The Fountainhead

The Fountainhead

by

Ayn Rand

Gordon L. Prescott Character Analysis

An architect who professes to be nontraditional in his approach, Gordon L. Prescott belongs to the new wave of young architects in New York who lack originality and talent and are incorporated by Ellsworth Toohey into his group. Like Toohey, Prescott believes that one should defer one’s work to the masses. Also like Toohey, Prescott relies on obfuscation and vagueness to hide the fact that much of what he says means nothing. He testifies against Roark at the Stoddard trial, and he and Gus Webb are the two architects who suggest the changes to the Cortlandt building.
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Gordon L. Prescott Character Timeline in The Fountainhead

The timeline below shows where the character Gordon L. Prescott appears in The Fountainhead. The colored dots and icons indicate which themes are associated with that appearance.
Part 1: Chapter 8
Integrity vs. Conformity Theme Icon
In September, still unemployed, Roark reads an article by Gordon L. Prescott in which he writes that architecture is suffering from a lack of new talent and... (full context)
Part 2: Chapter 5
Individualism Theme Icon
...Beyond this sense of kinship, Keating is disappointed that the others, except for Gordon L. Prescott, are not famous. Keating is unsure what the purpose of the group is, though there... (full context)
Part 2: Chapter 8
Individualism Theme Icon
Rationality vs. Emotion Theme Icon
Keating takes comfort in attending Toohey’s Council of American Builders. Gordon L. Prescott is making a metaphysical speech about how architects “deal in nothing” and “create emptiness,” and... (full context)
Part 2: Chapter 12
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
Religion and Morality Theme Icon
The trial continues for three more days, with several witnesses—including Ralston Holcombe, Gordon L. Prescott and John Erik Snyte—testifying for the plaintiff, and Roark has no questions for any of... (full context)
Part 2: Chapter 15
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
...“Home for Subnormal Children” by a group of architects that Toohey chose: Keating, Gordon L. Prescott, John Erik Snyte, and Gus Webb. They use a mishmash of traditional styles to build... (full context)
Part 4: Chapter 7
Individualism Theme Icon
Rationality vs. Emotion Theme Icon
Religion and Morality Theme Icon
...Keating is considered old-fashioned. The A.G.A. is considered an “Old Folks’ Home” while Gordon L. Prescott and the Council of American Builders are at the fore. (full context)
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
Rationality vs. Emotion Theme Icon
Religion and Morality Theme Icon
...is too vicious for him to confront. He knows that Gus Webb and Gordon L. Prescott are such poor architects that it is hard for even Keating to pretend otherwise and... (full context)
Religion and Morality Theme Icon
...is remarkable how he always picks the next big talents, like Lois Cook and Gordon Prescott. He recalls how the Council of American Builders used to be laughed at, and how... (full context)
Religion and Morality Theme Icon
...most brilliant, the most efficient exhibit of planning ingenuity and structural economy.” He’d tried Gordon Prescott and Gus Webb for the job, but they couldn’t do it. He says Keating is... (full context)
Part 4: Chapter 12
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
...sees an article about the Cortlandt Homes, citing Keating as the architect and Gordon L. Prescott and Gus Webb as associate designers. He goes to the construction site and sees that... (full context)
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
Rationality vs. Emotion Theme Icon
Religion and Morality Theme Icon
...that “Nobody [is] responsible. There [is] no purpose and no cause.” Toohey added Webb and Prescott as associate designers just to give them some position in the project, and a government... (full context)
Part 4: Chapter 18
Individualism Theme Icon
Integrity vs. Conformity Theme Icon
...“not capable of doing it [himself].” When the prosecutor asks Keating why he objected to Prescott’s and Webb’s ideas, Keating says he was afraid of Roark. (full context)