LitCharts assigns a color and icon to each theme in Middlesex, which you can use to track the themes throughout the work.
Rebirth vs. Continuity
Ancestry, Inheritance, and Fate
False Binaries
Migration, Ethnicity, and the American Dream
Secrets
Summary
Analysis
Cal/lie Stephanides was born twice: once as a baby girl in 1960 in Detroit, and then again as a teenage boy in a hospital near Petoskey, Michigan, in 1974. He is featured in a study on “5-Alpha-Reductase Pseudohermaphrodites.” His birth name is Calliope Helen, and his current driver’s license, issued by the Federal Republic of Germany, lists his name as Cal. He is 41 years old, and “feel[s] another birth coming on.” He thinks about his “inbred” family. In floral language, he asks the Muse of his recessive gene to sing about how it was passed through his family for 250 years, before ending up in America. He apologizes for getting “Homeric,” saying “that’s genetic, too.”
This opening passage introduces almost all of the important themes in the novel: rebirth, ancestry, fate, binaries, migration, and secrets. It also indicates that although the novel revolves around a single person, Cal/lie, it also has an epic scope. This is indicated by Cal’s mention of the recessive gene that passed through his family for 250 years, reflecting the long familial and cultural lineage of the Stephanides family.
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Quotes
Just before Callie is born, her grandmother, Desdemona, asks Callie’s brother, Chapter Eleven, to bring her her silkworm box. Obeying, Chapter Eleven goes straight up to the attic where his grandparents live and retrieves the box from under the bed. He brings it back downstairs; when he hands it over, the room full of women fall silent. Desdemona gets a silver spoon out of the box and ties a piece of sting to the handle. She then hangs it over Callie’s mother Tessie’s pregnant stomach. Desdemona has correctly guessed the sexes of 23 babies. Now, Desdemona says that Tessie is going to have a boy, which secretly disappoints Tessie, who wants a girl so much that she has already chosen the name Calliope.
Here, the novel explores the idea that a person’s gender isn’t a biological accident, but rather something that is fated and can be interpreted by mystical means. The fact that the ceremony of guessing an unborn baby’s gender is so important to the Stephanides family—along with Tessie’s intense desire for a girl—indicate that gender is something that has implications beyond the life of an individual person. It tends to be very meaningful in the context of family, too.
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Desdemona’s son Milton comes in from the other room and says that her prediction is meaningless, because of “science.” Like Tessie, he wants to have a girl, to balance out the masculine energy of five-year-old Chapter Eleven. Milton sits in the room full of men, which include Peter Tatakis, who despite not being related to the Stephanides’ is treated like family and nicknamed “Uncle Pete.” He is a “lifelong bachelor” who adores high culture and works as a chiropractor. Uncle Pete advises Milton that if he wanted a girl he should to have sex with Tessie 24 hours before her ovulation, because female sperm supposedly swim slower and thus would reach the egg at the right time.
Milton dismisses Desdemona’s traditional form of knowledge as superstition, yet the supposedly scientific idea presented by Uncle Pete is actually just as nonsensical (if not more so) than Desdemona’s swinging spoon. This suggests there may be greater similarity between science and mysticism than it first appears, especially when it comes to the matter of gender.
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Tessie was 22 and a virgin when she married Milton. They were engaged during World War II, while Milton studied at the U.S. Naval Academy and Tessie stayed at home in Detroit. Tessie objects to Uncle Pete’s advice, believing it is “hubris” to try and control the baby’s sex. Cal comments that at the time, in 1959, the whole of America was swept up by technological optimism and the belief that a person could control their own destiny. A few days later, Milton gives Tessie a thermometer gift-wrapped in a jewelry box. He explains that it’s to test basal temperature. Annoyed, Tessie puts the thermometer back in the box and tells Milton to get her a necklace next time instead.
