Lady Chatterley’s Lover

by

D. H. Lawrence

Intellect vs. Bodily Experience Theme Analysis

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Intellect vs. Bodily Experience Theme Icon

At the beginning of D. H. Lawrence’s novel Lady Chatterley’s Lover, Connie Chatterley finds great joy in clever short stories and long-winded conversations, and in her teenage romances, she prizes good conversation above any physical intimacy. But while Connie and her impotent husband, Clifford, originally share an appreciation for the “life of the mind,” Connie’s adventurous affair with game-keeper Oliver Mellors allows her to embrace a more physical form of joy. With Clifford, Connie discusses philosophy and reads famous French authors; with Mellors, Connie tries out profanity and the Midlands dialect, using language not to distance herself from the human body but to praise and explore it. And as her affair deepens, Connie puts increasing emphasis on her body over her mind, growing to “hate” words because they “suck the life-sap” out of physical experience.

Structurally, too, the novel tries to counteract the modern focus on “the life of the mind” above all else. Throughout Lady Chatterley’s Lover, Lawrence uses explicit, detailed language to describe Connie’s most intimate moments, shifting his readers’ attention to the body in the same way that Connie shifts hers. And while Clifford is obsessed with traditional forms of learning (he is always studying chemistry, poetry, or finance), the novel suggests that the most important kind of knowledge is bodily. As one of Connie’s friends, Tommy Dukes, puts it, “real knowledge” comes “out of your belly […] as much as out of your brain and mind.” In other words, then, Lady Chatterley’s Lover shows that “the life of the mind” is something of an illusion, suggesting that it’s only by paying attention to embodied experience that people can find real meaning and understanding.  

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The ThemeTracker below shows where, and to what degree, the theme of Intellect vs. Bodily Experience appears in each chapter of Lady Chatterley’s Lover. Click or tap on any chapter to read its Summary & Analysis.
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Intellect vs. Bodily Experience Quotes in Lady Chatterley’s Lover

Below you will find the important quotes in Lady Chatterley’s Lover related to the theme of Intellect vs. Bodily Experience.
Chapter 1 Quotes

But a woman could yield to a man without yielding her inner, free self. That the poets and talkers about sex did not seem to have taken sufficiently into account. A woman could take a man without really giving herself away. Certainly she could take him without giving herself into his power. Rather she could use the sex thing to have power over him. For she only had to hold herself back in sexual intercourse, and let him finish and expend himself without herself coming to the crisis: and then she could prolong the connection and achieve her orgasm and her crisis while he was merely her tool.

Related Characters: Lady Constance Chatterley (speaker), Hilda
Page Number: 4
Explanation and Analysis:
Chapter 3 Quotes

Real knowledge comes out of the whole corpus of the consciousness; out of your belly and your penis as much as that of your brain and mind. The mind can only analyze and rationalize. Set the mind and the reason to cock it over the rest, and all they can do is criticize, and make a deadness. […] Mind you, it's like this; while you live your life, you are in some way an organic whole with all life. But once you start the mental life you pluck the apple. You’ve severed the connection between the apple and the tree: the organic connection and if you’ve got nothing in your life but the mental life, then you yourself are a plucked apple.

Related Characters: General Tommy Dukes (speaker), Sir Clifford Chatterley
Related Literary Devices:
Page Number: 36
Explanation and Analysis:
Chapter 5 Quotes

All the great words, it seemed to Connie, were cancelled for her generation: love, joy, happiness, home, mother, father, husband, all these great, dynamic words were half dead now, and dying from day-to-day. Home was a place you lived in, love was the thing you didn't fool yourself about, joy was a word you applied to a good Charleston, happiness was a term of hypocrisy used to bluff other people […] As for sex, the last of the great words, it was just a cocktail term for an excitement that bucked you up for a while, then left you more raggy than ever. Frayed! It was as if the very material you were made of was cheap stuff, and was fraying out to nothing.

Related Characters: Lady Constance Chatterley, Oliver Mellors, Sir Clifford Chatterley, General Tommy Dukes
Page Number: 63
Explanation and Analysis:
Chapter 7 Quotes

“There might even be real men, in the next phase,” said Tommy. “Real, intelligent, wholesome men, and wholesome nice women! Wouldn't that be a change, an enormous change from us? We're not men, and the women aren't women. Or only celebrating makeshifts, mechanical and intellectual experiments.”

“Give me the resurrection of the body!” said Dukes. “But it'll come in time, when we've shoved the cerebral stone away a bit, the money and the rest. Then we'll get a democracy of touch, instead of a democracy of pocket.”

Related Characters: General Tommy Dukes (speaker), Lady Constance Chatterley
Page Number: 76
Explanation and Analysis:
Chapter 8 Quotes

“Thou still unravished bride of quietness,” [Clifford] quoted.—“It seems to fit flower so much better than Greek vases.”

“Ravished is such a horrid word!” [Connie] said. “It’s only people who ravish things.”

“Oh, I don't know…snails and things,” he said.

“Even snails only eat them, and bees don’t ravish.”

She was angry with him, turning everything into words. Violets were Juno’s eyelids, and windflowers were unravished brides. How she hated words, always coming between her and life: they did the ravishing, if anything did: ready-made words and phrases, sucking all the life sap out of living things.

Related Characters: Lady Constance Chatterley (speaker), Sir Clifford Chatterley (speaker)
Related Symbols: Flowers
Page Number: 97
Explanation and Analysis:
Chapter 10 Quotes

She could only wait, wait and moan in spirit as she felt him withdrawing, withdrawing and contracting […] her womb was open and soft, and slowly clamoring, like a sea anemone under the tide, clamoring for him to come in again and make a fulfillment for her. She clung to him unconscious in passion, and he never quite slipped from her, and she felt the soft bud of him within her stirring, and strange rhythms flushing up into her […] and she lay there crying in unconscious inarticulate cries. The voice out of the uttermost night, the life! The man heard it beneath him with a kind of awe, as his life sprang out into her. And as it subsided, he subsided too and lay utterly still, unknowing, while her grip on him slowly relaxed, and she lay inert. And they lay and knew nothing, not even of each other, both lost.

Related Characters: Lady Constance Chatterley, Oliver Mellors, Sir Clifford Chatterley, General Tommy Dukes
Page Number: 140
Explanation and Analysis:
Chapter 12 Quotes

Oh, and far down inside her the deeps parted and rolled asunder, in long, far travelling billows, and ever, at the quick of her, the depths parted and rolled asunder and she was deeper and deeper and deeper disclosed, and heavier the billows of her rolled away to some shore, uncovering her, and closer and closer plunged the palpable unknown, and further and further whirled the waves of herself away from herself, leaving her, till suddenly, in a soft, shuddering convulsion, the quick of all her plasma was touched, she knew herself touched, the consummation was upon her, and she was gone. She was gone, she was not, and she was born: a woman.

Related Characters: Lady Constance Chatterley, Oliver Mellors
Page Number: 184
Explanation and Analysis:
Chapter 13 Quotes

“No, my child! All this is a romantic illusion. Aristocracy is a function, a part of fate. And the masses are functioning of another part of fate. The individual hardly matters. It is a question of which function you are brought up to and adapted to. It is not the individuals that make an aristocracy: it is the functioning of the aristocratic whole. And it is the functioning of the whole mass that makes the common man what he is.”

“Then there is no common humanity between us all!”

“Just as you like. We all need to fill our bellies. But when it comes to expressive or executive functioning, I believe there is a gulf and an absolute one, between the ruling and the serving classes. The two functions are opposed. And the functions determine the individual.”

Related Characters: Lady Constance Chatterley (speaker), Oliver Mellors (speaker), Sir Clifford Chatterley (speaker), General Tommy Dukes (speaker)
Page Number: 194
Explanation and Analysis:

And the chair began to advance slowly, joltingly down the beautiful broad riding over with blue encroaching hyacinths. Oh last of all ships, through the hyacinths in shallows! Opinions on the last wild waters, sailing in the last voyage of our civilization! Wither, oh weird wheeled ship, your slow course steering. Quiet and complacent, Clifford sat at the wheel of adventure: in his old black hat and tweed jacket, motionless and cautious. Oh captain, my Captain, our splendid trip is done! Not yet though! Downhill in the wake, came Constance in her grey dress, watching the chair jolt downwards.

