Tar Baby

by

Toni Morrison

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Innocence and Guilt Theme Analysis

Themes and Colors
Systemic Racism and Power Theme Icon
Expectations of Womanhood Theme Icon
Colonialism and Enslavement Theme Icon
Toxic Masculinity Theme Icon
Innocence and Guilt Theme Icon
LitCharts assigns a color and icon to each theme in Tar Baby, which you can use to track the themes throughout the work.
Innocence and Guilt Theme Icon

At Christmas dinner at L’Arbe de la Croix, Ondine reveals that Margaret repeatedly abused her son, Michael, when he was a child. After that revelation, Valerian feels like he is innocent of Margaret’s crime (he did not abuse Michael) but that his innocence is “revolting.” He did not know what Margaret did, he thinks, because he did not want to know. And although feels like he must do something to right the wrong of Margaret’s past abuse of Michael, he ultimately does nothing—instead, he lets his beloved greenhouse fall into disrepair as his health swiftly declines. Valerian displays a similar kind of willful ignorance toward the Black islanders who work at L’Arbe de Chevaliers, particularly Gideon and Thérèse, whose names he dismissively refuses to learn. When Valerian fires Gideon and Thérèse for stealing apples, Son confronts Valerian about how he profits from the labor of Black people whom he dehumanizes. He also points out that Valerian’s dehumanization of Gideon and Thérèse isn’t an isolated incident. Instead, it’s the defining pattern of his life, exemplified by the exploitative practices of the candy industry and the dehumanizing wages Valerian paid to Black people who built L’Arbe de la Croix.

Just as Valerian did not know about Margaret’s abuse of Michael because he did not want to know, he does not learn Gideon and Thérèse’s names because he does not want to know them or to acknowledge his own role in their struggle. Similarly, Son argues that Valerian does not understand his relationship to systemically racist power structures because he benefits from that willful ignorance, which is morally reprehensible. After Valerian learns about Margaret’s abuse of Michael, Valerian thinks that it’s horrific to abuse people, but it might be even worse for him not to have known about the horror right in front of his face. The novel argues that Valerian has done exactly that with regard to his exploitation of Black people—either he does not know how he has benefitted from the systemic abuse of Black people, or he knows and looks the other way. Either way, Valerian’s remains complicit in the exploitation of Black people on the island and in the historical legacy of colonization. The novel highlights the similarities between Valerian’s relationship to Margaret’s abuse of Michael and his exploitation of Black people, then, to emphasize how lack of knowledge doesn’t absolve one of moral responsibility— it merely masks one’s complicity in personal acts of harm against others and in the systemic oppression of marginalized peoples.

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Innocence and Guilt ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Innocence and Guilt appears in each chapter of Tar Baby. Click or tap on any chapter to read its Summary & Analysis.
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Innocence and Guilt Quotes in Tar Baby

Below you will find the important quotes in Tar Baby related to the theme of Innocence and Guilt.
Chapter 1 Quotes

The end of the world, as it turned out, was nothing more than a collection of magnificent winter houses on Isle des Chevaliers. When laborers imported from Haiti came to clear the land, clouds and fish were convinced that the world was over, that the sea-green green of the sea and the sky-blue blue of the sky were no longer permanent.

Related Characters: Son/The Man, Valerian
Page Number: 9
Explanation and Analysis:

“[Valerian will] be here till he dies,” Sydney told [Ondine]. “Less that greenhouse burns up.”

Related Characters: Sydney (speaker), Valerian, Margaret, Ondine, Michael
Related Symbols: The Greenhouse
Page Number: 14
Explanation and Analysis:
Chapter 2 Quotes

When he knew for certain that Michael would always be a stranger to him, he built the greenhouse as a place of controlled ever-flowering life to greet death in. It seemed a simple, modest enough wish to him. Normal, decent—like his life […].

His claims to decency were human: he had never cheated anybody. Had done the better thing whenever he had a choice and sometimes when he did not. He had never been miserly or a spendthrift, and his politics were always rational and often humane.

Related Characters: Valerian, Margaret, Michael
Related Symbols: The Greenhouse
Page Number: 54
Explanation and Analysis:
Chapter 3 Quotes

She was usually safe with soup, anything soft or liquid that required a spoon, but she was never sure when the confusion would return: when she would scrape her fork tines along the china trying to pick up the painted blossoms at its center, or forget to unwrap the Amaretti cookie at the side of her plate and pop the whole thing into her mouth.

Related Characters: Jadine, Valerian, Margaret, Michael
Page Number: 63
Explanation and Analysis:
Chapter 4 Quotes

Sydney held the bowl of salad toward him, the man looked up and said, “Hi.” For the first time in his life, Sydney had dropped something. He collected the salad greens and righted the bowl expertly, but his anger and frustration were too strong to hide. He tried his best to be no less dignified than his employer, but he barely made it to civility.

Related Characters: Jadine, Son/The Man, Valerian, Margaret, Sydney
Page Number: 92
Explanation and Analysis:

“Yardman. The gardener.”

“That his name?”

“No.” [Jadine] smiled, searching for the leashes of the small dark dogs. “But he answers to it. Which is something, at least. Some people don’t have a name of any kind.”

He smiled too, moving away from the bed toward her. “What do you like? Billy? Paul? What about Rastus?”

Related Characters: Jadine (speaker), Son/The Man (speaker), Valerian, Gideon/Yardman
Page Number: 115
Explanation and Analysis:
Chapter 5 Quotes

Michael had been on [Valerian’s] heart if not in his mind since Margaret had announced the certainty of his visit. He could not say to her that he hoped far more than she did that Michael would come. That maybe this time there would be that feeling of rescue between them as it had been when he had taken him from underneath the sink. Thus when the black man appeared, Valerian was already in complicity with an overripe peach, and took on its implicit dare. And he invited the intruder to have a drink. The Michael of the reservation and the Michael of the sink was both surprised and pleased.

Related Characters: Son/The Man, Valerian, Margaret, Michael
Page Number: 144
Explanation and Analysis:

“You the kind of man that does worry me. You had a job, you chucked it. You got in some trouble, you say, so you just ran off. You hide, you live in secret, underground, surface when you caught. I know you, but you don’t know me. I am a Phil-a-delphia Negro mentioned in the book of the very same name. My people owned drugstores and taught school while yours were still cutting their faces open so as to be able to tell one of you from the other. And if you looking to lounge here and live off the fat of the land, and if you think I’m going to wait on you, think twice!”

Related Characters: Sydney (speaker), Son/The Man, Ondine
Page Number: 163
Explanation and Analysis:

Jadine looked at him trying to figure out whether he was the man who understood potted plants or the man who drove through houses.

Related Characters: Jadine, Son/The Man, Valerian, Margaret, Michael, Thérèse, Alma Estée, Cheyenne
Page Number: 178
Explanation and Analysis:
Chapter 6 Quotes

Son’s mouth went dry as he watched Valerian chewing a piece of ham, his head-of-a-coin profile content, approving even of the flavor in his mouth although he had been able to dismiss with a flutter of the fingers the people whose sugar and cocoa had allowed him to grow old in regal comfort; although he had taken the sugar and cocoa and paid for it as though it had no value […] but he turned it into candy […] and made a fortune in order to move near, but not in the midst of, the jungle where the sugar came from and build a palace with more of their labor and then hire them to do more of the work he was not capable of and pay them again according to some scale of value that would outrage Satan himself and when those people wanted a little of what he wanted, some apples for their Christmas, and took some, he dismissed them with a flutter of the fingers, because they were thieves, and nobody knew thieves and thievery better than he did.

Related Characters: Son/The Man, Valerian, Gideon/Yardman, Thérèse
Page Number: 202-203
Explanation and Analysis:

That was the sole lesson of their world: how to make waste, how to make machines that made more waste, how to make wasteful products, how to talk waste, how to study waste, how to design waste, how to cure people who were sickened by waste so they could be well enough to endure it, how to mobilize waste, legalize waste.

Related Characters: Son/The Man, Valerian
Page Number: 203-204
Explanation and Analysis:

Jadine had defended him. Poured his wine, offered him a helping of this, a dab of that and smiled when she did not have to. Soothed down any disturbance that might fluster him; quieted even the mild objections her own aunt raised, and sat next to him more alive and responsive and attentive than even his own wife was, basking in the cold light that came from one of the killers of the world.

Related Characters: Jadine, Son/The Man, Valerian
Page Number: 203-204
Explanation and Analysis:

Margaret serene and lovely stared ahead at nobody. “I have always loved my son,” she said. “I am not one of those women in the National Enquirer.”

Related Characters: Margaret (speaker), Valerian, Ondine, Michael
Page Number: 209
Explanation and Analysis:

“It’s true, isn’t it? She stuck pins into Michael, and Ondine knew it and didn’t tell anybody all this time. Why didn’t she tell somebody?”

“She’s a good servant, I guess, or maybe she didn’t want to lose her job.”

Related Characters: Jadine (speaker), Son/The Man (speaker), Margaret, Ondine, Michael
Page Number: 210-211
Explanation and Analysis:
Chapter 7 Quotes

He saw it all as a rescue: first tearing her mind away from that blinding awe. Then the physical escape from the plantation. His first, hers to follow two days later. Unless…he remembered sitting at the foot of the table, gobbling the food, watching her pour his wine, listening to her take his part, trying to calm Ondine and Sydney to his satisfaction.

Related Characters: Jadine, Son/The Man, Valerian, Sydney, Ondine
Page Number: 219
Explanation and Analysis:
Chapter 8 Quotes

There was no way or reason to describe those long quiet days when the sun was drained and nobody ever on the street. There were magazines, of course, to look forward to, but neither Life nor Time could fill a morning. It started on a day like that. Just once she did it, a slip, and then once more, and it became the thing to look forward to, to resist, to succumb to, to plan, to be horrified by, to forget, because out of the doing of it came the reason. And she was outraged by that infant needfulness. There were times when she absolutely had to limit its being there; stop its implicit and explicit demand for her best and constant self. She could not describe her loathing of its prodigious appetite for security—the criminal arrogance of an infant’s conviction that while he slept, someone is there; that when he wakes, someone is there; that when he is hungry, food will somehow magically be provided.

Related Characters: Valerian, Margaret, Ondine, Michael
Page Number: 236
Explanation and Analysis:

There was something so foul in that, something in the crime of innocence so revolting it paralyzed him. He had not known because he had not taken the trouble to know. He was satisfied with what he did know. Knowing more was inconvenient and frightening. […]

What an awful thing she had done. And how much more awful not to have known it.

Related Characters: Son/The Man, Valerian, Margaret, Ondine, Michael
Related Symbols: The Greenhouse
Page Number: 242
Explanation and Analysis:
Chapter 9 Quotes

Son said, “No way and I am not about to sit here and argue about that white man.”

“Who cares what color he is?”

“I care. And he cares. He cares what color he is.”

“He’s a person, not a white man. He put me through school.”

“You have told me that a million times. Why not educate you? You did what you were told, didn’t you? Ondine and Sydney were obedient, weren’t they? White people love obedience—love it! Did he do anything hard for you? Did he give up anything important for you?”

“He wasn’t required to. But maybe he would have since he was not required to educate me.”

“That was toilet paper, Jadine. He should have wiped his ass after he shit all over your uncle and aunt. He was required to; he still is. His debt is big, woman. He can’t never pay it off!”

Related Characters: Jadine (speaker), Son/The Man (speaker), Valerian
Page Number: 263
Explanation and Analysis:
“The man sat on the…” Quotes

“Small boy,” [Thérèse] said, “don’t go to L’Arbe de la Croix.” Her voice was a calamitous whisper coming out of the darkness toward him like jaws. “Forget her. There is nothing in her parts for you. She has forgotten her ancient properties […]

“The men. The men are waiting for you.” She was pulling the oars now, moving out. “You can choose now. You can get free of her. They are waiting in the hills for you. They are naked and they are blind too. I have seen them; their eyes have no color in them. But they gallop; they race those horses like angels all over the hills where the rain forest is, where the champion daisy trees still grow. Go there. Choose them.”

Related Characters: Thérèse (speaker), Jadine, Son/The Man, Valerian
Page Number: 305-306
Explanation and Analysis: