LitCharts assigns a color and icon to each theme in Atonement, which you can use to track the themes throughout the work.
Perspective
Guilt
Class
Lost Innocence
The Unchangeable Past
Stories and Literature
Summary
Analysis
13-year-old Briony Tallis self-importantly prepares for the debut performance of The Trials of Arabella, a short play she has written about a young woman who overcomes various trials to elope with a penniless doctor. Her older brother, Leon, will be visiting home soon, and she hopes to impress him with the performance. Briony’s young cousins are scheduled to visit soon as well, and they will be cast in the play.
By opening with Briony’s play, the novel emphasizes its own status as literature and draws attention to the process of writing in general. Further, note that the subject of the play resembles the subject of Atonement, in which Cecilia seeks to be with the lower-class doctor-in-training, Robbie.
Active
Themes
Briony is described as an orderly, if a bit fastidious, girl with a gift for writing and a tendency to misuse lofty words. She is eager to impress her family with her work, and sees The Trials of Arabella as having a particular potential to end in public failure.
At this moment, Briony’s storytelling is utterly self-serving: she has few aims other than to impress her family, and seeks control to ward off failure.
Active
Themes
Literary Devices
Briony’s cousins, the Quinceys—15-year-old Lola, and her nine-year-old twin brothers, Jackson and Pierrot—will be staying with her family to escape a feud between their separating parents. When the Quincey children arrive, Briony does not consider their state of mind and begins to harangue them about rehearsing her play, but her older sister, Cecilia, and mother, Emily, try to make the other children feel at home.
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Active
Themes
Briony returns to her room and wonders how she will cast her play. She rationalizes that Lola’s colorful, freckled complexion makes her ineligible to star as Arabella, and considers herself better suited to the role—after all, Arabella is really based on Briony, and resembles her completely. However, when Briony assembles the Quinceys to talk about casting, she is intimidated by Lola’s painted nails and perfume. Lola manipulates Briony into letting her play the role of Arabella, and Briony reluctantly assents. The group begins to rehearse, and as the disappointing reality of her play takes shape, Briony begins to “understand the chasm that lay between an idea and its execution.”
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