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Pathos
Definition of Personification
Personification is a type of figurative language in which non-human things are described as having human attributes, as in the sentence, "The rain poured down on the wedding guests, indifferent... read full definition
Personification is a type of figurative language in which non-human things are described as having human attributes, as in the sentence, "The rain poured down... read full definition
Personification is a type of figurative language in which non-human things are described as having human attributes, as in the... read full definition
Personification
Explanation and Analysis—Friends and Family:
After Death announces that Everyman must undertake a journey in order to be judged by God, he receives permission to bring a companion with him on his journey, though Death seems skeptical that anyone will be willing to follow Everyman. He turns to Cousin, Kindred, and Fellowship, but they all turn down his request despite their earlier promises of loyalty. Afterward, a dejected Everyman reflects upon these personal betrayals in a soliloquy that clarifies the allegorical status of these characters, all of whom are personified versions of various human qualities, virtues, or vices:
First Fellowship said he would with me gone;
His words were very pleasant and gay,
But afterward he left me alone.
Then spake I to my kinsmen all in despair,
And also they gave me words fair,
They lacked no fair speaking,
But all forsake me in the ending.
Then went I to my Goods that I loved best,
In hope to have comfort, but there had I least;
For my Goods sharply did me tell
That he bringeth many into hell.
Fellowship, Everyman notes, spoke to him with words that were “very pleasant and gay,” and yet his close friend was unwilling to back up his promises with action. Shocked by this rejection, Everyman turns to his family members, Kindred and Cousin, who also soothed him with promises of loyalty but then similarly turned down his request. Even Goods, whom he “loved best,” confesses to have been sabotaging him. This soliloquy, then, provides an outline for the play’s central allegory. Friends, family, and riches, the play argues, are “worldly” pleasures that are left behind at death.
Related Themes:
