For Whom the Bell Tolls

by

Ernest Hemingway

For Whom the Bell Tolls: Chapter 32 Summary & Analysis

Summary
Analysis
In Madrid on the same night, many people have gathered at the Hotel Gaylord. A car pulls up at the hotel, and a small man in riding boots and a “gray, high-buttoned jacket” steps out and enters the hotel. There are two sentries at the door, meant to serve as security, but they let the man pass through freely. The hotel is crowded with men and women drinking, some of them in uniform. The man, Karkov, goes to a woman in uniform; she is his wife, and he says something to her in Russian. His eyes light up as he sees the “love-lazy face” of his mistress, and he goes to speak with her. She asks if she can go with him to the offensive the next day, but he says that she can’t. He asks her who told her about it, and she says that it was “Richard.”
The novel changes to the perspective of Karkov at the Hotel Gaylord in Madrid. It seems that the Soviets fighting for the Republicans enjoy a relatively calm, upscale life in Madrid, while the Republican guerillas on the front are accustomed to suffering and poverty. Hemingway suggests that the Soviets are involved in the war for the sake of their own country—to help spread Communism.
Themes
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A man of “middle height” with a “gray, heavy, sagging face” asks Karkov if he has heard the good news. The man says that the fascists have been “fighting among themselves near Segovia,” “bombing their own troops with planes.” “Dolores” brought the news herself, the news “shining” from her “with a light that was not of this world.” “Not for nothing is she called La Pasionaria,” the man says. Karkov sends the man away.
A messenger delivers erroneous news to Karkov: the fascists are not bombing themselves, as La Pasionaria claims, but have just killed El Sordo and his men instead. Sharply critical of La Pasionaria (a real figure in the Spanish Civil War), Hemingway suggests that as a Republican leader, “Dolores” (her real name) is using false rhetoric to inspire the Republicans, avoiding the violent reality of the war.
Themes
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Karkov goes over to another man, “short, chunky, jovial-looking,” a Hungarian divisional commander. Karkov asks him about the news from Dolores (La Pasionaria), and the commander says that “all the journalists should be shot,” including “the intriguing German unmentionable of a Richard.” Karkov says that Robert Jordan is in the area where “this business” is supposed to happen. The commander says that the fascists were probably “having maneuvers,” and that General Golz might be able to “maneuver” them a little, too. Karkov leaves the room to go to his bedroom, though he doesn’t bother to undress, because at two o’clock he is leaving for the front where Golz will be attacking in the morning.
It is unclear who exactly “Richard” is meant to be, but the Hungarian commander’s comments suggest that he is a journalist. Hemingway himself was a journalist in the Spanish Civil War, and here, he registers the negative attitudes felt by many fighters toward journalists: journalists were viewed as non-combatants, prone to spreading lies and unwilling to participate in fighting, the real work of the war.
Themes
Violence, Cowardice, and Death Theme Icon