Related Characters: Lady Constance Chatterley, Oliver Mellors, Sir Clifford Chatterley
Related Symbols: Flowers, Clifford’s Wheelchair
Page Number: 196
Explanation and Analysis:
Chapter 14 Quotes

“Did you hate Clifford?” She said at last. “Hate him, no! I’ve met too many like him to upset myself hating him. I know beforehand I don’t care for his sort, and I let it go at that.”

“What is his sort?”

“Nay, you know better than I do. The sort of youngish gentleman a bit like a lady, and no balls.”

“What balls? Balls! A man's balls!”

She pondered this.

“But is it a question of that?” she said, a little annoyed.

“You say a man’s got no brain, when he's a fool: and no heart, when he's mean; and no stomach when he’s a funker. And when he’s got none of that spunky wild bit of a man in him, you say he’s got no balls when he’s sort of tame.”

Related Characters: Lady Constance Chatterley (speaker), Oliver Mellors (speaker), Sir Clifford Chatterley
Related Symbols: Clifford’s Wheelchair
Related Literary Devices:
Page Number: 208
Explanation and Analysis:

“So proud!” she murmured, uneasy. “And so lordly! Now I know why men are so overbearing! But he's lovely, really. Like another being! A bit terrifying! But lovely really! And he came to me!”—She caught her lower lip between her teeth, in fear and excitement.

The man looked down in silence at the tense phallos, that did not change […]. “Tha ma’es nowt o’ me, John Thomas. Art boss? of me? Eh well, tha’rt more cocky than me, an’ that says less. John Thomas! Dost want her? Dost want my Lady Jane? […] Tell Lady Jane tha wants cunt. John Thomas, an’ th’ cunt o’ Lady Jane!”

Related Characters: Lady Constance Chatterley (speaker), Oliver Mellors (speaker)
Page Number: 223
Explanation and Analysis:
Chapter 15 Quotes

And he stuck flowers in the hair of his own body, and wound a bit of creeping-jenny round his penis, and stuck a single bell of a hyacinth in his naval. She watched him with amusement, his odd intentness. And she pushed a campion flower in his mustache, where it stuck, dangling under his nose.

“This is John Thomas marryin’ Lady Jane,” he said. “And we mun let Constance an’ Oliver go their separate ways. Maybe—”

[…] “Maybe what? Go on with what you were going to say,” she insisted.

“Ay, what was I going to say?”

He had forgotten. And it was one of the great disappointments of her life, that he never finished.

Related Characters: Lady Constance Chatterley (speaker), Oliver Mellors (speaker), Sir Clifford Chatterley, Hilda
Related Symbols: Flowers
Page Number: 242
Explanation and Analysis:
Chapter 16 Quotes

It cost her an effort to let him have his way and his will of her. She had to be a passive, consenting thing, like a slave, a physical slave. Yet the passion licked round her, consuming, and when the sensual flame of it pressed through her bowels and breast, she really thought she was dying: yet a poignant, marvelous death.

[…] She felt a triumph, almost a vainglory. So! That was how it was! That was life! That was how oneself really was! There was nothing left to disguise or be ashamed of. She shared her ultimate nakedness with a man, another being.

Related Characters: Lady Constance Chatterley, Oliver Mellors, General Tommy Dukes
Page Number: 263
Explanation and Analysis:
Chapter 19 Quotes

Clifford was not inwardly surprised to get this letter. Inwardly, he had known for a long time she was leaving him. But he had absolutely refused any outward admission of it. Therefore, outwardly, it came as the most terrible blow and shock to him. He had kept the surface of his confidence in her quite serene.

And that is how we are. By strength of will we cut off our inner intuitive knowledge from admitted consciousness. This causes a state of dread, or apprehension, which makes the blow ten times worse when it does fall. Clifford was like a hysterical child.

Related Characters: Lady Constance Chatterley, Sir Clifford Chatterley, Mrs. Ivy Bolton
Page Number: 307
Explanation and Analysis: