Cymbeline

by

William Shakespeare

Imogen/Fidele Character Analysis

Read our modern English translation.
Imogen is the British princess. After her brothers were abducted from the nursery as infants, Imogen became Cymbeline’s sole heir. To consolidate power, he wants her to marry his stepson Cloten, but headstrong Imogen is unwilling to be an instrument of her father’s political machinations. She follows her own conscience, evidenced in her marrying the suitor of her choosing: the low-born but wealthy Posthumus. Imogen prizes loyalty, and she maintains her fidelity to her husband even amidst Iachimo’s trickery. While Imogen is sleeping, Iachimo steals jewelry (which she received from her husband) and reports details about Imogen’s bedchamber and her body to Posthumus to convince him of her infidelity. Even when Posthumus orders their servant Pisanio to kill Imogen for this alleged unfaithfulness, Imogen holds fast to her sense of loyalty, asking Pisanio to follow through with the order. Luckily, Pisanio talks her out of the idea, and offers her an alternative—to dress in disguise as a male servant named Fidele in order to find her husband among the Roman soldiers. Through her disguise and her pursuit of her husband, Imogen demonstrates her bravery, showing that she will stop at nothing to follow her heart. She is generous and courageous, navigating the Welsh wilderness and developing a close friendship to Belarius and his adopted sons who are (unbeknownst to them) her brothers. Despite her streak of independence, Imogen is glad to ultimately reconcile with her father and reunite with Posthumus and her brothers once all their lies and misconceptions are unraveled.

Imogen/Fidele Quotes in Cymbeline

The Cymbeline quotes below are all either spoken by Imogen/Fidele or refer to Imogen/Fidele . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Morality and Loyalty Theme Icon
).
Act 1, Scene 1 Quotes

His daughter, and the heir of’s kingdom, whom
He purposed to his wife’s sole son—a widow
That late he married—hath referr’d herself
Unto a poor but worthy gentleman: she’s wedded;
Her husband banish’d; she imprison’d: all
Is outward sorrow; though I think the king
Be touch’d at very heart.

Related Characters: Gentlemen (speaker), Cymbeline, Imogen/Fidele
Page Number: 1.1.5-11
Explanation and Analysis:

No, be assured you shall not find me, daughter,
After the slander of most stepmothers,
Evil-eyed unto you: you’re my prisoner, but
Your gaoler shall deliver you the keys
That lock up your restraint.

Related Characters: The Queen (speaker), Imogen/Fidele
Page Number: 1.1.82-86
Explanation and Analysis:

IMOGEN
…This diamond was my mother’s: take it, heart;
But keep it till you woo another wife,
When Imogen is dead.

POSTHUMUS
How, how! another?
You gentle gods, give me but this I have,
And sear up my embracements from a next
With bonds of death!
…for my sake wear this;
It is a manacle of love; I’ll place it
Upon this fairest prisoner.

Related Characters: Imogen/Fidele (speaker), Posthumus Leonatus (speaker)
Related Symbols: Gold and Jewelry
Page Number: 1.1.132-145
Explanation and Analysis:
Act 1, Scene 3 Quotes

I did not take my leave of him, but had
Most pretty things to say: ere I could tell him
How I would think on him at certain hours
Such thoughts and such, o I could make him swear
The shes of Italy should not betray
Mine interest and his honour…

Related Characters: Imogen/Fidele (speaker), Posthumus Leonatus
Page Number: 1.3.31-36
Explanation and Analysis:
Act 1, Scene 4 Quotes

POSTHUMUS
What lady would you choose to assail?

IACHIMO
Yours; whom in constancy you think stands so safe.
I will lay you ten thousand ducats to your ring,
that, commend me to the court where your lady is,
with no more advantage than the opportunity of a
second conference, and I will bring from thence
that honour of hers which you imagine so reserved.

Related Characters: Posthumus Leonatus (speaker), Iachimo (speaker), Imogen/Fidele
Related Symbols: Gold and Jewelry
Page Number: 1.4.122-128
Explanation and Analysis:
Act 2, Scene 1 Quotes

That such a crafty devil as is his mother
Should yield the world this ass! a woman that
Bears all down with her brain; and this her son
Cannot take two from twenty, for his heart
And leave eighteen. Alas, poor princess,
Thou divine Imogen, what thou endurest,
Betwixt a father by thy step-dame govern’d,
A mother hourly coining plots, a wooer
More hateful than the foul expulsion is
Of thy dear husband, than that horrid act
Of the divorce he’ld make! The heavens hold firm
The walls of thy dear honour, keep unshaked
That temple, thy fair mind, that thou mayst stand,
To enjoy thy banish’d lord and this great land!

Related Characters: The Second Lord (speaker), Imogen/Fidele , The Queen, Cloten
Page Number: 2.1.54-67
Explanation and Analysis:
Act 2, Scene 2 Quotes

As slippery as the Gordian knot was hard!
'Tis mine; and this will witness outwardly,
As strongly as the conscience does within,
To the madding of her lord. On her left
A mole cinque-spotted, like the crimson drops
I' the bottom of a cowslip: here's a voucher,
Stronger than ever law could make: this secret
Will force him think I have pick'd the lock and ta'en
The treasure of her honour. No more. To what end?
Why should I write this down, that's riveted,
Screw'd to my memory? She hath been reading late
The tale of Tereus; here the leaf's turn'd down
Where Philomel gave up. I have enough:
To the trunk again, and shut the spring of it.
Swift, swift, you dragons of the night, that dawning
May bare the raven's eye! I lodge in fear;
Though this a heavenly angel, hell is here.

Related Characters: Iachimo (speaker), Imogen/Fidele , Posthumus Leonatus
Page Number: 2.2.36-52
Explanation and Analysis:
Act 2, Scene 3 Quotes

…I am much sorry, sir,
You put me to forget a lady’s manners,
By being so verbal: and learn now, for all,
That I, which know my heart, do here pronounce,
By the very truth of it, I care not for you,
And am so near the lack of charity—
To accuse myself—I hate you; which I had rather
You felt than make’t my boast.

Related Characters: Imogen/Fidele (speaker), Iachimo
Page Number: 2.3.124-131
Explanation and Analysis:
Act 2, Scene 4 Quotes

…Let there be no honour
Where there is beauty; truth, where semblance; love
Where there’s another man: the vows of women
Of no more bondage be, to where they are made,
Than they are to their virtues; which is nothing.
O, above measure false!

Related Characters: Posthumus Leonatus (speaker), Imogen/Fidele , Iachimo
Page Number: 2.4.140-145
Explanation and Analysis:
Act 2, Scene 5 Quotes

…For there’s no motion
That tends to vice in man, but I affirm
It is the woman’s part: be it lying, note it,
The woman’s; flattering, hers; deceiving, hers;
Lust and rank thoughts, hers, hers; revenge, hers;
Ambitions, covetings, change of prides, disdain,
Nice longing, slanders, mutability,
All faults that may be named, nay, that hell knows,
Why, hers, in part or all; but rather, all;
For even to vice
They are not constant but are changing still
One vice, but of a minute old, for one
Not half so old as that.

Related Characters: Posthumus Leonatus (speaker), Imogen/Fidele
Page Number: 2.5.20-32
Explanation and Analysis:
Act 3, Scene 2 Quotes

How? of adultery? Wherefore write you not
What monster’s her accuser? Leonatus,
O master! what a strange infection
Is fall’n into thy ear! What false Italian,
As poisonous-tongued as handed, hath prevail’d
On thy too ready hearing? Disloyal! No:
She’s punish’d for her truth, and undergoes,
More goddess-like than wife-like, such assaults
As would take in some virtue. O my master!
Thy mind to her is now as low as were
Thy fortunes. How! that I should murder her?
Upon the love and truth and vows which I
Have made to thy command? I, her? her blood?
If it be so to do good service, never
Let me be counted serviceable.

Related Characters: Pisanio (speaker), Imogen/Fidele , Posthumus Leonatus
Page Number: 3.2.1-15
Explanation and Analysis:
Act 3, Scene 4 Quotes

Why, I must die;
And if I do not by thy hand, thou art
No servant of thy master’s…
Thus may poor fools
Believe false teachers: though those that
are betray’d
Do feel the treason sharply, yet the traitor
Stands in worse case of woe.
And thou, Posthumus, thou that didst set up
My disobedience ‘gainst the king my father
And make me put into contempt the suits
Of princely fellows, shalt hereafter find
It is no act of common passage, but
A strain of rareness: and I grieve myself
To think, when thou shalt be disedged by her
That now thou tirest on, how thy memory
Will then be pang’d by me. Prithee, dispatch:
The lamb entreats the butcher: where’s thy knife?
Thou art too slow to do thy master’s bidding,
When I desire it too.

