In medieval literature, pity is a strongly gendered trait associated with women, and the Abbot’s pity is a hint that his identity is not exactly as it appears. However, at this point, the primary force of attraction between Alessandro and the Abbot is a shared nobility of character: they enjoy talking together on the road. When the Abbot promises Alessandro that his fortunes will be restored, it seems to indicate some knowledge that remains hidden from Alessandro and the readers. A connection between fortune and divine providence is sometimes made throughout
The Decameron and can be found in other medieval writings. But, as this day’s tales will show, fortune just as frequently has nothing to do with just deserts or Divine will.