A Small Place

by

Jamaica Kincaid

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Themes and Colors
Slavery, Colonialism, and Independence Theme Icon
Racism and White Supremacy Theme Icon
Tourism and Empathy  Theme Icon
The Local and The Global Theme Icon
Rot and Corruption  Theme Icon
LitCharts assigns a color and icon to each theme in A Small Place, which you can use to track the themes throughout the work.
Tourism and Empathy  Theme Icon

The first section of A Small Place speaks to the reader as if they were a tourist visiting Antigua. When the tourist arrives at their resort, the book asks readers to confront the inherent ugliness of tourism, which it claims is harmful because it is inherently voyeuristic. The tourist doesn’t belong to Antigua, and, because of their relative wealth and privilege, they can distance themselves from the history that made places like North America and Europe wealthy and powerful and places like Antigua poor and vulnerable to corruption. Becoming a tourist allows a person to temporarily escape the boring, uncomfortable, or unglamorous aspects of their normal lives for someplace beautiful. But the book’s detailed portrait of Antigua debunks the island’s superficial beauty, showing the boring, painful, and unglamorous aspects of its colonial history and current state of corruption and poverty.

Because the tourist doesn’t have a deep connection to a place, they often feel free to criticize it or offer their allegedly enlightened ideas about how it could be fixed or run. In this vein, members of the Mill Reef Club function as tourists in A Small Place; their love of Antigua extends only as far as the beautiful beaches and warm climate—they stop short of recognizing the humanity of native Antiguans or attempting to alleviate their struggles. Still, the book suggests, there is reason to hope that things can change for the better. If readers—tourists of a sort, if only for the brief time they visit Antigua by reading A Small Place—can look inward and interrogate their role in systems of oppression, then they can develop empathy for others. They can thus short circuit the threat of the tourist, who is dangerous as long as he or she steps outside the web of human relationships. Developing empathic insight to the ethical issues that tourism poses, on the other hand, can bolster a person’s humanity no matter where they go.

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Tourism and Empathy ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Tourism and Empathy appears in each chapter of A Small Place. Click or tap on any chapter to read its Summary & Analysis.
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Tourism and Empathy Quotes in A Small Place

Below you will find the important quotes in A Small Place related to the theme of Tourism and Empathy .
Chapter 1  Quotes

Antigua is […] more beautiful than any of the other islands you have seen […] but they were much too green, much too lush with vegetation, which indicated to you, the tourist, that they got quite a bit of rainfall, and rain is the very thing that you, just now, do not want, for you are thinking of the hard and cold and dark and long days you spent working in North America (or, worse, Europe), earning some money so that you could stay in this place (Antigua) where the sun always shines and where the climate is deliciously hot and dry for the four to ten days you are staying there; and since you are a tourist, the thought of what it might be like for someone who had to live day in, day out in a place that suffers constantly from drought […] must never cross your mind.

Related Characters: Jamaica Kincaid (speaker), The Tourist
Related Symbols: Antigua
Page Number: 3-4
Explanation and Analysis:

How do they afford such a car? And do they live in a luxurious house to match such a car? Well, no. You will be surprised, then, to see that most likely the person driving this brand-new car filled with the wrong gas lives in a house that […] is far beneath the status of the car; and if you were to ask why you would be told that the banks are encouraged by the government to make loans available for cars, but loans for houses are not so easily available; and if you ask again why, you will be told that the two main car dealerships in Antigua are owned in part or outright by ministers in government. […] You pass a building sitting in a sea of dust and you think, It’s some latrines for people just passing by, but [then] you see [it] has written on it PIGOTT’S SCHOOL.

Related Characters: Jamaica Kincaid (speaker), The Tourist
Page Number: 7
Explanation and Analysis:

You have brought your own books with you, and among them is one of those new books about economic history […]explaining how the West […] got rich: the West got rich not from the free (free—in this case meaning got-for-nothing) and then undervalued labour, for generations, of the people like me you see walking around you in Antigua but from the ingenuity of small shopkeepers in Sheffield and Yorkshire and Lancashire, or wherever; and what a great part the invention of the wristwatch played in it […] (isn’t that the last straw; for not only did we have to suffer the unspeakableness of slavery, but the satisfaction to be had from “We made you bastards rich” is taken away too, and so you needn’t let that slightly funny feeling you have from time to time about exploitation, oppression, domination develop into full-fledged unease, discomfort; you could ruin your holiday.

Related Characters: Jamaica Kincaid (speaker), The Tourist
Related Symbols: Library
Page Number: 9-10
Explanation and Analysis:

You must not wonder what exactly happened to the contents of your lavatory when you flushed it. You must not wonder where your bathwater went when you pulled out the stopper. You must not wonder what happened when you brushed your teeth. Oh, it might all end up in the water you are thinking of taking a swim in; the contents of your lavatory might, just might, graze gently against your ankle as you wade carefree in the water, for you see, in Antigua, there is no proper sewage-disposal system. But the Caribbean Sea as very big and the Atlantic Ocean is even bigger; it would amaze you to know the number of black slaves this ocean has swallowed up.

Related Characters: Jamaica Kincaid (speaker), The Tourist
Related Symbols: Antigua
Page Number: 13-14
Explanation and Analysis:

An ugly thing, that is what you are when you become a tourist, an ugly, empty thing, a stupid thing, a piece of rubbish pausing here and there to gaze at this and taste that, and it will never occur to you that the people who inhabit the place in which you have just paused cannot stand you […] They do not like you. They do not like me! That thought never actually occurs to you. Still, you feel a little uneasy. Still, you feel a little foolish. Still, you feel a little out of place. But the banality of your own life is very real to you; it drove you to this extreme, spending your days and nights in the company of people who despise you, people you do not like really, people you would not want to have as your actual neighbor.

Related Characters: Jamaica Kincaid (speaker), The Tourist
Related Symbols: Antigua
Page Number: 17-18
Explanation and Analysis:

That the native does not like the tourist is not hard to explain. […] Every native lives a life of overwhelming and crushing banality and boredom and desperation and depression, and every deed, good and bad, is an attempt to forget this. Every native would like to find a way out, every native would like a rest, every native would like a tour. But […] most natives in the world […] cannot go anywhere. They are too poor […]to escape the reality of their lives; and they are too poor to live properly in the place where they live, which is the very place you, the tourist, want to go—so when the natives see you, the tourist, they envy you, they envy your ability to leave your own banality and boredom, they envy your ability to turn their own banality and boredom into a source of pleasure for yourself.

Related Characters: Jamaica Kincaid (speaker), The Tourist
Related Symbols: Antigua
Page Number: 18-19
Explanation and Analysis:
Chapter 3  Quotes

I then went to see a woman whose family had helped to establish the Mill Reef Club […] who was very active in getting the old library restored […] After I mentioned the library to her, the first thing she told me was that she always encouraged her girls and her girls’ children to use the library, and by her girls she meant grownup Antiguan women (not unlike me) who work in her gift shop as seamstresses and saleswomen. She said to me then what everybody in Antigua says sooner or later: The government is for sale; anybody from anywhere can come to Antigua and for a sum of money can get what he wants […] I could see the pleasure she took in pointing out to me the gutter into which a self-governing—black—Antigua had placed itself.

Related Characters: Jamaica Kincaid (speaker), The Tourist
Related Symbols: Antigua, Library, Mill Reef Club
Page Number: 47
Explanation and Analysis:

These offshore banks are popular in the West Indies. Only tourism itself is more important. Every government wants these banks, which are modelled on the banks in Switzerland. I have a friend who just came back from Switzerland. What a wonderful time she had. She had never seen cleaner streets anywhere, or more wonderful people anywhere. She was in such a rhapsodic state about the Swiss, and the superior life they lead, that it was hard for me not to bring up how they must pay for this superior life they lead. For […] not a day goes by that I don’t hear about […] some dictator, […] some criminal kingpin who has a secret Swiss bank account. But maybe there is no connection between the wonderful life that the Swiss lead and the ill-gotten money resting in Swiss bank vaults; maybe it’s just a coincidence.

Related Characters: Jamaica Kincaid (speaker)
Related Symbols: Antigua
Page Number: 59-60
Explanation and Analysis: