Stephen Dedalus Character Analysis

Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed. A yellow dressinggown, ungirdled, was sustained gently behind him on the mild morning air. He held the bowl aloft and intoned:
—Introibo ad altare Dei.
Halted, he peered down the dark winding stairs and called out coarsely:
—Come up, Kinch! Come up, you fearful jesuit!

In a dream, silently, she had come to him, her wasted body within its loose graveclothes giving off an odour of wax and rosewood, her breath, bent over him with mute secret words, faint odour of wetted ashes.
Her glazing eyes, staring out of death, to shake and bend my soul. On me alone. The ghostcandle to light her agony. Ghostly light on the tortured face. Her hoarse loud breath rattling in horror, while all prayed on their knees. Her eyes on me to strike me down. Liliata rutilantium te confessorum turma circumdet: iubilantium te virginum chorus excipiat.
Ghoul! Chewer of corpses!
No, mother! Let me be and let me live.

I will not sleep here tonight. Home also I cannot go.
A voice, sweettoned and sustained, called to him from the sea. Turning the curve he waved his hand. It called again. A sleek brown head, a seal’s, far out on the water, round.
Usurper.

—History, Stephen said, is a nightmare from which I am trying to awake.
From the playfield the boys raised a shout. A whirring whistle: goal. What if that nightmare gave you a back kick?
—The ways of the Creator are not our ways, Mr Deasy said. All human history moves towards one great goal, the manifestation of God.
Stephen jerked his thumb towards the window, saying:
—That is God.
Hooray! Ay! Whrrwhee!
—What? Mr Deasy asked.
—A shout in the street, Stephen answered, shrugging his shoulders.

Ineluctable modality of the visible: at least that if no more, thought through my eyes.

The cords of all link back, strandentwining cable of all flesh. That is why mystic monks. Will you be as gods? Gaze in your omphalos. Hello. Kinch here. Put me on to Edenville. Aleph, alpha: nought, nought, one.
Spouse and helpmate of Adam Kadmon: Heva, naked Eve. She had no navel. Gaze. Belly without blemish, bulging big, a buckler of taut vellum, no, whiteheaped corn, orient and immortal, standing from everlasting to everlasting. Womb of sin.

After he woke me last night same dream or was it? Wait. Open hallway. Street of harlots. Remember. Haroun al Raschid. I am almosting it. That man led me, spoke. I was not afraid. The melon he had he held against my face. Smiled: creamfruit smell. That was the rule, said. In. Come. Red carpet spread. You will see who.

—Our young Irish bards, John Eglinton censured, have yet to create a figure which the world will set beside Saxon Shakespeare’s Hamlet though I admire him, as old Ben did, on this side idolatry.

—As we, or mother Dana, weave and unweave our bodies, Stephen said, from day to day, their molecules shuttled to and fro, so does the artist weave and unweave his image. And as the mole on my right breast is where it was when I was born, though all my body has been woven of new stuff time after time, so through the ghost of the unquiet father the image of the unliving son looks forth. In the intense instant of imagination, when the mind, Shelley says, is a fading coal, that which I was is that which I am and that which in possibility I may come to be. So in the future, the sister of the past, I may see myself as I sit here now but by reflection from that which then I shall be.

Fatherhood, in the sense of conscious begetting, is unknown to man. It is a mystical estate, an apostolic succession, from only begetter to only begotten. On that mystery and not on the madonna which the cunning Italian intellect flung to the mob of Europe the church is founded and founded irremovably because founded, like the world, macro and microcosm, upon the void. Upon incertitude, upon unlikelihood. Amor matris, subjective and objective genitive, may be the only true thing in life. Paternity may be a legal fiction. Who is the father of any son that any son should love him or he any son?

But was young Boasthard’s fear vanquished by Calmer’s words? No, for he had in his bosom a spike named Bitterness which could not by words be done away. […] Heard he then in that clap the voice of the god Bringforth or, what Calmer said, a hubbub of Phenomenon? Heard? Why, he could not but hear unless he had plugged him up the tube Understanding (which he had not done). For through that tube he saw that he was in the land of Phenomenon where he must for a certain one day die as he was like the rest too a passing show. And would he not accept to die like the rest and pass away? By no means would he though he must.

STEPHEN: Here’s another for you. (he frowns) The reason is because the fundamental and the dominant are separated by the greatest possible interval which …
THE CAP: Which? Finish. You can’t.
STEPHEN: (with an effort) Interval which. Is the greatest possible ellipse. Consistent with. The ultimate return. The octave. Which.
THE CAP: Which?
(Outside the gramophone begins to blare The Holy City.)
STEPHEN: (abruptly) What went forth to the ends of the world to traverse not itself, God, the sun, Shakespeare, a commercial traveller, having itself traversed in reality itself becomes that self. Wait a moment. Wait a second. Damn that fellow’s noise in the street. Self which it itself was ineluctably preconditioned to become. Ecco!

STEPHEN: (eagerly) Tell me the word, mother, if you know now. The word known to all men.

STEPHEN: Non serviam!
[…]
(He lifts his ashplant high with both hands and smashes the chandelier. Time’s livid final flame leaps and, in the following darkness, ruin of all space, shattered glass and toppling masonry.)

(Against the dark wall a figure appears slowly, a fairy boy of eleven, a changeling, kidnapped, dressed in an Eton suit with glass shoes and a little bronze helmet, holding a book in his hand. He reads from right to left inaudibly, smiling, kissing the page.)
BLOOM: (wonderstruck, calls inaudibly) Rudy!
RUDY: (gazes, unseeing, into Bloom’s eyes and goes on reading, kissing, smiling. He has a delicate mauve face. On his suit he has diamond and ruby buttons. In his free left hand he holds a slim ivory cane with a violet bowknot. A white lambkin peeps out of his waistcoat pocket.)

What reason did Stephen give for declining Bloom’s offer?
That he was hydrophobe, hating partial contact by immersion or total by submersion in cold water, (his last bath having taken place in the month of October of the preceding year), disliking the aqueous substances of glass and crystal, distrusting aquacities of thought and language.

What impeded Bloom from giving Stephen counsels of hygiene and prophylactic to which should be added suggestions concerning a preliminary wetting of the head and contraction of the muscles with rapid splashing of the face and neck and thoracic and epigastric region in case of sea or river bathing, the parts of the human anatomy most sensitive to cold being the nape, stomach and thenar or sole of foot?
The incompatibility of aquacity with the erratic originality of genius.

What was Stephen’s auditive sensation?
He heard in a profound ancient male unfamiliar melody the accumulation of the past.

What was Bloom’s visual sensation?
He saw in a quick young male familiar form the predestination of a future.

What were Stephen’s and Bloom’s quasisimultaneous volitional quasisensations of concealed identities?
Visually, Stephen’s: The traditional figure of hypostasis, depicted by Johannes Damascenus, Lentulus Romanus and Epiphanius Monachus as leucodermic, sesquipedalian with winedark hair.
Auditively, Bloom’s: The traditional accent of the ecstasy of catastrophe.

Im sure hes very distinguished Id like to meet a man like that God not those other ruck besides hes young those fine young men I could see down in Margate strand bathingplace from the side of the rock standing up in the sun naked like a God or something and then plunging into the sea with them why arent all men like that thered be some consolation for a woman like that lovely little statue he bought I could look at him all day long curly head and his shoulders his finger up for you to listen theres real beauty and poetry for you I often felt I wanted to kiss him all over

Stately, plump Buck Mulligan came from the stairhead, bearing a bowl of lather on which a mirror and a razor lay crossed. A yellow dressinggown, ungirdled, was sustained gently behind him on the mild morning air. He held the bowl aloft and intoned:
—Introibo ad altare Dei.
Halted, he peered down the dark winding stairs and called out coarsely:
—Come up, Kinch! Come up, you fearful jesuit!

In a dream, silently, she had come to him, her wasted body within its loose graveclothes giving off an odour of wax and rosewood, her breath, bent over him with mute secret words, faint odour of wetted ashes.
Her glazing eyes, staring out of death, to shake and bend my soul. On me alone. The ghostcandle to light her agony. Ghostly light on the tortured face. Her hoarse loud breath rattling in horror, while all prayed on their knees. Her eyes on me to strike me down. Liliata rutilantium te confessorum turma circumdet: iubilantium te virginum chorus excipiat.
Ghoul! Chewer of corpses!
No, mother! Let me be and let me live.

I will not sleep here tonight. Home also I cannot go.
A voice, sweettoned and sustained, called to him from the sea. Turning the curve he waved his hand. It called again. A sleek brown head, a seal’s, far out on the water, round.
Usurper.

—History, Stephen said, is a nightmare from which I am trying to awake.
From the playfield the boys raised a shout. A whirring whistle: goal. What if that nightmare gave you a back kick?
—The ways of the Creator are not our ways, Mr Deasy said. All human history moves towards one great goal, the manifestation of God.
Stephen jerked his thumb towards the window, saying:
—That is God.
Hooray! Ay! Whrrwhee!
—What? Mr Deasy asked.
—A shout in the street, Stephen answered, shrugging his shoulders.

Ineluctable modality of the visible: at least that if no more, thought through my eyes.

The cords of all link back, strandentwining cable of all flesh. That is why mystic monks. Will you be as gods? Gaze in your omphalos. Hello. Kinch here. Put me on to Edenville. Aleph, alpha: nought, nought, one.
Spouse and helpmate of Adam Kadmon: Heva, naked Eve. She had no navel. Gaze. Belly without blemish, bulging big, a buckler of taut vellum, no, whiteheaped corn, orient and immortal, standing from everlasting to everlasting. Womb of sin.

After he woke me last night same dream or was it? Wait. Open hallway. Street of harlots. Remember. Haroun al Raschid. I am almosting it. That man led me, spoke. I was not afraid. The melon he had he held against my face. Smiled: creamfruit smell. That was the rule, said. In. Come. Red carpet spread. You will see who.

—Our young Irish bards, John Eglinton censured, have yet to create a figure which the world will set beside Saxon Shakespeare’s Hamlet though I admire him, as old Ben did, on this side idolatry.

—As we, or mother Dana, weave and unweave our bodies, Stephen said, from day to day, their molecules shuttled to and fro, so does the artist weave and unweave his image. And as the mole on my right breast is where it was when I was born, though all my body has been woven of new stuff time after time, so through the ghost of the unquiet father the image of the unliving son looks forth. In the intense instant of imagination, when the mind, Shelley says, is a fading coal, that which I was is that which I am and that which in possibility I may come to be. So in the future, the sister of the past, I may see myself as I sit here now but by reflection from that which then I shall be.

Fatherhood, in the sense of conscious begetting, is unknown to man. It is a mystical estate, an apostolic succession, from only begetter to only begotten. On that mystery and not on the madonna which the cunning Italian intellect flung to the mob of Europe the church is founded and founded irremovably because founded, like the world, macro and microcosm, upon the void. Upon incertitude, upon unlikelihood. Amor matris, subjective and objective genitive, may be the only true thing in life. Paternity may be a legal fiction. Who is the father of any son that any son should love him or he any son?

But was young Boasthard’s fear vanquished by Calmer’s words? No, for he had in his bosom a spike named Bitterness which could not by words be done away. […] Heard he then in that clap the voice of the god Bringforth or, what Calmer said, a hubbub of Phenomenon? Heard? Why, he could not but hear unless he had plugged him up the tube Understanding (which he had not done). For through that tube he saw that he was in the land of Phenomenon where he must for a certain one day die as he was like the rest too a passing show. And would he not accept to die like the rest and pass away? By no means would he though he must.

STEPHEN: Here’s another for you. (he frowns) The reason is because the fundamental and the dominant are separated by the greatest possible interval which …
THE CAP: Which? Finish. You can’t.
STEPHEN: (with an effort) Interval which. Is the greatest possible ellipse. Consistent with. The ultimate return. The octave. Which.
THE CAP: Which?
(Outside the gramophone begins to blare The Holy City.)
STEPHEN: (abruptly) What went forth to the ends of the world to traverse not itself, God, the sun, Shakespeare, a commercial traveller, having itself traversed in reality itself becomes that self. Wait a moment. Wait a second. Damn that fellow’s noise in the street. Self which it itself was ineluctably preconditioned to become. Ecco!

STEPHEN: (eagerly) Tell me the word, mother, if you know now. The word known to all men.

STEPHEN: Non serviam!
[…]
(He lifts his ashplant high with both hands and smashes the chandelier. Time’s livid final flame leaps and, in the following darkness, ruin of all space, shattered glass and toppling masonry.)

(Against the dark wall a figure appears slowly, a fairy boy of eleven, a changeling, kidnapped, dressed in an Eton suit with glass shoes and a little bronze helmet, holding a book in his hand. He reads from right to left inaudibly, smiling, kissing the page.)
BLOOM: (wonderstruck, calls inaudibly) Rudy!
RUDY: (gazes, unseeing, into Bloom’s eyes and goes on reading, kissing, smiling. He has a delicate mauve face. On his suit he has diamond and ruby buttons. In his free left hand he holds a slim ivory cane with a violet bowknot. A white lambkin peeps out of his waistcoat pocket.)

What reason did Stephen give for declining Bloom’s offer?
That he was hydrophobe, hating partial contact by immersion or total by submersion in cold water, (his last bath having taken place in the month of October of the preceding year), disliking the aqueous substances of glass and crystal, distrusting aquacities of thought and language.

What impeded Bloom from giving Stephen counsels of hygiene and prophylactic to which should be added suggestions concerning a preliminary wetting of the head and contraction of the muscles with rapid splashing of the face and neck and thoracic and epigastric region in case of sea or river bathing, the parts of the human anatomy most sensitive to cold being the nape, stomach and thenar or sole of foot?
The incompatibility of aquacity with the erratic originality of genius.

What was Stephen’s auditive sensation?
He heard in a profound ancient male unfamiliar melody the accumulation of the past.

What was Bloom’s visual sensation?
He saw in a quick young male familiar form the predestination of a future.

What were Stephen’s and Bloom’s quasisimultaneous volitional quasisensations of concealed identities?
Visually, Stephen’s: The traditional figure of hypostasis, depicted by Johannes Damascenus, Lentulus Romanus and Epiphanius Monachus as leucodermic, sesquipedalian with winedark hair.
Auditively, Bloom’s: The traditional accent of the ecstasy of catastrophe.

Im sure hes very distinguished Id like to meet a man like that God not those other ruck besides hes young those fine young men I could see down in Margate strand bathingplace from the side of the rock standing up in the sun naked like a God or something and then plunging into the sea with them why arent all men like that thered be some consolation for a woman like that lovely little statue he bought I could look at him all day long curly head and his shoulders his finger up for you to listen theres real beauty and poetry for you I often felt I wanted to kiss him all over