and Keiko’s song, the record also symbolizes their love. Many people, including Henry’s son Marty, don’t believe that the recording exists; the record is a kind of myth within Seattle’s music community. But Henry knows the record exists because he saw and held it. However unlikely it might have been, Henry and Keiko’s love existed, too. Finding the Oscar Holden record in the Panama Hotel reminds Henry that he has held that love his whole life, and if he wants to, he can fight for it once again. Indeed, the record itself is what reunites Henry and Keiko; Keiko sends her unbroken copy to an ailing Sheldon Thomas, along with a letter addressed to Henry.
The Oscar Holden Record Quotes in Hotel on the Corner of Bitter and Sweet
Through the slosh of the rain, Henry heard music from the camp. The song grew louder and louder, straining the limits of the speakers it came from. It was the record. Their record. Oscar Holden’s “Alley Cat Strut.” Henry could almost pick out Sheldon’s part. It shouted at the night. Louder than the storm.