Related Characters: Imogen/Fidele (speaker), Posthumus Leonatus, Pisanio
Page Number: 3.4.80-106
Explanation and Analysis:

You must forget to be a woman; change
Command into obedience: fear and niceness—
The handmaids of all women, or, more truly,
Woman its pretty self—into a waggish courage:
Ready in gibes, quick-answer’d, saucy and
As quarrelous as the weasel; nay, you must
Forget that rarest treasure of your cheek,
Exposing it—but, O, the harder heart!
Alack, no remedy!—to the greedy touch
Of common-kissing Titan, and forget
Your laboursome and dainty trims, wherein
You made great Juno angry.

Related Characters: Pisanio (speaker), Imogen/Fidele
Page Number: 3.4.178-189
Explanation and Analysis:
Act 4, Scene 1 Quotes

…How fit his garments
serve me! Why should his mistress, who was made by
him that made the tailor, not be fit too? the
rather—saving reverence of the word—for ‘tis said
a woman’s fitness comes by fits. Therein I must
play the workman. I dare speak it to myself—for it
is not vain-glory for a man and his glass to confer
in his own chamber—I mean, the lines of my body are
as well drawn as his; no less young, more strong,
not beneath him in fortunes, beyond him in the
advantage of the time, above him in birth, alike
conversant in general services, and more remarkable
in single oppositions: yet this imperceiverant
thing loves him in my despite. What mortality is!
Posthumus, thy head, which now is growing upon thy
shoulders, shall within this hour be off; thy
mistress enforced; thy garments cut to pieces before
thy face: and all this done, spurn her home to her
father; who may haply be a little angry for my so
rough usage; but my mother, having power of his
testiness, shall turn all into my commendations.

Related Characters: Cloten (speaker), Imogen/Fidele , Posthumus Leonatus
Related Symbols: Disguise
Page Number: 4.1.2-22
Explanation and Analysis:
Act 4, Scene 2 Quotes

IMOGEN
I’ll follow, sir. But first, an’t please the gods,
I’ll hide my master from the flies, as deep
As these poor pickaxes can dig; and when
With wild wood-leaves and weeds I ha’ strew’d his
grave,
And on it said a century of prayers,
Such as I can, twice o’er, I’ll weep and sigh;
And leaving so his service, follow you,
So please you entertain me.

CAIUS LUCIUS
Ay, good youth!
And rather father thee than master thee.
My friends,
The boy hath taught us manly duties…

Related Characters: Imogen/Fidele (speaker), Caius Lucius (speaker), Posthumus Leonatus, Cloten
Page Number: 4.2.479-491
Explanation and Analysis:
Act 4, Scene 3 Quotes

I heard no letter from my master since
I wrote him Imogen was slain: ‘tis strange:
Nor hear I from my mistress who did promise
To yield me often tidings: neither know I
What is betid to Cloten; but remain
Perplex’d in all. The heavens still must work.
Wherein I am false I am honest; not true, to be true.
These present wars shall find I love my country,
Even to the note o’ the king, or I’ll fall in them.
All other doubts, by time let them be clear’d:
Fortune brings in some boats that are not steer’d.

Related Characters: Pisanio (speaker), Cymbeline, Imogen/Fidele , Posthumus Leonatus
Page Number: 4.3.46-56
Explanation and Analysis:
Act 5, Scene 1 Quotes

Yea, bloody cloth, I’ll keep thee, for I wish’d
Thou shouldst be colour’d thus. You married ones,
If each of you should take this course, how many
Must murder wives much better than themselves
For wrying but a little! O Pisanio!
Every good servant does not all commands:
No bond but to do just ones. Gods! If you
Should have ta’en vengeance on my faults, I never
Had lived to put on this: so had you saved
The noble Imogen to repent, and struck
Me, wretch more worth your vengeance. But, alack,
You snatch some hence for little faults; that’s love,
To have them fall no more: you some permit
To second ills with ills, each elder worse,
And make them dread it, to the doers’ thrift.
But Imogen is your own: do your best wills,
And make me blest to obey!

Related Characters: Posthumus Leonatus (speaker), Imogen/Fidele , Pisanio
Page Number: 5.1.1-17
Explanation and Analysis:
Act 5, Scene 4 Quotes

No more, you petty spirits of region low,
Offend our hearing; hush! How dare you ghosts
Accuse the thunderer, whose bolt, you know,
Sky-planted batters all rebelling coasts?
Poor shadows of Elysium, hence, and rest
Upon your never-withering banks of flowers:
Be not with mortal accidents opprest;
No care of yours it is; you know ‘tis ours.
Whom best I love I cross; to make my gift,
The more delay’d, delighted. Be content;
Your low-laid son our godhead will uplift:
His comforts thrive, his trials well are spent.
Our Jovial star reign’d at his birth, and in
Our temple was he married. Rise, and fade.
He shall be lord of lady Imogen,
And happier much by his affliction made.
This tablet lay upon his breast, wherein
Our pleasure his full fortune doth confine:
and so, away: no further with your din
Express impatience, lest you stir up mine.
Mount, eagle, to my palace crystalline.

Related Characters: Jupiter (speaker), Imogen/Fidele , Posthumus Leonatus, Ghost of Sicilius Leonatus, Ghost of Posthumus’ Mother, Ghosts of the Brothers of Posthumus
Related Symbols: Eagles
Page Number: 5.4.Lines 96-116
Explanation and Analysis:
Act 5, Scene 5 Quotes

CORNELIUS
…She did confess she had
For you a mortal mineral; which, being took,
Should by the minute feed on life and lingering
By inches waste you: in which time she purposed,
By watching, weeping, tendance, kissing, to
O’ercome you with her show, and in time,
When she had fitted you with her craft, to work
Her son into the adoption of the crown:
But, failing of her end by his strange absence,
Grew shameless-desperate; open’d, in despite
Of heaven and men, her purposes; repented
The evils she hatch’d were not effected; so
Despairing died…

CYMBELINE
Mine eyes
Were not in fault, for she was beautiful;
Mine ears, that heard her flattery; nor my heart,
That thought her like her seeming; it had
been vicious
To have mistrusted her: yet, O my daughter!
That it was folly in me, thou mayst say,
And prove it in thy feeling. Heaven mend all!

Related Characters: Cymbeline (speaker), Cornelius (speaker), Imogen/Fidele , The Queen, Cloten
Page Number: 5.5.62-84
Explanation and Analysis:

IMOGEN
Why did you throw your wedded lady from you?
Think that you are upon a rock; and now
Throw me again.

Embracing him

POSTHUMUS LEONATUS
Hang there like a fruit, my soul,
Till the tree die!

Related Characters: Imogen/Fidele (speaker), Posthumus Leonatus (speaker)
Page Number: 5.5.315-320
Explanation and Analysis:
Get the entire Cymbeline LitChart as a printable PDF.
Cymbeline PDF

Imogen/Fidele Quotes in Cymbeline

The Cymbeline quotes below are all either spoken by Imogen/Fidele or refer to Imogen/Fidele . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Morality and Loyalty Theme Icon
).
Act 1, Scene 1 Quotes

His daughter, and the heir of’s kingdom, whom
He purposed to his wife’s sole son—a widow
That late he married—hath referr’d herself
Unto a poor but worthy gentleman: she’s wedded;
Her husband banish’d; she imprison’d: all
Is outward sorrow; though I think the king
Be touch’d at very heart.

Related Characters: Gentlemen (speaker), Cymbeline, Imogen/Fidele
Page Number: 1.1.5-11
Explanation and Analysis:

No, be assured you shall not find me, daughter,
After the slander of most stepmothers,
Evil-eyed unto you: you’re my prisoner, but
Your gaoler shall deliver you the keys
That lock up your restraint.

Related Characters: The Queen (speaker), Imogen/Fidele
Page Number: 1.1.82-86
Explanation and Analysis:

IMOGEN
…This diamond was my mother’s: take it, heart;
But keep it till you woo another wife,
When Imogen is dead.

POSTHUMUS
How, how! another?
You gentle gods, give me but this I have,
And sear up my embracements from a next
With bonds of death!
…for my sake wear this;
It is a manacle of love; I’ll place it
Upon this fairest prisoner.

Related Characters: Imogen/Fidele (speaker), Posthumus Leonatus (speaker)
Related Symbols: Gold and Jewelry
Page Number: 1.1.132-145
Explanation and Analysis:
Act 1, Scene 3 Quotes

I did not take my leave of him, but had
Most pretty things to say: ere I could tell him
How I would think on him at certain hours
Such thoughts and such, o I could make him swear
The shes of Italy should not betray
Mine interest and his honour…

Related Characters: Imogen/Fidele (speaker), Posthumus Leonatus
Page Number: 1.3.31-36
Explanation and Analysis:
Act 1, Scene 4 Quotes

POSTHUMUS
What lady would you choose to assail?

IACHIMO
Yours; whom in constancy you think stands so safe.
I will lay you ten thousand ducats to your ring,
that, commend me to the court where your lady is,
with no more advantage than the opportunity of a
second conference, and I will bring from thence
that honour of hers which you imagine so reserved.

Related Characters: Posthumus Leonatus (speaker), Iachimo (speaker), Imogen/Fidele
Related Symbols: Gold and Jewelry
Page Number: 1.4.122-128
Explanation and Analysis:
Act 2, Scene 1 Quotes

That such a crafty devil as is his mother
Should yield the world this ass! a woman that
Bears all down with her brain; and this her son
Cannot take two from twenty, for his heart
And leave eighteen. Alas, poor princess,
Thou divine Imogen, what thou endurest,
Betwixt a father by thy step-dame govern’d,
A mother hourly coining plots, a wooer
More hateful than the foul expulsion is
Of thy dear husband, than that horrid act
Of the divorce he’ld make! The heavens hold firm
The walls of thy dear honour, keep unshaked
That temple, thy fair mind, that thou mayst stand,
To enjoy thy banish’d lord and this great land!

Related Characters: The Second Lord (speaker), Imogen/Fidele , The Queen, Cloten
Page Number: 2.1.54-67
Explanation and Analysis:
Act 2, Scene 2 Quotes

As slippery as the Gordian knot was hard!
'Tis mine; and this will witness outwardly,
As strongly as the conscience does within,
To the madding of her lord. On her left
A mole cinque-spotted, like the crimson drops
I' the bottom of a cowslip: here's a voucher,
Stronger than ever law could make: this secret
Will force him think I have pick'd the lock and ta'en
The treasure of her honour. No more. To what end?
Why should I write this down, that's riveted,
Screw'd to my memory? She hath been reading late
The tale of Tereus; here the leaf's turn'd down
Where Philomel gave up. I have enough:
To the trunk again, and shut the spring of it.
Swift, swift, you dragons of the night, that dawning
May bare the raven's eye! I lodge in fear;
Though this a heavenly angel, hell is here.

Related Characters: Iachimo (speaker), Imogen/Fidele , Posthumus Leonatus
Page Number: 2.2.36-52
Explanation and Analysis:
Act 2, Scene 3 Quotes

…I am much sorry, sir,
You put me to forget a lady’s manners,
By being so verbal: and learn now, for all,
That I, which know my heart, do here pronounce,
By the very truth of it, I care not for you,
And am so near the lack of charity—
To accuse myself—I hate you; which I had rather
You felt than make’t my boast.

Related Characters: Imogen/Fidele (speaker), Iachimo
Page Number: 2.3.124-131
Explanation and Analysis:
Act 2, Scene 4 Quotes

…Let there be no honour
Where there is beauty; truth, where semblance; love
Where there’s another man: the vows of women
Of no more bondage be, to where they are made,
Than they are to their virtues; which is nothing.
O, above measure false!

Related Characters: Posthumus Leonatus (speaker), Imogen/Fidele , Iachimo
Page Number: 2.4.140-145
Explanation and Analysis:
Act 2, Scene 5 Quotes

…For there’s no motion
That tends to vice in man, but I affirm
It is the woman’s part: be it lying, note it,
The woman’s; flattering, hers; deceiving, hers;
Lust and rank thoughts, hers, hers; revenge, hers;
Ambitions, covetings, change of prides, disdain,
Nice longing, slanders, mutability,
All faults that may be named, nay, that hell knows,
Why, hers, in part or all; but rather, all;
For even to vice
They are not constant but are changing still
One vice, but of a minute old, for one
Not half so old as that.

Related Characters: Posthumus Leonatus (speaker), Imogen/Fidele
Page Number: 2.5.20-32
Explanation and Analysis:
Act 3, Scene 2 Quotes

How? of adultery? Wherefore write you not
What monster’s her accuser? Leonatus,
O master! what a strange infection
Is fall’n into thy ear! What false Italian,
As poisonous-tongued as handed, hath prevail’d
On thy too ready hearing? Disloyal! No:
She’s punish’d for her truth, and undergoes,
More goddess-like than wife-like, such assaults
As would take in some virtue. O my master!
Thy mind to her is now as low as were
Thy fortunes. How! that I should murder her?
Upon the love and truth and vows which I
Have made to thy command? I, her? her blood?
If it be so to do good service, never
Let me be counted serviceable.

Related Characters: Pisanio (speaker), Imogen/Fidele , Posthumus Leonatus
Page Number: 3.2.1-15
Explanation and Analysis:
Act 3, Scene 4 Quotes

Why, I must die;
And if I do not by thy hand, thou art
No servant of thy master’s…
Thus may poor fools
Believe false teachers: though those that
are betray’d
Do feel the treason sharply, yet the traitor
Stands in worse case of woe.
And thou, Posthumus, thou that didst set up
My disobedience ‘gainst the king my father
And make me put into contempt the suits
Of princely fellows, shalt hereafter find
It is no act of common passage, but
A strain of rareness: and I grieve myself
To think, when thou shalt be disedged by her
That now thou tirest on, how thy memory
Will then be pang’d by me. Prithee, dispatch:
The lamb entreats the butcher: where’s thy knife?
Thou art too slow to do thy master’s bidding,
When I desire it too.

Related Characters: Imogen/Fidele (speaker), Posthumus Leonatus, Pisanio
Page Number: 3.4.80-106
Explanation and Analysis:

You must forget to be a woman; change
Command into obedience: fear and niceness—
The handmaids of all women, or, more truly,
Woman its pretty self—into a waggish courage:
Ready in gibes, quick-answer’d, saucy and
As quarrelous as the weasel; nay, you must
Forget that rarest treasure of your cheek,
Exposing it—but, O, the harder heart!
Alack, no remedy!—to the greedy touch
Of common-kissing Titan, and forget
Your laboursome and dainty trims, wherein
You made great Juno angry.

Related Characters: Pisanio (speaker), Imogen/Fidele
Page Number: 3.4.178-189
Explanation and Analysis:
Act 4, Scene 1 Quotes

…How fit his garments
serve me! Why should his mistress, who was made by
him that made the tailor, not be fit too? the
rather—saving reverence of the word—for ‘tis said
a woman’s fitness comes by fits. Therein I must
play the workman. I dare speak it to myself—for it
is not vain-glory for a man and his glass to confer
in his own chamber—I mean, the lines of my body are
as well drawn as his; no less young, more strong,
not beneath him in fortunes, beyond him in the
advantage of the time, above him in birth, alike
conversant in general services, and more remarkable
in single oppositions: yet this imperceiverant
thing loves him in my despite. What mortality is!
Posthumus, thy head, which now is growing upon thy
shoulders, shall within this hour be off; thy
mistress enforced; thy garments cut to pieces before
thy face: and all this done, spurn her home to her
father; who may haply be a little angry for my so
rough usage; but my mother, having power of his
testiness, shall turn all into my commendations.

Related Characters: Cloten (speaker), Imogen/Fidele , Posthumus Leonatus
Related Symbols: Disguise
Page Number: 4.1.2-22
Explanation and Analysis:
Act 4, Scene 2 Quotes

IMOGEN
I’ll follow, sir. But first, an’t please the gods,
I’ll hide my master from the flies, as deep
As these poor pickaxes can dig; and when
With wild wood-leaves and weeds I ha’ strew’d his
grave,
And on it said a century of prayers,
Such as I can, twice o’er, I’ll weep and sigh;
And leaving so his service, follow you,
So please you entertain me.

CAIUS LUCIUS
Ay, good youth!
And rather father thee than master thee.
My friends,
The boy hath taught us manly duties…

Related Characters: Imogen/Fidele (speaker), Caius Lucius (speaker), Posthumus Leonatus, Cloten
Page Number: 4.2.479-491
Explanation and Analysis:
Act 4, Scene 3 Quotes

I heard no letter from my master since
I wrote him Imogen was slain: ‘tis strange:
Nor hear I from my mistress who did promise
To yield me often tidings: neither know I
What is betid to Cloten; but remain
Perplex’d in all. The heavens still must work.
Wherein I am false I am honest; not true, to be true.
These present wars shall find I love my country,
Even to the note o’ the king, or I’ll fall in them.
All other doubts, by time let them be clear’d:
Fortune brings in some boats that are not steer’d.

Related Characters: Pisanio (speaker), Cymbeline, Imogen/Fidele , Posthumus Leonatus
Page Number: 4.3.46-56
Explanation and Analysis:
Act 5, Scene 1 Quotes

Yea, bloody cloth, I’ll keep thee, for I wish’d
Thou shouldst be colour’d thus. You married ones,
If each of you should take this course, how many
Must murder wives much better than themselves
For wrying but a little! O Pisanio!
Every good servant does not all commands:
No bond but to do just ones. Gods! If you
Should have ta’en vengeance on my faults, I never
Had lived to put on this: so had you saved
The noble Imogen to repent, and struck
Me, wretch more worth your vengeance. But, alack,
You snatch some hence for little faults; that’s love,
To have them fall no more: you some permit
To second ills with ills, each elder worse,
And make them dread it, to the doers’ thrift.
But Imogen is your own: do your best wills,
And make me blest to obey!

Related Characters: Posthumus Leonatus (speaker), Imogen/Fidele , Pisanio
Page Number: 5.1.1-17
Explanation and Analysis:
Act 5, Scene 4 Quotes

No more, you petty spirits of region low,
Offend our hearing; hush! How dare you ghosts
Accuse the thunderer, whose bolt, you know,
Sky-planted batters all rebelling coasts?
Poor shadows of Elysium, hence, and rest
Upon your never-withering banks of flowers:
Be not with mortal accidents opprest;
No care of yours it is; you know ‘tis ours.
Whom best I love I cross; to make my gift,
The more delay’d, delighted. Be content;
Your low-laid son our godhead will uplift:
His comforts thrive, his trials well are spent.
Our Jovial star reign’d at his birth, and in
Our temple was he married. Rise, and fade.
He shall be lord of lady Imogen,
And happier much by his affliction made.
This tablet lay upon his breast, wherein
Our pleasure his full fortune doth confine:
and so, away: no further with your din
Express impatience, lest you stir up mine.
Mount, eagle, to my palace crystalline.

Related Characters: Jupiter (speaker), Imogen/Fidele , Posthumus Leonatus, Ghost of Sicilius Leonatus, Ghost of Posthumus’ Mother, Ghosts of the Brothers of Posthumus
Related Symbols: Eagles
Page Number: 5.4.Lines 96-116
Explanation and Analysis:
Act 5, Scene 5 Quotes

CORNELIUS
…She did confess she had
For you a mortal mineral; which, being took,
Should by the minute feed on life and lingering
By inches waste you: in which time she purposed,
By watching, weeping, tendance, kissing, to
O’ercome you with her show, and in time,
When she had fitted you with her craft, to work
Her son into the adoption of the crown:
But, failing of her end by his strange absence,
Grew shameless-desperate; open’d, in despite
Of heaven and men, her purposes; repented
The evils she hatch’d were not effected; so
Despairing died…

CYMBELINE
Mine eyes
Were not in fault, for she was beautiful;
Mine ears, that heard her flattery; nor my heart,
That thought her like her seeming; it had
been vicious
To have mistrusted her: yet, O my daughter!
That it was folly in me, thou mayst say,
And prove it in thy feeling. Heaven mend all!

Related Characters: Cymbeline (speaker), Cornelius (speaker), Imogen/Fidele , The Queen, Cloten
Page Number: 5.5.62-84
Explanation and Analysis:

IMOGEN
Why did you throw your wedded lady from you?
Think that you are upon a rock; and now
Throw me again.

Embracing him

POSTHUMUS LEONATUS
Hang there like a fruit, my soul,
Till the tree die!

Related Characters: Imogen/Fidele (speaker), Posthumus Leonatus (speaker)
Page Number: 5.5.315-320
Explanation and Analysis: