Humor and the Absurd
Waiting for Godot is a prime example of what has come to be known as the theater of the absurd. The play is filled with nonsensical lines, wordplay, meaningless dialogue, and characters who abruptly shift emotions and forget everything, ranging from their own identities to what happened yesterday. All of this contributes to an absurdist humor throughout the play. However, this humor is often uncomfortably mixed together with tragic or serious content to make a…
read analysis of Humor and the AbsurdWaiting, Boredom, and Nihilism
As Beckett's title indicates, the central act of the play is waiting, and one of the most salient aspects of the play is that nothing really seems to happen. Vladimir and Estragon spend the entire play waiting for Godot, who never comes. Estragon repeatedly wants to leave, but Vladimir insists that they stay, in case Godot actually shows up. As a result of this endless waiting, both Vladimir and Estragon are "bored to death,"…
read analysis of Waiting, Boredom, and NihilismModernism and Postmodernism
Written in 1953, Waiting for Godot was a somewhat late successor to the vibrant experimentation in art and literature of the late 19th and early 20th centuries known as Modernism. Modernist writers saw themselves as dramatically breaking with the past and innovating in all aspects of art, literature, and culture. Beckett's play shares with Modernist works a fascination with pushing the boundaries of literary genre, representation, and etiquette, as well as an interest in language…
read analysis of Modernism and PostmodernismTime
Closely related to the Modernist and Postmodernist aspects of Beckett's play is its conception of time, an issue of fascination to Modernists and Postmodernists alike. Perhaps the most important thing about time in the play is that it is uncertain. All of the characters (and thus the audience, as well) are unsure of exactly when the play is taking place. The time period of the play is unclear, as is the relative chronology of the…
read analysis of TimeHumanity, Companionship, Suffering, and Dignity
Beckett's play is filled with a great deal of physical, mental, and emotional suffering. Vladimir and Estragon (especially Estragon) are starved for food, in physical pain, and "bored to death." Both fear an anonymous "they" who threaten to beat them at night, and are frequently unable to move of their own accord. Estragon mentions "billions of others," who have been killed, but does not elaborate. Lucky, meanwhile, is treated horribly, pulled about by a…
read analysis of Humanity, Companionship, Suffering, and Dignity