Marian Halcombe Quotes in The Woman in White
To associate that forlorn, friendless, lost woman, even by an accidental likeness only, with Miss Fairlie, seems like casting a shadow on the future of the bright creature who stands looking at us now.
‘Crush it!’ she said. ‘Here, where you first saw her, crush it! Don’t shrink under it like a woman. Tear it out; trample it under foot like a man!’ The suppressed vehemence with which she spoke; the strength which her will concentrated in the look she fixed on me, and in the hold on my arm that she had not yet relinquished –communicated to mine, steadied me. We both waited for a minute, in silence. At the end of that time, I had justified her generous faith in my manhood; I had, outwardly at least, recovered my self-control.
It is the great beauty of the Law that it can dispute any human statement, made under any circumstances, and reduced to any form. If I had felt professionally called upon to set up a case against Sir Percival Glyde, on the strength of his own explanation, I could have done so beyond all doubt. But my duty did not lie in this direction: my function was of the purely judicial kind. I was to weigh the explanation we had just heard; to allow all due force to the high reputation of the gentleman who offered it; and to decide honestly whether the probabilities, on Sir Percival’s own showing, were plainly with him, or plainly against him. My own conviction was that they were plainly with him; and I accordingly declared that his explanation was, to my mind, unquestionably a satisfactory one.
I answered him – more because my tongue is a woman’s, and must answer, than because I had anything convincing to say. It was only too plain that the course Laura had adopted the day before, had offered him the advantage if he chose to take it – and that he had chosen to take it. I felt this at the time, and I feel it just as strongly now, while I write these lines, in my own room. The one hope left, is that his motives really spring, as he says they do, from the irresistible strength of his attachment to Laura.
‘It will only involve us in more trouble and more confusion,’ she said. ‘It will set you and my uncle at variance, and bring Sir Percival here again with fresh causes of complaint— ’ ‘So much the better!’ I cried out, passionately. ‘Who cares for his causes of complaint? Are you to break your heart to set his mind at ease? No man under heaven deserves these sacrifices from us women. Men! They are the enemies of our innocence and our peace – they drag us away from our parents’ love and our sisters’ friendship – they take us body and soul to themselves, and fasten our helpless lives to theirs as they chain up a dog to his kennel. And what does the best of them give us in return?’
1 hate Sir Percival! I flatly deny his good looks. I consider him to be eminently ill-tempered and disagreeable, and totally wanting in kindness and good feeling. Last night, the cards for the married couple were sent home. Laura opened the packet, and saw her future name in print, for the first time. Sir Percival looked over her shoulder familiarly at the new card which had already transformed Miss Fairlie into Lady Glyde – smiled with the most odious self-complacency – and whispered something in her ear. I don’t know what it was – Laura has refused to tell me – but I saw her face turn to such a deadly whiteness that I thought she would have fainted. He took no notice of the change: he seemed to be barbarously unconscious that he had said anything to pain her.
The bare anticipation of seeing that dear face and hearing that well-known voice to-morrow, keeps me in a perpetual fever of excitement. If I only had the privileges of a man, I would order out Sir Percival’s best horse instantly, and tear away on a night-gallop, eastward, to meet the rising sun – a long, hard, heavy, ceaseless gallop of hours and hours, like the famous highwayman’s ride to York. Being, however, nothing but a woman, condemned to patience, propriety, and petticoats, for life, I must respect the housekeeper’s opinions, and try to compose myself in some feeble and feminine way.
This is the habitable part of the house, which has been repaired and redecorated, inside, on Laura’s account […] – all very nicely ornamented in the bright modern way, and all very elegantly furnished with the delightful modern luxuries. I was terribly afraid, from what I had heard of Blackwater Park, of fatiguing antique chairs, and dismal stained glass, and musty, frouzy hangings […] A large circular fish-pond, with stone sides, and an allegorical leaden monster in the middle, occupies the center of the square. The pond itself is full of gold and silver fish, and is encircled by a broad belt of the softest turf I ever walked on.
Except in this one particular, she is always, morning, noon, and night, in-doors and out, fair weather or foul, as cold as a statue, and as impenetrable as the stone out of which it is cut. For the common purposes of society the extraordinary change thus produced in her, is, beyond all doubt, a change for the better, seeing that it has transformed her into a civil, silent, unobtrusive woman, who is never in the way. How far she is really reformed or deteriorated in her secret self, is another question. I have once or twice seen sudden changes of expression on her pinched lips, and heard sudden inflexions of tone in her calm voice, which have led me to suspect that her present state of suppression may have sealed up something dangerous in her nature, which used to evaporate harmlessly in the freedom of her former life.
And the magician who has wrought this wonderful transformation – the foreign husband who has tamed this once wayward Englishwoman till her own relations hardly know her again – the Count himself? What of the Count? This, in two words: He looks like a man who could tame anything. If he had married a tigress, instead of a woman, he would have tamed the tigress. If he had married me, I should have made his cigarettes as his wife does – I should have held my tongue when he looked at me, as she holds hers.
‘My bailiff (a superstitious idiot) says he is quite sure the lake has a curse on it, like the Dead Sea. What do you think, Fosco? It looks just the place for a murder, doesn’t it?’ ‘My good Percival!’ remonstrated the Count. ‘What is your solid English sense thinking of? The water is too shallow to hide the body; and there is sand everywhere to print off the murderer’s footsteps. It is, upon the whole, the very worst place for a murder that I ever set my eyes on.’
Yes! I agree with her. John Bull does abhor the crimes of John Chinaman. He is the quickest old gentleman at finding out the faults that are his neighbors’, and the slowest old gentleman at finding out the faults that are his own […] English society, Miss Halcombe, is as often the accomplice, as it is the enemy of crime. Yes! yes! Crime is in this country what crime is in other countries […] Is the prison that Mr. Scoundrel lives in, at the end of his career, a more uncomfortable place than the workhouse that Mr. Honesty lives in, at the end of his career? […] Which gets on best, do you think, of two poor starving dressmakers – the woman who resists temptation, and is honest, or the woman who falls under temptation, and steals?
The Count’s firm hand slowly tightened its grasp on his shoulder, and the Count’s steady voice, quietly repeated, ‘Be good enough, if you please, to remember it, too.’ They both looked at each other: Sir Percival slowly drew his shoulder from under the Count’s hand; slowly turned his face away from the Count’s eyes; doggedly looked down for a little while at the parchment on the table; and then spoke, with the sullen submission of a tamed animal, rather than the becoming resignation of a convinced man.
He was kneeling by a tomb of white marble; and the shadow of a veiled woman rose out of the grave beneath, and waited by his side. The unearthly quiet of his face had changed to an unearthly sorrow. But the terrible certainty of his words remained the same. ‘Darker and darker,’ he said; ‘farther and farther yet. Death takes the good, the beautiful, and the young – and spares me. The Pestilence that wastes, the Arrow that strikes, the Sea that drowns, the Grave that closes over Love and Hope, are steps of my journey, and take me nearer and nearer to the End.’ My heart sank under a dread beyond words, under a grief beyond tears. The darkness closed round the pilgrim at the marble tomb; closed round the veiled woman from the grave.
Human ingenuity, my friend, has hitherto only discovered two ways in which a man can manage a woman. One way is to knock her down – a method largely adopted by the brutal lower orders of the people, but utterly abhorrent to the refined and educated classes above them. The other way (much longer, much more difficult, but, in the end, not less certain) is never to accept a provocation at a woman’s hands. It holds with animals, it holds with children, and it holds with women, who are nothing but children grown up. Quiet resolution is the one quality the animals, the children, and the women all fail in. If they can once shake this superior quality in their master, they get the better of him.
Marian Halcombe Quotes in The Woman in White
To associate that forlorn, friendless, lost woman, even by an accidental likeness only, with Miss Fairlie, seems like casting a shadow on the future of the bright creature who stands looking at us now.
‘Crush it!’ she said. ‘Here, where you first saw her, crush it! Don’t shrink under it like a woman. Tear it out; trample it under foot like a man!’ The suppressed vehemence with which she spoke; the strength which her will concentrated in the look she fixed on me, and in the hold on my arm that she had not yet relinquished –communicated to mine, steadied me. We both waited for a minute, in silence. At the end of that time, I had justified her generous faith in my manhood; I had, outwardly at least, recovered my self-control.
It is the great beauty of the Law that it can dispute any human statement, made under any circumstances, and reduced to any form. If I had felt professionally called upon to set up a case against Sir Percival Glyde, on the strength of his own explanation, I could have done so beyond all doubt. But my duty did not lie in this direction: my function was of the purely judicial kind. I was to weigh the explanation we had just heard; to allow all due force to the high reputation of the gentleman who offered it; and to decide honestly whether the probabilities, on Sir Percival’s own showing, were plainly with him, or plainly against him. My own conviction was that they were plainly with him; and I accordingly declared that his explanation was, to my mind, unquestionably a satisfactory one.
I answered him – more because my tongue is a woman’s, and must answer, than because I had anything convincing to say. It was only too plain that the course Laura had adopted the day before, had offered him the advantage if he chose to take it – and that he had chosen to take it. I felt this at the time, and I feel it just as strongly now, while I write these lines, in my own room. The one hope left, is that his motives really spring, as he says they do, from the irresistible strength of his attachment to Laura.
‘It will only involve us in more trouble and more confusion,’ she said. ‘It will set you and my uncle at variance, and bring Sir Percival here again with fresh causes of complaint— ’ ‘So much the better!’ I cried out, passionately. ‘Who cares for his causes of complaint? Are you to break your heart to set his mind at ease? No man under heaven deserves these sacrifices from us women. Men! They are the enemies of our innocence and our peace – they drag us away from our parents’ love and our sisters’ friendship – they take us body and soul to themselves, and fasten our helpless lives to theirs as they chain up a dog to his kennel. And what does the best of them give us in return?’
1 hate Sir Percival! I flatly deny his good looks. I consider him to be eminently ill-tempered and disagreeable, and totally wanting in kindness and good feeling. Last night, the cards for the married couple were sent home. Laura opened the packet, and saw her future name in print, for the first time. Sir Percival looked over her shoulder familiarly at the new card which had already transformed Miss Fairlie into Lady Glyde – smiled with the most odious self-complacency – and whispered something in her ear. I don’t know what it was – Laura has refused to tell me – but I saw her face turn to such a deadly whiteness that I thought she would have fainted. He took no notice of the change: he seemed to be barbarously unconscious that he had said anything to pain her.
The bare anticipation of seeing that dear face and hearing that well-known voice to-morrow, keeps me in a perpetual fever of excitement. If I only had the privileges of a man, I would order out Sir Percival’s best horse instantly, and tear away on a night-gallop, eastward, to meet the rising sun – a long, hard, heavy, ceaseless gallop of hours and hours, like the famous highwayman’s ride to York. Being, however, nothing but a woman, condemned to patience, propriety, and petticoats, for life, I must respect the housekeeper’s opinions, and try to compose myself in some feeble and feminine way.
This is the habitable part of the house, which has been repaired and redecorated, inside, on Laura’s account […] – all very nicely ornamented in the bright modern way, and all very elegantly furnished with the delightful modern luxuries. I was terribly afraid, from what I had heard of Blackwater Park, of fatiguing antique chairs, and dismal stained glass, and musty, frouzy hangings […] A large circular fish-pond, with stone sides, and an allegorical leaden monster in the middle, occupies the center of the square. The pond itself is full of gold and silver fish, and is encircled by a broad belt of the softest turf I ever walked on.
Except in this one particular, she is always, morning, noon, and night, in-doors and out, fair weather or foul, as cold as a statue, and as impenetrable as the stone out of which it is cut. For the common purposes of society the extraordinary change thus produced in her, is, beyond all doubt, a change for the better, seeing that it has transformed her into a civil, silent, unobtrusive woman, who is never in the way. How far she is really reformed or deteriorated in her secret self, is another question. I have once or twice seen sudden changes of expression on her pinched lips, and heard sudden inflexions of tone in her calm voice, which have led me to suspect that her present state of suppression may have sealed up something dangerous in her nature, which used to evaporate harmlessly in the freedom of her former life.
And the magician who has wrought this wonderful transformation – the foreign husband who has tamed this once wayward Englishwoman till her own relations hardly know her again – the Count himself? What of the Count? This, in two words: He looks like a man who could tame anything. If he had married a tigress, instead of a woman, he would have tamed the tigress. If he had married me, I should have made his cigarettes as his wife does – I should have held my tongue when he looked at me, as she holds hers.
‘My bailiff (a superstitious idiot) says he is quite sure the lake has a curse on it, like the Dead Sea. What do you think, Fosco? It looks just the place for a murder, doesn’t it?’ ‘My good Percival!’ remonstrated the Count. ‘What is your solid English sense thinking of? The water is too shallow to hide the body; and there is sand everywhere to print off the murderer’s footsteps. It is, upon the whole, the very worst place for a murder that I ever set my eyes on.’
Yes! I agree with her. John Bull does abhor the crimes of John Chinaman. He is the quickest old gentleman at finding out the faults that are his neighbors’, and the slowest old gentleman at finding out the faults that are his own […] English society, Miss Halcombe, is as often the accomplice, as it is the enemy of crime. Yes! yes! Crime is in this country what crime is in other countries […] Is the prison that Mr. Scoundrel lives in, at the end of his career, a more uncomfortable place than the workhouse that Mr. Honesty lives in, at the end of his career? […] Which gets on best, do you think, of two poor starving dressmakers – the woman who resists temptation, and is honest, or the woman who falls under temptation, and steals?
The Count’s firm hand slowly tightened its grasp on his shoulder, and the Count’s steady voice, quietly repeated, ‘Be good enough, if you please, to remember it, too.’ They both looked at each other: Sir Percival slowly drew his shoulder from under the Count’s hand; slowly turned his face away from the Count’s eyes; doggedly looked down for a little while at the parchment on the table; and then spoke, with the sullen submission of a tamed animal, rather than the becoming resignation of a convinced man.
He was kneeling by a tomb of white marble; and the shadow of a veiled woman rose out of the grave beneath, and waited by his side. The unearthly quiet of his face had changed to an unearthly sorrow. But the terrible certainty of his words remained the same. ‘Darker and darker,’ he said; ‘farther and farther yet. Death takes the good, the beautiful, and the young – and spares me. The Pestilence that wastes, the Arrow that strikes, the Sea that drowns, the Grave that closes over Love and Hope, are steps of my journey, and take me nearer and nearer to the End.’ My heart sank under a dread beyond words, under a grief beyond tears. The darkness closed round the pilgrim at the marble tomb; closed round the veiled woman from the grave.
Human ingenuity, my friend, has hitherto only discovered two ways in which a man can manage a woman. One way is to knock her down – a method largely adopted by the brutal lower orders of the people, but utterly abhorrent to the refined and educated classes above them. The other way (much longer, much more difficult, but, in the end, not less certain) is never to accept a provocation at a woman’s hands. It holds with animals, it holds with children, and it holds with women, who are nothing but children grown up. Quiet resolution is the one quality the animals, the children, and the women all fail in. If they can once shake this superior quality in their master, they get the better of him.