Hubris is an important concept when it comes to the novel’s exploration of fate. Hubris is a form of excessive pride that leads to a person’s downfall. In Ancient Greek tragedies, a common form of hubris occurs when characters learn what their future fate will be but believe they can defy this prophecy. Here, Tessie echoes this idea, suggesting that it is dangerous to try and artificially engineer one’s life rather than let it take a “natural” course.
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In three weeks’ time, Callie will be conceived. On this night, Tessie sits at her vanity table while the Acropolis night light she and Milton received as a gift lights the room. If Milton had said a single “affectionate word,” Tessie would have forgiven him, and they might have conceived a whole other person. However, instead they stiffly tell each other goodnight and go to sleep.
The novel is filled with symbols of the hybrid Greek-American identity of the Stephanides family. These symbols often take the form of kitsch objects representing one culture or the other, such as the Acropolis night light.
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The next Sunday, Desdemona, Tessie, and Chapter Eleven attend church. Milton never comes and neither does Desdemona’s husband, Lefty, who stays home working on his modern Greek translations of Sappho. While Tessie sits in church, she thinks about the family doctor, Dr. Philobosian, telling her that the idea that male sperm swim faster is “nonsense,” and Desdemona chiming in to insist that it is God who decides the sex of a baby. In front of Tessie sit Callie’s cousins, Socrates, Plato, Aristotle, and Cleopatra, while at the front Father Mike conducts the service. After the service ends, Father Mike approaches her at the coffee hour. He is the assistant priest at Assumption Greek Orthodox Church, and is married to Callie’s Aunt Zo.
This passage shows that even though they live in the U.S., the Stephanides family maintain a strong sense of Greek identity and culture through their immersion in a Greek community. Important pillars of this community include the extended family, the family’s friends (including Dr. Philobosian), and Assumption Church.
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Long ago, Tessie and Father Mike had been engaged, but after Tessie married Milton instead, Mike married Tessie’s sister Zoë. Tessie knows that Father Mike will have heard about the thermometer, and feels annoyed. However, she is instantly distracted by the chaos caused by Chapter Eleven losing control of the coffee urn and spilling coffee all over a little girl. While Tessie helps the girl clean up in the bathroom, the girl—whom Tessie doesn’t know and whom she will never see again after this day—says that Chapter Eleven is “obstreperous.” Tessie is impressed.
In this passage, Chapter Eleven’s clumsiness is contrasted with the little girl’s extraordinary vocabulary. In light of gender differentiation, this could be interpreted as indicating that where boys are vulgar and graceless, girls are refined and elegant. Of course, in reality this story indicates no such thing, as Chapter Eleven is only one boy and the little girl only one girl. Their behavior isn’t representative of an accurate binary.
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Two weeks later it is Easter Sunday for followers of the Greek Orthodox church. Chapter Eleven was crushed not to be able to celebrate Easter on the same date as his friends two weeks previously, but is happy he gets to participate in the Greek tradition of egg-cracking. However, during the middle of the egg-cracking, Tessie informs Milton that her basal temperature is up, and the two of them sneak off to have sex. This is when Callie is conceived. During Tessie’s pregnancy, Milton feels optimistic that the baby is a girl. However, Desdemona’s spoon then indicates that the baby is a boy. Milton is furious, claiming that Desdemona’s steak of correct guesses must be ending.
Chapter Eleven’s mixed feelings about Greek Orthodox Easter correspond to Tessie’s conflict about trying to control the gender of her child, followed by her feelings of disappointment when Desdemona indicates that the baby will be a boy. In both cases, members of the Stephanides family feel caught between their Greek cultural heritage and their lives as modern Americans.
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Callie is born on January 8th, and Milton is thrilled by the news that she is indeed a girl. That same day, Lefty has a stroke, and loses the ability to speak. Desdemona, meanwhile, is disturbed that her prediction was wrong. From then on, she never predicts a baby’s sex again.
The fact that Lefty has a stroke on the same day his granddaughter is born speaks to how family unites operate in a continuous cycle of symbolic deaths—of Lefty’s ability to communicate, in this case—and rebirths. In this sense, Callie’s birth seems to revitalize and continue the Stephanides family line.