The idea of Purgatory—a place where those who are safe from the eternal torments of hell but who have sins left to atone for after death before they can get into heaven—developed across the 13th century and was still relatively new at the time that Giovanni Boccaccio composed
The Decameron. Thus, some confusion and questions about sins and punishments is understandable, but Meuccio’s questions also display a distrust in the institution of the Roman Catholic Church and its laws. This tale aligns with the book’s larger argument about the primacy of faith over legalistic observance in its endorsement of charitable behavior, even while it gleefully disregards the church’s more legalistic stance on extramarital and incestuous sex.