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When Milton conflates the Greek Muse Urania with the Holy Spirit at the start of Book 7, what does this imply about ancient Greek and Roman civilizations?
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That such civilizations were unimportant and not worthy of study
That such civilizations had an intrinsic understanding of Christian truths
That such civilizations had beliefs superior to those of modern Christians
That such civilizations were impressive but mistaken in terms of religious truth
What concern does Adam express while asking Raphael about the creation of the world?
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That he is being too curious
That he is wasting the angel's time
That Raphael does not know the answers to his questions
All of the above
Why does Raphael agree to tell Adam the story of creation?
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To establish his own authority over human beings
To make Adam happier and help him glorify God
To teach Adam a lesson about asking too many questions
To test Adam's loyalty by seeing if he will relay the story to Eve
According to Raphael, what does God plan to do once human beings have proven their obedience?
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Unite Heaven and Earth
Create the Garden of Eden
Unite Heaven and Hell
Transform human beings into angels
What is one implication of God's plan to eventually let humans enter Heaven?
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That God created humans to convince Satan to repent and rejoin the other angels in Heaven
That God created humans partly to make up for the followers he lost in the war with Satan
That God created humans for the entertainment of his remaining followers in Heaven
That God created humans to test the loyalty of his remaining followers in Heaven
What is the Son’s role in creation?
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He establishes the boundaries of the new universe
He forms the Earth
He divides the Earth into night and day
All of the above
Who creates Man in the poem?
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Only God
Only the Son
God and the Son together
Neither God nor the Son
After completing the creation, where does the Son place the mortal universe?
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Below Heaven
Beside Heaven
Above Heaven
Within Heaven
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Cosby, Matt. "Paradise Lost." LitCharts. LitCharts LLC, 28 May 2014. Web. 1 May 2025.
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