The Idiot

The Idiot

by

Fyodor Dostoevsky

The Idiot: Part Two, Chapter Six Summary & Analysis

Summary
Analysis
Lebedev’s dacha is small but pretty. Though he looks fine again, Myshkin is very weak, and is happy to be there. He is grateful that Lebedev’s family is there (minus Doktorenko), and is delighted that both Kolya and General Ivolgin come to visit. Ganya also comes, along with Varya and Ptitsyn. Lebedev makes a big show of protecting Myshkin from too much stimulation, until Myshkin insists that he grows bored if he is left alone. In reality, Myshkin is more exasperated by Lebedev’s constant attention and control. After discussing General Ivolgin, Lebedev tells Myshkin that “a certain person” says that “she wishes very much to have a secret meeting with you.” Myshkin says there is no need for it to be secret, and that he will go visit her himself.   
Again, though Lebedev is presented as a highly comic character, it is clear that there is more to him than his foolishness. He genuinely cares for Myshkin, even if he shows it in silly and exaggerated ways. This further emphasizes the idea that even highly imperfect people have goodness within them. Myshkin himself has a special ability to perceive this goodness in others, which is why he ended up becoming so close to someone like Lebedev in the first place. 
Themes
Innocence v. Foolishness Theme Icon
At that moment Kolya appears, announcing that Mrs. Epanchin and her three daughters have come to visit. Meanwhile, Ptitsyn, Varya, Ganya, and General Ivolgin simultaneously arrive from the other side of the terrace. The Epanchins only very recently learned that Myshkin was in Pavlovsk, and eagerly awaited his visit. When he did not come to visit them, Mrs. Epanchin was angry and hurt. Finally, Kolya came to update them on Myshkin, including his illness, at which point Mrs. Epanchin became terribly worried about him. She tried to call a “medical celebrity” in from St. Petersburg, but her daughters ultimately persuaded her not to do this. 
As fervent believers in the importance of social etiquette, the Epanchins assumed that Myshkin was snubbing them even though, given Myshkin’s personality, this was highly unlikely. As such, this passage shows how taking etiquette too seriously can override a person’s common sense. 
Themes
Innocence v. Foolishness Theme Icon
Social Hierarchy, Authority, and Rebellion Theme Icon
When Prince Shch. heard that the Epanchin girls were going to visit Myshkin, he decided to join, too. He’d heard many good things about the prince from the girls, and had eventually realized that he and Myshkin knew each other, as they used to live in the same town. Lebedev’s dacha is mere steps away from the Epanchins’. Mrs. Epanchin, who has become convinced that Myshkin is on his deathbed, is annoyed to see Lebedev’s house swarming with visitors. She tells Myshkin that she cares about him more than if he was her own son, and was terribly worried about him, and calls Kolya a “malicious brat” for letting her believe that Myshkin was dying.
This passage further emphasizes that Mrs. Epanchin is rather lacking in common sense. She clings to her own ideas about a given situation (such as her belief that Myshkin is on his deathbed) even though the evidence suggests that they are incorrect. Furthermore, she has a tendency to dramatically overexaggerate problems rather than dealing with them in a calm, pragmatic way. This contrasts with Myshkin’s own approach to life, as he is much more forgiving and accepting of challenges that arise.
Themes
Innocence v. Foolishness Theme Icon
Mrs. Epanchin seems rather horrified that Myshkin is staying at Lebedev’s, and offers for him to come and stay at her family’s dacha instead. At this moment, Lebedev’s grown daughter Vera enters carrying his baby daughter Lyubov, and he theatrically explains that his wife died six weeks ago. Aglaya starts asking Lebedev about his thoughts on the apocalypse, and he answers her with great enthusiasm. General Ivolgin interrupts with a rather silly point, introducing himself to Aglaya, who can hardly stop herself laughing. Ivolgin claims that he used to carry Aglaya in his arms, but Mrs. Epanchin then interrupts to say he’s lying. However, Aglaya, Adelaida, and Alexandra all say they remember Ivolgin from their childhood.
Mrs. Epanchin dislikes anything and anyone that doesn’t cohere with her rather elitist ideas about how things should be. As a result, she often seems to be in a state of perpetual impatience. In contrast, her daughters have a much more relaxed and open attitude toward those who are different. Their usual reaction to someone or something unusual is to laugh, which—although it might not be the kindest or politest reaction—is probably better than their mother’s uptight horror.
Themes
Innocence v. Foolishness Theme Icon
Social Hierarchy, Authority, and Rebellion Theme Icon
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Ivolgin tells all young people that he carried them in his arms and thus did not expect to actually be telling the truth this time. Mrs. Epanchin shoos him away, saying she’s heard that he has spent time in debtor’s prison and that he should think about his sins. However, when Ivolgin glumly departs, she beckons him back, saying: “We’re all sinners.” After Ganya leaves, Mrs. Epanchin says that he she hardly recognized him, but is suspicious of Myshkin’s assertion that he’s doing better. Kolya mentions the “poor knight” and Don Quixote, which Aglaya has lately been talking about. Kolya says he recently heard Aglaya say that “there is nothing better than ‘the poor knight,’” but he doesn’t know who she was talking about.
The “poor knight” is the central, eponymous figure in Don Quixote. He is a knight lost in an idealistic fantasy world, yet who is nonetheless a highly noble character. Don Quixote is one of the literary figures that inspired the development of Myshkin, and it is clear that Aglaya’s fixation on “the poor knight” betrays a special interest in the prince.
Themes
Innocence v. Foolishness Theme Icon
Money, Greed, and Corruption Theme Icon
Social Hierarchy, Authority, and Rebellion Theme Icon
Passion, Violence, and Christianity Theme Icon
Aglaya is furious, but Kolya continues, saying that Aglaya asked Adelaida to draw a portrait of the poor knight, but Adelaida didn’t because she didn’t know what to draw. Aglaya eventually explains that she admires the poor knight, who is depicted in a recent Russian poem by Pushkin, because he exemplifies a man who devotes his own life to a single ideal. She goes on to explain that the knight doesn’t mind who his lady is, but will love her with total and unconditional love no matter what she is like.  Initially she could not understand him, but now she “love[s] the ‘poor knight’ and, above all, respect[s] his deeds.” Mrs. Epanchin demands that Aglaya recite the poem. Aglaya agrees but, just as she is about to start, her father arrives with a young man.  
Importantly, Aglaya’s fascination with the poor knight does not originate in the original 15th-century book by Miguel de Cervantes, but rather in a more contemporary poem by Pushkin, which transposes the Don Quixote figure into a Russian context. Clearly, there are parallels between the “poor knight” (as she describes him) and Myshkin. Both are totally open about who they love, but once they love someone, they are totally devoted to that person. This combination of intensity and openness is an example of the Christlike love that Myshkin embodies throughout the story.
Themes
Innocence v. Foolishness Theme Icon
Passion, Violence, and Christianity Theme Icon
Quotes