Lolita

Lolita

by

Vladimir Nabokov

Perversity, Obsession, and Art Theme Analysis

Themes and Colors
Perversity, Obsession, and Art Theme Icon
Suburbia and American Consumer Culture Theme Icon
Exile, Homelessness and Road Narratives Theme Icon
Life and Literary Representation Theme Icon
Women, Innocence, and Male Fantasy Theme Icon
Patterns, Memory and Fate Theme Icon
LitCharts assigns a color and icon to each theme in Lolita, which you can use to track the themes throughout the work.
Perversity, Obsession, and Art Theme Icon

There is a relationship between Humbert Humbert’s desire for nymphets and his artistic gifts. The common link is obsession, which Lolita suggests is the connector between sexual perversion and artistic talent. Humbert Humbert’s passion for Lolita is not only perverse, but also physically and intellectually obsessive. He is not satisfied with merely molesting Lolita, or even with having sex with her, as more ordinary pedophiles might be. These things, to him, fall short of his ultimate goal, which is to “fix once for all the perilous magic of nymphets.” Humbert Humbert literally wants to know Lolita “inside out,” and he lavishes his attention—physically and with his mind—on every minute detail of her body and manner. This physical obsession with Lolita is microscopic: he takes pleasure in licking a speck from her eye, feeling the tiny downy hairs on her legs, and even in noticing the shine of her hair. His precise physical obsession is analogous to his equally precise artistic obsession, which is to immortalize Lolita in writing. As a pedophile and as an artist, Humbert is obsessed with small details. The linked themes of artistic and sexual obsession are two of the most common in Nabokov’s novels, appearing in his novels Pale Fire and Ada, or Ardor, among others. As a writer, Nabokov believed that obsessive attention to detail was the hallmark of all truly great artists.

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Perversity, Obsession, and Art ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Perversity, Obsession, and Art appears in each chapter of Lolita. Click or tap on any chapter to read its Summary & Analysis.
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Perversity, Obsession, and Art Quotes in Lolita

Below you will find the important quotes in Lolita related to the theme of Perversity, Obsession, and Art.
Part 1, Chapter 1 Quotes

Lolita, light of my life, fire of my loins. My sin, my soul.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number: 9
Explanation and Analysis:
Part 1, Chapter 5 Quotes

Between the age limits of nine and fourteen there occur maidens who, to certain bewitched travelers, twice or many times older than they, reveal their true nature which is not human, but nymphic (that is, demoniac); and these chosen creatures I propose to designate as ‘nymphets’

Related Characters: Humbert Humbert (speaker)
Related Symbols: Nymphets
Page Number: 16
Explanation and Analysis:
Part 1, Chapter 6 Quotes

In this wrought-iron world of criss-cross cause and effect, could it be that the hidden throb I stole from them did not affect their future?

Related Characters: Humbert Humbert (speaker)
Related Symbols: Nymphets
Page Number: 21
Explanation and Analysis:
Part 1, Chapter 8 Quotes

Quine the Swine. Guilty of killing Quilty. Oh, my Lolita, I have only words to play with!

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number: 32
Explanation and Analysis:
Part 1, Chapter 13 Quotes

Lolita had been safely solipsized.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number: 60
Explanation and Analysis:

…and my moaning mouth, gentlemen of the jury, almost reached her bare neck, while I crushed out against her left buttock the last throb of the longest ecstasy man or monster had ever known.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number: 61
Explanation and Analysis:
Part 1, Chapter 14 Quotes

I had stolen the honey of a spasm without impairing the morals of a minor. Absolutely no harm done. The conjurer had poured milk, molasses, foaming champagne into a young lady’s new white purse; and lo, the purse was intact.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number: 62
Explanation and Analysis:
Part 1, Chapter 18 Quotes

But I am no poet. I am only a very conscientious recorder.

Related Characters: Humbert Humbert (speaker)
Page Number: 72
Explanation and Analysis:
Part 1, Chapter 20 Quotes

Ladies and gentlemen of the jury, the majority of sex offenders that hanker for some throbbing, sweet-moaning, physical but not necessarily coital, relation with a girl-child, are innocuous, inadequate, passive, timid strangers who merely ask the community to allow them to pursue their practically harmless, so-called aberrant behavior, their little hot wet private acts of sexual deviation without the police and society cracking down on them.

Related Characters: Humbert Humbert (speaker)
Page Number: 87-88
Explanation and Analysis:
Part 1, Chapter 33 Quotes

In the gay town of Lepingville I bought her four books of comics, a box of candy, a box of sanitary pads, two cokes, a manicure set, a travel clock with a luminous dial, a ring with a real topaz, a tennis racket, roller skates with high white shoes, a portable radio set, chewing gum, a transparent raincoat, sunglasses, some more garments—swooners, shorts, all kinds of summer frocks. At the hotel we had separate rooms, but in the middle of the night she came sobbing into mine, and we made it up very gently. You see, she had absolutely nowhere else to go.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Related Symbols: Motels and Rented Houses
Page Number: 141-142
Explanation and Analysis:
Part 2, Chapter 2 Quotes

My only grudge against nature was that I could not turn my Lolita inside out and apply voracious lips to her young matrix, her unknown heart, her nacreous liver, the sea-grapes of her lungs, her comely twin kidneys.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number: 165
Explanation and Analysis:
Part 2, Chapter 17 Quotes

We must remember that a pistol is the Freudian symbol of the Ur-father’s central forelimb.

Related Characters: Humbert Humbert (speaker)
Related Symbols: Freudian Symbols
Page Number: 216
Explanation and Analysis:
Part 2, Chapter 23 Quotes

We all admire the spangled acrobat with classical grace meticulously walking his tight rope in the talcum light; but how much rarer art there is in the sagging rope expert wearing scarecrow clothes and impersonating a grotesque drunk! I should know.”

Related Characters: Humbert Humbert (speaker)
Page Number: 249
Explanation and Analysis:
Part 2, Chapter 25 Quotes

It is not the artistic aptitudes that are secondary sexual characters as some shams and shamans have said; it is the other way around: sex is but the ancilla of art.”

Related Characters: Humbert Humbert (speaker)
Related Symbols: Freudian Symbols
Page Number: 259
Explanation and Analysis:
Part 2, Chapter 29 Quotes

I could not kill her, of course, as some have thought. You see, I loved her. It was love at first sight, at last sight, at ever and ever sight.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number: 270
Explanation and Analysis:
Part 2, Chapter 36 Quotes

I am thinking of aurochs and angels, the secret of durable pigments, prophetic sonnets, the refuge of art. And this is the only immortality you and I may share, my Lolita.

Related Characters: Humbert Humbert (speaker), Lolita (Dolores Haze)
Page Number: 309
Explanation and Analysis: