Definition of Imagery
In the novel’s first chapter, Hosseini uses visual imagery of bright daytime beauty and a simile comparing kites to eyes looking over the city to connect Amir’s present life in San Francisco to his childhood memories of Kabul:
[…] I went for a walk along Spreckels Lake on the northern edge of Golden Gate Park. The early-afternoon sun sparkled on the water where dozens of miniature boats sailed, propelled by a crisp breeze. Then I glanced up and saw a pair of kites, red with long blue tails, soaring in the sky. They danced high above the trees on the west end of the park, over the windmills, floating side by side like a pair of eyes looking down on San Francisco, the city I now call home.
As Amir flashes back to an idyllic childhood picnic with Baba, Hosseini uses visual imagery and a simile to show how fondly Amir remembers the moment:
Unlock with LitCharts A+We sat at a picnic table on the banks of the lake, just Baba and me, eating boiled eggs with kofta sandwiches—meatballs and pickles wrapped in naan. The water was a deep blue and sunlight glittered on its looking glass–clear surface. On Fridays, the lake was bustling with families out for a day in the sun.
Early in the novel, Amir explains why he loved wintertime in Kabul as a child. He remembers the sights, sounds, and physical feelings of the season in a passage full of visual, auditory, and tactile imagery:
Unlock with LitCharts A+I loved wintertime in Kabul. I loved it for the soft pattering of snow against my window at night, for the way fresh snow crunched under my black rubber boots, for the warmth of the cast-iron stove as the wind screeched through the yards, the streets.