The Goldfinch

by

Donna Tartt

The Goldfinch: Part 1, Chapter 3 Summary & Analysis

Summary
Analysis
The two social workers take Theo to a diner downtown and order him scrambled eggs. They ask him when he last saw Larry, and he guesses it was sometime the previous fall. They ask about any close friends of Larry’s who might have his contact information, and Theo is shocked just by the idea that Larry might have close friends. It is only at the end of the conversation that Theo realizes the social workers are trying to figure out whose care he should be placed under. They tell him that he needs to be placed into “emergency custody” until they can reach his “grandpa and grandma.” Theo is stunned to hear Larry’s parents referred to in this way.
Again, the social workers are making assumptions about the nature of Theo’s family—assumptions that are simply untrue. While Theo was not in a neglectful or insufficient situation thanks to Audrey’s love and devotion to him, he does not have other relatives he can depend on. However, it was perhaps dangerous or unsustainable for all the responsibility for Theo’s care to be placed in one person—as becomes clear now.
Themes
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Immorality vs. Crime Theme Icon
Hope, Despair, and Addiction Theme Icon
The social workers’ calm demeanor makes Theo increasingly agitated. He exclaims that he doesn’t want to go into foster care, and they explain that this might be avoidable if Theo finds someone else he can stay with. Without really knowing why, Theo gives the number of his school friend Andy Barbour. Although they were close when they were younger, Andy and Theo have drifted apart in middle school. Andy’s family are wealthy and live on Park Avenue, yet as Theo is telling the social workers about them, he remembers that Andy’s father, Mr. Barbour, recently spent time in a mental hospital due to “exhaustion.”
In the same way that Theo doesn’t have any real family connections beyond Audrey, he doesn’t seem to have particularly close friends, either. For obvious reasons (the trouble they’re both in), it would not be a good idea to stay with Tom Cable, and thus Theo decides to suggest he stays with Andy, even though they are not particularly close and Andy’s family are dealing with problems of their own.
Themes
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The social workers tell Theo that they will drop him at the Barbours’ house now and then figure out if he can stay there longer term. They take him back to his apartment to pick up his schoolbag and some clothes. Inside Andy’s building, the doorman gives Theo a look of pity. Mr. Barbour, who is a bit strange-looking and wearing rumpled clothes, opens the door and welcomes Theo and the social workers. Mrs. Barbour enters. Though not beautiful, she is so elegant that she seems beautiful. She tells Theo that he’ll be sharing Andy’s room, but that because Andy is still asleep, Theo can rest in the room of Andy’s brother Platt, who is away at boarding school.
On the surface, the Barbours are a more traditional and, in this sense, “normal” family than Theo’s own family. Yet Mr. Barbour’s rumpled appearance and his recent time in a hospital indicate that not everything in their family is as perfect as Mrs. Barbour’s pristinely elegant veneer. While of course there is nothing wrong with having mental health problems, the euphemism “exhaustion” suggests the Barbours may be hiding the reality of Mr. Barbour’s condition.
Themes
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Platt is “a champion lacrosse player and a bit of a psychopath,” with violent tendencies. Mr. Barbour accompanies Theo into the room, rummaging around for some pajamas for him to wear. Erratically, he asks if Theo would like company and then offers him a “nip” of alcohol, before retracting the offer after realizing it is inappropriate. A sleepy-looking Andy comes in and sits with Theo on Platt’s bed. Andy comments that what has happened is “disturbing”; Theo agrees, and they say nothing else.
This passage further emphasizes the idea that the Barbours have secret issues of their own. The combination of the phrases “champion lacrosse player” and “a bit of a psychopath” again illustrates the contrast between the outward appearance of normalcy and success and the trouble lurking beneath the surface.
Themes
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Immorality vs. Crime Theme Icon
Hope, Despair, and Addiction Theme Icon
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In the ensuing weeks, Theo is constantly being offered food he can’t eat and trying to hide the fact that he is crying. Many of Audrey’s friends come to see him, along with his social workers and a psychiatrist paid for by the city. Meanwhile, the Barbours’ lives continue as normal. Andy’s little siblings, Toddy and Kitsey, run around with their friends, while Mrs. Barbour hosts friends for coffee or fancy dinner parties. They do not seem to mind having Theo there, and Mrs. Barbour makes life easier for Theo in subtle ways, such as by backing up his assertions that he has no idea where Larry is. She also orders that the radio, TV news, and newspaper be kept away from Theo.      
