The Fountainhead

The Fountainhead

by

Ayn Rand

The Fountainhead: Part 2: Chapter 5 Summary & Analysis

Summary
Analysis
Dominique is back in New York since she can’t stand being in the country after her last visit to the quarry. She tells herself that she is not looking for the man with the orange hair, and yet she wanders the streets without purpose. Previously, she’d been impervious to the people on the street, with “faces made alike by fear—fear as a common denominator, fear of themselves, fear of all and of one another,” but she is free no longer and is hurt by the thought of the man in this city, who must now be dependent on these crowds. When her vacation ends, she goes to the Banner to resign because her work doesn’t amuse her anymore. She decides not to at the last minute, because continuing to work would be harder.
Dominique keenly feels her loss of freedom after she has developed strong feelings for Roark. As before, she chooses to do the thing she does not want to—which is continue working at the Banner—so she can control her problems since they are self-imposed.
Themes
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Toohey comes to talk to Dominique at her office. She shows him a picture of the design for the Enright House, and Toohey says it is “as independent as an insult.” Dominique says she thinks the person who designed a building as beautiful as this should never allow it to be built so it can be treated poorly by the masses and be discussed by people like Toohey.
Toohey and Dominique are both offended by the Enright House for vastly different reasons, though they both recognize its excellence.
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Elsewhere, Steven Mallory refuses to disclose his motive for shooting Toohey. Toohey surprises everyone by appearing and defending Mallory, pleading with the judge for leniency. Everyone is impressed by this, except Mallory, who looks tortured. In the papers, Toohey proclaims that he refuses “to be an accomplice in the manufacturing of martyrs.” 
Toohey wins public approval by his defense of Mallory, while Mallory seems unhappy that he has given Toohey a platform to more popularity.
Themes
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At the first meeting of the organization of young architects, Keating immediately feels a sense of comfort and brotherhood with the other 18 whom Toohey has picked. Beyond this sense of kinship, Keating is disappointed that the others, except for Gordon L. Prescott, are not famous. Keating is unsure what the purpose of the group is, though there is a lot of incoherent complaining about injustices of various sorts. The group is named the “Council of American Builders.” Toohey speaks of architects as “crusaders in the cause of the underprivileged and unsheltered,” not “lackeys of the rich.” Keating is happy to think of himself as noble, while before this speech, he had only thought of himself as “a breadwinner earning his fees.”
Keating is happy to be part of a group, though he wonders why they are gathering purposelessly. He also easily buys into Toohey’s claim that architects help the poor, though he has never done anything of the sort.
Themes
Individualism Theme Icon
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Dominique appears at the gathering, and Toohey is so surprised at her entrance that he stops speaking for a moment. Keating catches her attention and smiles as though he is “greeting a private possession.” He tries to focus on Toohey’s speech again but now feels uneasy because Dominique doesn’t belong in the room.
Toohey and Keating are disconcerted by Dominique’s presence because her rationality does not fit in with their purposelessness and vague, exalted claims.
Themes
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When Toohey greets Dominique after his speech, she says she wouldn’t have missed “the chance to witness the birth of a felony.” Keating approaches, and when Toohey asks her if she knows him, she says Keating “was in love with [her] once,” to which Keating responds that she is using the wrong tense. Toohey invites her to join their group, but she says she doesn’t hate Toohey enough to do that. Keating demands to know why she disapproves of them, but she says she doesn’t at all—the group is just what the world needs and deserves. She asks them why they didn’t invite Roark to be a part of the group, and Toohey answers that he has never met him.
It hasn’t been long since Keating professed his love for Catherine, and yet neither Toohey nor Keating find it odd that he is now telling Dominique that he loves her—they seem to share the notion that insincerity is a social norm. Dominique has a low opinion of the world, and she thinks that Toohey’s Council of American Builders is a good match for the world’s triteness. Also, she doesn’t yet know that Roark, the architect of the Enright House, and her orange-haired lover are the same person, and yet, she is fascinated by Roark just through admiring (and simultaneously hating) his work.
Themes
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Integrity vs. Conformity Theme Icon
Love and Selfishness Theme Icon
Keating accompanies Dominique out and asks why she was actually there. She says it is her way to get back into things—similar to how she prefers to plunge into cold water while swimming and it’s initially a shock, “but after that the rest is not so hard to take.” Keating wants to know what was so terrible about the meeting since they don’t have definite plans or programs. Dominique says that is the problem, since they didn’t even know what they were there for.
To Dominique, Keating’s group represents the worst of the world since it is a gathering of mediocre minds with no purpose.
Themes
Individualism Theme Icon
When Keating tries to kiss Dominique, he senses her revulsion and asks her who the other man was. She answers that it was a worker in the quarry, prompting laughter. Dominique tells Keating never to try to see her again because he is “everything [she despises] in the world,” and she doesn’t “want to remember how much [she despises] it.” She asks him to never let her come back to him, but Keating says he will not give up on her. She shrugs and says that this is the only time she’s ever been kind to him or anyone else.
Dominique hasn’t been very direct with Keating in the past, though he has always suspected that she doesn’t like him. Here, she is perfectly honest with him, telling him she despises him. Perhaps Keating isn’t accustomed to honesty, or maybe it’s his complete lack of self-respect that prompts him to declare right after she says this that he’ll never give up on her.
Themes
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