The Heart is a Lonely Hunter

by

Carson McCullers

The Heart is a Lonely Hunter: Part 2, Chapter 9 Summary & Analysis

Summary
Analysis
In the wake of Bubber and Baby’s accident, the Kelly family—forced to repay Lucile each month—has fallen on hard times. Mick hardly ever has any pocket change anymore, and her older siblings have had to take jobs to help out their parents. Mick is forced to stop taking her music lessons, and she and her siblings eat the boarders’ leftovers for their suppers. All of this, however, occurs in the “outside room”—in Mick’s “inside room,” her wild dreams of playing music and traveling the world are still alive. 
The Kelly family’s already tenuous financial situation worsens considerably in the wake of Bubber and Baby’s accident. Mick is affected by the goings-on in her family, but she tries harder and harder to shut the strife and tension out and focus instead on her own inner world. This inner world brings her joy, but it also isolates her from the people who might comfort her.
Themes
Loneliness and Isolation Theme Icon
Communication and Self-Expression Theme Icon
The Individual vs. Society Theme Icon
Mick has been writing tunes in her notebook all winter, struggling to transcribe the music based on the way it sounds in her mind. She struggles to do so—but is determined to get the songs in her head out. One of the compositions she’s most proud of is one she’s named “This Thing I Want, I Know Not What.” While Mick works painstakingly each day on transcribing the melody, she daydreams of becoming a world-famous composer in charge of a symphony orchestra.
Music is a symbol of Mick’s struggles to express her desires and her feelings—and indeed as she composes music lately, she finds herself confronting those unnamable, indefinable wants. The fact that she has to stop taking lessons, however, foreshadows the way that those wants may remain out of reach.
Themes
Loneliness and Isolation Theme Icon
Communication and Self-Expression Theme Icon
The other great presence in Mick’s “inside room” is John Singer. Though Mick has allowed thoughts of other people into her inside room before, Singer is the first person who’s been in her head in a long time. The schoolgirl crushes of her youth don’t compare to the strange, ineffable feelings she has for Singer. She has told him more things about herself and her thoughts than she’s ever told another person, and while he rarely talks back to her, she relishes learning small new things about him day after day.
Earlier in the novel, Portia accused Mick of being unfeeling and unable to love—but this passage shows that Mick has had many crushes and loves, and has simply been unable to sort out her feelings about them or act on her desires.
Themes
Loneliness and Isolation Theme Icon
Communication and Self-Expression Theme Icon
One afternoon, Mick asks Harry Minowitz for some help with her English homework. As they study together, Harry and Mick talk about the evils of fascism and daydream aloud together about fighting Nazis. Soon, Harry has to leave for work. Mick asks him if he likes it at the café, and he says he does. Out of nowhere, Mick says that she hates Biff Brannon. He is always talking to her in a “funny” way, and Mick believes he does so because he spotted her and Bubber stealing chewing gum one time. Harry insists that while Brannon is an odd man, he's a good employer. Mick laments that while boys can usually find good part-time work, girls are forced to choose between staying in school and working full-time. 
In this passage, Mick and Harry discuss the different ways boys and girls are allowed to move through the world. While Harry finds Brannon odd but benign, Mick senses the older man’s fascination with her—and can’t let her guard down around him or write him off as merely eccentric. Mick also points out the different ways that work functions in the lives of boys and girls—she clearly has anxiety about having to make a choice between education and helping her family, an anxiety that will come to a head later on in the novel.
Themes
Communication and Self-Expression Theme Icon
Racism, Inequality, and Injustice Theme Icon
The Individual vs. Society Theme Icon
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Harry tells Mick he has a secret for her. He admits that when he first saw pictures in the newspaper of people in Europe “marching and singing songs and keeping step together,” he admired their sense of camaraderie. Harry says that when he was younger, he often tried to hide or forget the fact that he was Jewish. Harry now hates himself, he says, for the “moral wrong” of initially admiring fascism. All he can think about is finding a way to stop fascism. He admits that he can barely focus on school, so intense are his constant thoughts of killing Hitler—and his fears of being persecuted because of his Judaism. 
Harry’s admission highlights the immense impacts that societal injustice can have on individuals. He wanted to believe in the images of unity and togetherness he saw in the news at first—until he realized that they only existed because of the persecution of anyone who did not fit the norm. Harry clearly has anxiety about being persecuted or harmed himself, and has developed violent fantasies to stave off those fears.
Themes
Loneliness and Isolation Theme Icon
Racism, Inequality, and Injustice Theme Icon
The Individual vs. Society Theme Icon
As Harry’s lip begins to tremble, Mick finds herself attracted to his “warm boy smell.” Just as Mick is about to give into her feelings, however, she is suddenly repulsed by them. She reaches out and shoves Harry. Harry is stunned for a moment, but soon reaches out and shoves her back. The two wrestle, laughing as they do—when Mick was younger she always used to scrap with the neighborhood boys, and she’s missed it. When Mick pins Harry to the ground by sitting on top of him, however, she notices something change between them. The two exchange a nervous laugh, then Mick lets Harry up. He bids her goodbye and heads home. 
Mick and Harry are clearly attracted to one another, and definitely care for one another—but they’re both just a bit too immature to surrender to their feelings, which signal their arrival in the world of adulthood. The wrestling match that unfolds here suggests that Mick and Harry both want to remain children a while longer, even though they know adulthood is coming.
Themes
Loneliness and Isolation Theme Icon
Communication and Self-Expression Theme Icon
After dinner that night, Mick goes upstairs in hopes of visiting with Singer—but sees that his door is open, and his room is empty and dark. She heads back downstairs and looks at her song notebook, feeling dissatisfied with each of her compositions. She tries to begin composing a symphony but can only focus on how desperately she wants music lessons and a real piano in the house. Mick struggles to transcribe the tune in her head, but before she can get anything down on paper, Etta and Hazel come into the room, get into bed, and shut off the lights.
Everything about Mick’s life is changing. The goings-on in the real world as well as in her private “inside room” are too much for her to process on her own—she seeks company and comfort in both Singer and her own music, but struggles to understand her feelings as they change rapidly from day to day. As symbols of traditional femininity and maturity, Etta and Hazel’s turning off the lights hints at the way that Mick will soon have to confront the standards they embody rather than continuing to avoid those standards.
Themes
Loneliness and Isolation Theme Icon
Communication and Self-Expression Theme Icon