Paradiso

by Dante Alighieri

Paradiso: Canto 32 Summary & Analysis

Summary
Analysis
St. Bernard gives Dante a guided tour of the thrones of the Empyrean, pointing out Eve, Beatrice, and several women from the Bible. The structure of the rose is divided between those who died while looking forward to Christ’s coming and those who died, having believed in him, after he had come. Bernard further points out John the Baptist, St. Francis, St. Benedict, Augustine, and others.
Dante’s contemplation of the glorified souls of saints (God’s light pervading them) helps prepare him to look upon God himself. All of these souls, too—whether they lived before Christ or after him—had a part to play in the unfolding of God’s plan for human redemption (for example, Eve’s sin ultimately bringing about Christ’s life and death for humanity), illustrating God’s perfectly ordained providence.
Themes
Creation and God’s Providence Theme Icon
Vision, Knowledge, and the Pursuit of God Theme Icon
Then, Bernard shows Dante the souls of children who died before they were old enough to exercise their wills. Bernard can tell that Dante is puzzled by the presence of these children’s souls and their varying degrees of grace. He recalls the biblical story of Jacob and Esau as an example of the inscrutable nature of God’s will. Then Bernard points out those souls enthroned nearest the Virgin Mary, including Adam, St. Peter, St. John, Moses, and Anna (Mary’s mother). He also points out Lucia (the saint who first warned Beatrice of Dante’s sinfulness). Finally, before Dante turns to look toward God himself, Bernard prays for him.
Themes
Earthly and Heavenly Justice Theme Icon
Creation and God’s Providence Theme Icon
God’s Character and Will Theme Icon
Vision, Knowledge, and the Pursuit of God Theme Icon