Cyril Fielding Quotes in A Passage to India
The world, he believed, is a globe of men who are trying to reach one another and can best do so by the help of goodwill plus culture and intelligence – a creed ill suited to Chandrapore, but he had come out too late to lose it. He had no racial feeling; not because he was superior to his brother civilians, but because he had matured in a different atmosphere, where the herd instinct does not flourish.
“I do so hate mysteries,” Adela announced.
“We English do.”
“I dislike them not because I’m English, but from my own personal point of view,” she corrected.
“I like mysteries but I rather dislike muddles,” said Mrs. Moore.
“A mystery is a muddle.”
“Oh, do you think so, Mr. Fielding?”
“A mystery is only a high-sounding term for a muddle. No advantage in stirring it up, in either case. Aziz and I know well that India’s a muddle.”
But they were friends, brothers. That part was settled, their compact had been subscribed by the photograph, they trusted one another, affection had triumphed for once in a way.
He had not gone mad at the phrase “an English girl fresh from England,” he had not rallied to the banner of race. He was still after facts, though the herd had decided on emotion. Nothing enrages Anglo-India more than the lantern of reason if it is exhibited for one moment after its extinction is decreed. All over Chandrapore that day the Europeans were putting aside their normal personalities and sinking themselves in their community. Pity, wrath, heroism, filled them, but the power of putting two and two together was annihilated.
“Our letter is a failure for a simple reason which we had better face: you have no real affection for Aziz, or Indians generally.” She assented. “The first time I saw you, you were wanting to see India, not Indians, and it occurred to me: Ah, that won’t take us far. Indians know whether they are liked or not – they cannot be fooled here. Justice never satisfies them, and that is why the British Empire rests on sand.”
Perhaps life is a mystery, not a muddle; they could not tell. Perhaps the hundred Indias which fuss and squabble so tiresomely are one, and the universe they mirror is one.
He had forgotten the beauty of form among idol temples and lumpy hills; indeed, without form, how can there be beauty? Form stammered here and there in a mosque, became rigid through nervousness even; but oh these Italian churches! …something more precious than mosaics and marbles was offered to him now: the harmony between the works of man and the earth that upholds them, the civilization that has escaped muddle, the spirit in a reasonable form, with flesh and blood subsisting.
“I do not want you, I do not want one of you in my private life, with my dying breath I say it. Yes, yes, I made a foolish blunder; despise me and feel cold. I thought you married my enemy. I never read your letter. Mahmoud Ali deceived me… I forgive Mahmoud Ali all things, because he loved me.” Then pausing, while the rain exploded like pistols, he said: “My heart is for my own people henceforward.”
“Clear out, all you Turtons and Burtons. We wanted to know you ten years back – now it’s too late. If we see you and sit on your committees it’s for political reasons, don’t you make any mistake.” His horse did rear. “Clear out, clear out, I say. Why are we put to so much suffering? We used to blame you, now we blame ourselves, we grow wiser. Until England is in difficulties we keep silent, but in the next European war – aha, aha! Then is our time.”
“…yes, we shall drive every blasted Englishman into the sea, and then” – he rode against him furiously – “and then,” he concluded, half kissing him, “you and I shall be friends.”
“Why can’t we be friends now?” said the other, holding him affectionately. “It’s want I want. It’s what you want.”
But the horses didn’t want it – they swerved apart; the earth didn’t want it, sending up rocks through which riders must pass single file; the temples, the tank, the jail, the palace, the birds, the carrion, the Guest House… they didn’t want it, they said in their hundred voices: “No, not yet,” and the sky said: “No, not there.”
Cyril Fielding Quotes in A Passage to India
The world, he believed, is a globe of men who are trying to reach one another and can best do so by the help of goodwill plus culture and intelligence – a creed ill suited to Chandrapore, but he had come out too late to lose it. He had no racial feeling; not because he was superior to his brother civilians, but because he had matured in a different atmosphere, where the herd instinct does not flourish.
“I do so hate mysteries,” Adela announced.
“We English do.”
“I dislike them not because I’m English, but from my own personal point of view,” she corrected.
“I like mysteries but I rather dislike muddles,” said Mrs. Moore.
“A mystery is a muddle.”
“Oh, do you think so, Mr. Fielding?”
“A mystery is only a high-sounding term for a muddle. No advantage in stirring it up, in either case. Aziz and I know well that India’s a muddle.”
But they were friends, brothers. That part was settled, their compact had been subscribed by the photograph, they trusted one another, affection had triumphed for once in a way.
He had not gone mad at the phrase “an English girl fresh from England,” he had not rallied to the banner of race. He was still after facts, though the herd had decided on emotion. Nothing enrages Anglo-India more than the lantern of reason if it is exhibited for one moment after its extinction is decreed. All over Chandrapore that day the Europeans were putting aside their normal personalities and sinking themselves in their community. Pity, wrath, heroism, filled them, but the power of putting two and two together was annihilated.
“Our letter is a failure for a simple reason which we had better face: you have no real affection for Aziz, or Indians generally.” She assented. “The first time I saw you, you were wanting to see India, not Indians, and it occurred to me: Ah, that won’t take us far. Indians know whether they are liked or not – they cannot be fooled here. Justice never satisfies them, and that is why the British Empire rests on sand.”
Perhaps life is a mystery, not a muddle; they could not tell. Perhaps the hundred Indias which fuss and squabble so tiresomely are one, and the universe they mirror is one.
He had forgotten the beauty of form among idol temples and lumpy hills; indeed, without form, how can there be beauty? Form stammered here and there in a mosque, became rigid through nervousness even; but oh these Italian churches! …something more precious than mosaics and marbles was offered to him now: the harmony between the works of man and the earth that upholds them, the civilization that has escaped muddle, the spirit in a reasonable form, with flesh and blood subsisting.
“I do not want you, I do not want one of you in my private life, with my dying breath I say it. Yes, yes, I made a foolish blunder; despise me and feel cold. I thought you married my enemy. I never read your letter. Mahmoud Ali deceived me… I forgive Mahmoud Ali all things, because he loved me.” Then pausing, while the rain exploded like pistols, he said: “My heart is for my own people henceforward.”
“Clear out, all you Turtons and Burtons. We wanted to know you ten years back – now it’s too late. If we see you and sit on your committees it’s for political reasons, don’t you make any mistake.” His horse did rear. “Clear out, clear out, I say. Why are we put to so much suffering? We used to blame you, now we blame ourselves, we grow wiser. Until England is in difficulties we keep silent, but in the next European war – aha, aha! Then is our time.”
“…yes, we shall drive every blasted Englishman into the sea, and then” – he rode against him furiously – “and then,” he concluded, half kissing him, “you and I shall be friends.”
“Why can’t we be friends now?” said the other, holding him affectionately. “It’s want I want. It’s what you want.”
But the horses didn’t want it – they swerved apart; the earth didn’t want it, sending up rocks through which riders must pass single file; the temples, the tank, the jail, the palace, the birds, the carrion, the Guest House… they didn’t want it, they said in their hundred voices: “No, not yet,” and the sky said: “No, not there.”