Melinda once again uses her closet as a safe space, desperately trying to calm her mind and to attempt to figure out what she should do. For the first time, however, she feels that the closet is too small, signaling how upset and troubled she is but also seems to symbolize how she feels the need not to hide but to communicate. Once again, the poster of Maya Angelou (who in her book
I Know Why the Caged Bird Sings discusses her rape as a child) acts as a call to action, telling Melinda that she can no longer be passive since her friend is in danger.