Interview with the Vampire

by

Anne Rice

Interview with the Vampire Themes

Themes and Colors
The Nature of Evil Theme Icon
Violence, Desire, and Eroticism Theme Icon
Loneliness vs. Companionship Theme Icon
Reinventing the Vampire Theme Icon
LitCharts assigns a color and icon to each theme in Interview with the Vampire, which you can use to track the themes throughout the work.

The Nature of Evil

Interview with the Vampire examines the nature of evil, questioning whether people—or vampires—are inherently good or evil, or whether their relative goodness is defined by their actions. Louis de Pointe du Lac serves as the primary lens through which this idea unfolds. Louis’s transformation into a vampire marks the beginning of his struggle with his new predatory nature and the loss of his humanity. Louis finds it morally repugnant to need to kill to survive…

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Violence, Desire, and Eroticism

Interview with the Vampire explores desire through a homoerotic subtext and the vampires’ insatiable thirst for blood, which shapes the relationships of the novel’s characters. The homoerotic undertones become evident in the intense, often intimate bond between Louis and Lestat. Their relationship transcends mere companionship, suggesting romantic and sexual desire (though the novel’s vampires never explicitly engage in sexual activity). Lestat’s decision to turn Louis into a vampire stems from a deep longing…

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Loneliness vs. Companionship

Loneliness is pervasive among each of Interview with the Vampire’s main characters. From the very beginning, Louis grapples with the solitude that accompanies his new existence as a vampire. Despite Lestat’s physical presence and his mentorship, Louis feels a deep sense of isolation, as his moral compass diverges significantly from Lestat’s. Louis’s struggle to maintain his humanity and fight his vampiric nature exacerbates his sense of alienation. Lestat, despite his charismatic and domineering…

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Reinventing the Vampire

Interview with the Vampire presents a version of the modern American vampire, which is markedly different from the European vampire stories of the past. Although the figure of the vampire dates back further than Dracula, Bram Stoker’s iconic novel defined the vampire for much of the 20th century. Although there was some variation in how various authors presented their vampires, they tended to adhere to certain tropes. For instance, vampires were afraid of garlic…

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