In contrast to the way in which Theo was given special allowances at school in the time after Larry left, here Theo is surrounded by people who keep going as if nothing has happened. As this passage shows, Mrs. Barbour does take certain measures to avoid exposing Theo to further trauma, but overall the way the Barbours deal with Theo’s arrival is to go about “business as usual.”
Themes
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Luckily, Andy understands that Theo doesn’t want to talk about what happened and doesn’t bring it up. The boys became friends “under more or less traumatic circumstances,” when they were both moved up a grade in elementary school. Both bullied, they formed an alliance and were each the other’s only friend. This period in time embarrasses Theo now. Before being moved up a grade, Theo had never been bullied, but Andy always had. Andy is extremely smart, with an irritating manner. Andy doesn’t fit in with his preppy, athletic brothers and sister. Whereas Theo regained popularity in middle school, Andy never did.
The use of the phrase “traumatic circumstances” draws a parallel between the origins of Theo and Andy’s friendship and the situation they find themselves in now. Although being bullied might be considered a minor trauma in comparison to losing one’s mother, this passage indicates that friendships can be one of the ways in which people learn to endure trauma. 
Themes
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Though not very talkative, Andy is a star pupil, and would have been sent to the same boarding school as Platt if his parents hadn’t been too worried about him being bullied. Now, Andy apologizes for having to study while Theo is staying with him, although Theo doesn’t mind. He obsesses over how long it has been since Audrey died, counting the days. He misses her to the point of feeling suicidal. He turns over the events of the day she died and wishes he had done something differently, so that they would have avoided going to the Met. He feels that he has “fallen off the map” and keeps telling himself that he has to go home, before remembering that he can’t. 
This passage shows that, in a sense, it doesn’t matter what the Barbours are doing. Theo is in a world of his own, so profoundly traumatized by grief that he is cut off from the world around him. Because Theo and Audrey were so close, her death means that he feels untethered from everyone, not just from her. Tragically, this leads him to contemplate suicide.
Themes
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Friendship and Family Theme Icon
Hope, Despair, and Addiction Theme Icon
When Andy goes back to school, Theo watches movies on the TV in Andy’s bedroom. However, after two days Mrs. Barbour tells Theo she doesn’t think it’s good for him to be staying home, and that she’s therefore sending him back to school the next day. Theo is horrified by this idea, not wanting Audrey’s death to be turned into a “public fact.” Just as he predicted, going back is awful. He obsesses over the fact that last time he was at school, Audrey was alive. Some people offer condolences, whereas others, including Theo’s friend Tom, avoid him. When Theo approaches him, Tom offers a half-hearted “sorry,” before teasing him for dressing like Platt. For the first time since Audrey’s death, Theo laughs.
Although Theo is horrified by the idea of going back to school, it is not because the “business-as-usual” approach is harmful to him. Rather, he can’t bear the way that people will change their behavior toward him, constantly reminding him of Audrey’s death and making him feel even more alienated. It is for this reason that he laughs with relief when Tom acts like his cruel self, because at least this provides the comfort of familiarity and continuity.
Themes
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Immorality vs. Crime Theme Icon
However, after this exchange, Tom continues to ignore Theo. Theo isn’t upset, but furious, and he fantasizes about beating up Tom. He reasons that if Tom’s cigarette hadn’t gotten them suspended, then Audrey would still be alive, and the least Tom can do is be decent to him now. Some of the other kids are actively kind to Theo, leaving him notes or giving him hugs, but they respond to his presence with “cautious, half-terrified politeness.” Adults dote on him, giving advice on how to cope with mourning that he finds ridiculous.
While there are some ways of reacting to a grieving person that are objectively terrible (including Tom’s tactic of ignoring Theo), this passage highlights how difficult it is to find a helpful approach. Indeed, to some extent there is no right way to be treated when you are grieving, because everyone wants something different in grief. Besides, nothing anyone does can really help Theo.
Themes
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Immorality vs. Crime Theme Icon
One day, Mrs. Barbour tells Theo that Social Services has called her. She gravely informs him that his step-grandmother, Dorothy, is not well, and that it therefore won’t be possible for Theo to stay with her and his grandfather in Maryland. Instead, Theo will remain with the Barbours for at least another few weeks, until the end of the school year. While they are speaking, Mrs. Barbour notices the ring that Theo took from Welty at the Met, which he has been wearing, and compliments him on it. She asks if it is a family heirloom and Theo lies, saying it is. She scrutinizes it and notices that it is engraved with the word “Blackwell.”
At two different moments in this passage, Mrs. Barbour misunderstands the truth of what is going on in Theo’s life—not that she can exactly be blamed for it. She is worried about the news that Dorothy is ill, but considering that Theo believes that his grandparents don’t want him, this is likely more of an excuse than a serious issue. Meanwhile, Theo lies to her about the ring, perhaps not wanting her to think he stole it.
Themes
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Fabrication vs. Authenticity Theme Icon
Friendship and Family Theme Icon
Immorality vs. Crime Theme Icon
Quotes
Theo’s grandparents had suggested that he could live near them at a Holiday Inn, yet while Theo doesn’t think this sounds like such a bad idea, the adults around him insist that it should not happen. His psychiatrist, Dave, expresses confidence that they will be able to find a better solution once Dorothy has recovered. In reality, Theo knows that his grandparents barely know him and do not care about him. A few days later, Dorothy sends a card offering condolences and reiterating that it will be difficult for her and Theo’s grandfather, Bob, to care for him.
Because Theo currently feels so alone, he probably thinks it wouldn’t be such a big deal for him to actually live alone in a hotel near his uninterested grandparents. Yet as the adults around him realize, Theo depends on the forms of care that he is receiving more than he knows.
Themes
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Andy suggests that Theo just stay with his family for good, and Mr. Barbour somewhat unconvincingly asserts that while they would all love that, it wouldn’t be fair to “kidnap” Theo. He asks if Theo knows how to sail and offers to teach him how to read nautical flags. Meanwhile, Theo makes an effort to be the best guest possible, although it is hard find ways to help out when there are so many staff members employed to run the household. He struggles to fit into the routine of the house and worries that he is being a nuisance. Mr. and Mrs. Barbour don’t spend much time at home and thus they don’t notice, but Theo knows he is annoying Kitsey and Toddy
There is something deeply moving and tragic about the fact that, while still reeling from the death of his mother, Theo feels forced to make himself as likeable as possible so that he is not removed from the Barbours’ custody. Indeed, it seems as if it would be much more fair if Theo were asked directly if he wanted to stay with the Barbours or not, and have this be the primary factor in choosing where to place him. 
Themes
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Movers are booked to come to Theo’s old apartment and place Audrey’s things in storage, and he knows he will have to retrieve The Goldfinch and bring it back to the museum before they come. Some investigators have already come to the Barbours’ apartment to enquire about the painting, but Mrs. Barbour shooed them away because she had important guests arriving imminently. Three days later, the investigators came to Theo’s school and took him out of class to a meeting that included his social worker Enrique, one of his teachers, the school counselor, Dave, and Mrs. Barbour.
Theo’s theft of The Goldfinch puts him in a strange position. While on one side he is a highly vulnerable victim of a terrible tragedy, he is also a perpetrator of a very serious crime. While Theo arguably has little responsibility for this crime, it still means that he is in the strange situation of scheming for ways to cover up his act while in the midst of dealing with his trauma. 
Themes
The Value of Art and Beauty Theme Icon
Fabrication vs. Authenticity Theme Icon
Friendship and Family Theme Icon
Immorality vs. Crime Theme Icon
The investigators quiz Theo about what he remembers from the day of the terrorist attack. When he panics, the adults assure him that it’s fine to respond to their questions with, “I don’t know.” As he is questioned, Theo expects that at a certain point he will just have to admit that he took the painting. However, he then comes to realize that the investigators have no idea where he was when the explosion happened or what he did after. When they continue to press him on questions he can’t answer, he feels like he is about to cry. They show him pictures of people and ask if he recognizes anyone, but he doesn’t. Repeatedly he tells them he doesn’t remember what happened, until finally the investigators thank him and leave, asking that he call them if he recalls anything else. 
The strange position that Theo is in is reflected in the way the investigators deal with him. At first Theo presumes that they are suspicious of him and are treating him as a potential perpetrator of a crime. In reality, they are actually treating him as one of very few key witnesses, which is why they are pressing him. Meanwhile, the adults charged with taking care of Theo resent the fact that the investigators are interrogating him at all, on the grounds that they should instead be respectful of the fact that he is a vulnerable victim.
Themes
The Value of Art and Beauty Theme Icon
Fabrication vs. Authenticity Theme Icon
Friendship and Family Theme Icon
Immorality vs. Crime Theme Icon
Theo returns to English, his last class of the day. He feels traumatized by the investigators’ questions, and he falls into a daydream thinking about the day of the explosion and the eyes of the red-headed girl looking at him. The investigators hadn’t shown him any pictures of the girl or Welty, although he’s not sure if he would have recognized Welty anyway, considering his face was so “torn up and ruined” when they met.
This passage contains an important reflection on the nature of memory. Although Theo feels genuinely confused about much of what happened on the day of the explosion, the clearest image he remembers is that of the red-haired girl, because of the profound effect she had on him.
Themes
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Immorality vs. Crime Theme Icon
Theo’s nightmares have been waking Andy in the night, so Mrs. Barbour starts giving him a pill to stop him from dreaming. He is also still pretty much unable to eat, which worries Mrs. Barbour. At breakfast, Andy complains that his parents won’t allow him to drink coffee, while Mrs. Barbour desperately tries to find a type of food that Theo will be willing to eat. Days later, Theo wakes up suddenly remembering what Welty said to him: “Hobart and Blackwell. Ring the green bell.” However, he is not quite sure whether it is an actual memory or rather something that only occurred in a dream. 
Part of what is so difficult and draining about this period of Theo’s life is that he is troubled by terrible dreams and, at the same time, he struggles to distinguish between dreams and reality. Again, his grief has detached him from the world, alienating him from those around him and even from reality itself.
Themes
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Friendship and Family Theme Icon
Getting up, Theo looks up Hobart and Blackwell in the White Pages. It is some kind of business in the West Village. Nervously, Theo calls the number, but at that moment Mrs. Barbour comes in, telling Theo to come to the dining room for breakfast. Following her, Theo is surprised to see Platt sitting at the table. Platt looks hungover, and Andy and his parents are having another argument about sailing, which Andy insists he hates. Mr. Barbour becomes increasingly animated as he discusses the wonders of sailing, while Theo remains distracted by thoughts of Hobart and Blackwell. He tries to sneak off as soon as possible to dial the number again, but Andy follows him.
Again, it is easy to see why Theo feels alienated from people around him. While the Barbours are having a highly typical family argument, Theo is dealing with completely unfamiliar and emotionally draining issues, from the death of Audrey to guilt over having committed a crime to trying to follow a dying man’s mysterious wishes. Of course, his alienation is compounded by the fact that he keeps all of this secret.   
Themes
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Friendship and Family Theme Icon
Theo explains about the ring, and Andy suggests that he just go down to West 10th street to visit Hobart and Blackwell himself. Andy lets slip that a lot of “strange people” have been calling the Barbour residence and asking for Theo. He offers to come downtown with Theo, but Theo knows that Andy has an extra credit trip for his Japanese class that afternoon, and thus politely declines. Andy gives Theo his phone to borrow for the trip.
This seemingly innocuous passage is actually an important turning point for Theo. Whereas before he kept everything he was going through secret, the fact that he confides in Andy is an improvement. With Andy’s encouragement, he is brave enough to actually visit the mysterious business.
Themes
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Once Theo gets down to the Village, he walks around lost for 45 minutes before finding West 10th and, eventually, Hobart and Blackwell. It is an antiques shop, the kind of place Audrey would have adored. It is closed, and Theo decides to wait around, predicting it might open at noon. Yet after wandering around for a while, he sees that it’s still shut, and that it looks like it might have been a while since it was last open. Peering through the window, Theo sees a hint of motion, and remembers the instruction to “ring the green bell.” Looking around, he finds a narrow doorway with an unlabeled bell above green tape.
The fact that Audrey would have loved Hobart and Blackwell is significant. For the first time since Audrey’s death, something new enters Theo’s life that directly connects him to Audrey and the life they shared before the attack. This indicates that there was indeed some mystical, fated reason why Welty sent Theo here.
Themes
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Theo rings the bell, and a very tall, “haggard” looking person opens the door. The man’s hair is grey, and his skin is “an unhealthy white.” He is wearing a floral robe. Theo apologizes for disturbing the man, and holds out the ring, explaining: “He gave it to me […] he told me to bring it here.” The tall man introduces himself as Hobie, and beckons Theo inside.
Theo arriving at a strange establishment and being invited in by an unknown, disheveled man could be the start of a highly sinister turn in the narrative. Yet there is also a sense that Hobart and Blackwell might prove to be a hopeful, comforting place.
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