Purgatorio

by

Dante Alighieri

Purgatorio: Canto 14 Summary & Analysis

Summary
Analysis
Two souls, leaning on one another, approach Dante to ask him about his origins. When Dante identifies himself as originating from the banks of the Arno (an Italian river), the first figure, del Duca, goes on a lengthy rant about the corruption of present-day Tuscany, naming many obscure Italian figures. Then he identifies himself and explains that he’s doing penance for his lifelong tendency to envy others’ joy.
These two figures are Italians, Guido del Duca (a Ghibelline) and Rinieri da Calboli (a Guelph). Dante uses his encounter with these two men to highlight not only perennial human sins, but also what he sees as corruptions endemic to his Italian society—especially self-seeking envy.
Themes
Love, Sin, and God Theme Icon
Spiritual Power vs. Earthly Power Theme Icon
As the two figures move on, Dante and Virgil hear the voices in the air reciting examples of envy, like Cain slaying his brother Abel and Aglauros being turned to stone. Virgil explains to Dante that human beings stubbornly keep their gaze fixed on earthly things instead of heavenly joy, and that’s why God strikes people down.
The voices in the air give biblical and classical examples of envy, contrasting with the examples of generosity voiced earlier. In the Book of Genesis, Cain murdered his brother Abel out of jealousy. In classical mythology, Aglauros, a daughter of Cecrops, the mythical king of Athens, was turned to stone by the god Mercury for her jealousy of her sister.
Themes
Purgatory and the Heavenward Journey Theme Icon
Love, Sin, and God Theme Icon