Age of Iron

by

J. M. Coetzee

Themes and Colors
Violence and Perspective Theme Icon
Pain, Suffering, and Companionship Theme Icon
Apartheid in South Africa Theme Icon
The Value of Writing and Literature Theme Icon
LitCharts assigns a color and icon to each theme in Age of Iron, which you can use to track the themes throughout the work.
Apartheid in South Africa Theme Icon

The Age of Iron takes place during the Apartheid regime in South Africa, during which the government upheld a system of racial segregation and brutally oppressed Black South Africans. The white South African government forced Black people to live in squalor, while the majority of white people lived in relative comfort. Age of Iron illustrates how, during Apartheid, two different realities exist for white and Black citizens. Although some white citizens, like Mrs. Curren, are sympathetic to the plight of Black people, they fundamentally do not comprehend how different life is for their Black counterparts. For instance, well-meaning Mrs. Curren twice tries to help John, a Black teenager, by getting him help from the police or at the local hospital. Mrs. Curren doesn’t believe her Black housekeeper, Florence, that the police will only make things worse—and Florence turns out to be correct; the police refuse to help. And John is taken to a subpar hospital for serious injuries, where he gets inadequate care. While Florence is enraged by these occurrences like Mrs. Curren is, she isn’t surprised. The reason Mrs. Curren is able to ignore the extent of the racism that exists in her country for so long is because the South African government makes sure that white and Black people live in two separate realities. Every institution in the country is set up to benefit white people, to the detriment of Black people. By presenting the story through Mrs. Curren’s perspective, the novel illustrates how systems like Apartheid can blind those who benefit from structural inequality to that inequality. simply because their experiences are so wildly different from those who suffer under those systems.

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Apartheid in South Africa ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Apartheid in South Africa appears in each chapter of Age of Iron. Click or tap on any chapter to read its Summary & Analysis.
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Apartheid in South Africa Quotes in Age of Iron

Below you will find the important quotes in Age of Iron related to the theme of Apartheid in South Africa.
Chapter 1 Quotes

There is an alley down the side of the garage, you may remember it, you and your friends would sometimes play there. Now it is a dead place, waste, without use, where windblown leaves pile up and rot.

Related Characters: Mrs. Curren (speaker)
Related Symbols: Cancer
Page Number: 3
Explanation and Analysis:

Who deserves anything? In a quick fury I thrust the purse at him. “What do you believe in, then? Taking? Taking what you want? Go on: take!”

Calmly he took the purse, emptied it of thirty rand and some coins, and handed it back. Then off he went, the dog jauntily at his heels. In half an hour he was back; I heard the clink of bottles.

Related Characters: Mrs. Curren (speaker), Vercueil
Page Number: 21
Explanation and Analysis:

“[…] Charity: from the Latin word for the heart. It is as hard to receive as to give. It takes as much effort. I wish you would learn that. I wish you would learn something instead of just lying around.”

A lie: charity, caritas, has nothing to do with the heart. But what does it matter if my sermons rest on false etymologies? He barely listens when I speak to him. Perhaps, despite those keen bird-eyes, he is more befuddled with drink than I know. Or perhaps, finally, he does not care. Care: the true root of charity. I look for him to care, and he does not. Because he is beyond caring. Beyond caring and beyond care.

Related Characters: Mrs. Curren (speaker), Vercueil
Page Number: 22
Explanation and Analysis:
Chapter 2 Quotes

Last year, when the troubles in the schools began, I spoke my mind to Florence. “In my day we considered education a privilege,” I said. “Parents would scrimp and save to keep their children in school. We would have thought it madness to burn a school down.”

“It is different today,” replied Florence.

“Do you approve of children burning down their schools?”

“I cannot tell these children what to do,” said Florence. “It is all changed today. There are no more mothers and fathers.”

“That is nonsense,” I said. “There are always mothers and fathers.” On that note our exchange ended.

Related Characters: Mrs. Curren (speaker), Florence (speaker)
Page Number: 38-39
Explanation and Analysis:

The country smoulders, yet with the best will in the world I can only half-attend. My true attention is all inward, upon the thing, the word, the word for the thing inching through my body. An ignominious occupation, and in times like these ridiculous too, as a banker with his clothes on fire is a joke while a burning beggar is not. Yet I cannot help myself. “Look at me!” I want to cry to Florence – “I too am burning!”

Related Characters: Mrs. Curren (speaker), Florence
Related Symbols: Cancer
Page Number: 39
Explanation and Analysis:

Children of iron, I thought. Florence herself, too, not unlike iron. The age of iron. After which comes the age of bronze. How long, how long before the softer ages return in their cycle, the age of clay, the age of earth? A Spartan matron, iron-hearted, bearing warrior-sons for the nation. “We are proud of them.” We. Come home either with your shield or on your shield.

Related Characters: Mrs. Curren (speaker), Florence
Page Number: 50
Explanation and Analysis:

“They work with the police,” said Bheki. “They are all, the same, the ambulances, the doctors, the police.”

“That is nonsense,” I said.

“Nobody trusts the ambulance any more. They are always talking to the police on their radios.”

“Nonsense.”

He smiled a smile not without charm, relishing this chance to lecture me, to tell me about real life. I, the old woman who lived in a shoe, who had no children and didn't know what to do. “It is true,” he said—“listen and you will hear.”

Related Characters: Mrs. Curren (speaker), Bheki (speaker), John (Bheki’s Friend), Florence
Page Number: 67
Explanation and Analysis:

“Perhaps I should simply accept that that is how one must live from now on: in a state of shame. Perhaps shame is nothing more than the name for the way I feel all the time. The name for the way in which people live who would prefer to be dead.”

Shame. Mortification. Death in life.

Related Characters: Mrs. Curren (speaker), John (Bheki’s Friend)
Related Symbols: Cancer
Page Number: 86
Explanation and Analysis:
Chapter 3 Quotes

We sat in silence. ‘What are we waiting for?’ I asked. ‘They are sending someone to show us the way.’ A little boy wearing a balaclava cap too large for him came trotting out of the house. With entire self-assurance, greeting us all with a smile, he got into the car and began to give directions. Ten years old at most. A child of the times, at home in this landscape of violence. When I think back to my own childhood. I remember only long sun-struck afternoons, the smell, of dust under avenues of eucalyptus, the quiet rustle of water in roadside furrows, the lulling of doves. A childhood of sleep, prelude, to what was meant to be a life without trouble and a smooth passage to Nirvana. Will we at least be allowed our Nirvana, we children, of that bygone age? I doubt it.

Related Characters: Mrs. Curren (speaker)
Page Number: 92
Explanation and Analysis:

“You want to go home,” he said. “But what of the people who live here? When they want to go home, this is where they must go. What do you think of that?”

Related Characters: Mr. Thabane (speaker), Mrs. Curren
Page Number: 97
Explanation and Analysis:

He is a teacher, I thought: that is why he speaks so well. What he is doing to me he has practiced in the classroom. It is the trick one uses to make one’s own answer seem to come from the child. Ventriloquism, the legacy of Socrates, as oppressive in Africa as it was in Athens.

Related Characters: Mrs. Curren (speaker), Mr. Thabane
Page Number: 98
Explanation and Analysis:

The inside of the hall was a mess of rubble and charred beams. Against the far wall, shielded from the worst of the rain, were five bodies neatly laid out. The body in the middle was that of Florence’s Bheki. He still wore the grey flannel trousers, white shirt and maroon pullover of his school, but his feet were bare. His eyes were open and staring, his mouth open too. The rain had been beating on him for hours, on him and his comrades, not only here but wherever they had been when they met their deaths; their clothes, their very hair, had a flattened, dead look. In the corners of his eyes there were grains of sand. There was sand in his mouth.

Related Characters: Mrs. Curren (speaker), Bheki, Florence
Page Number: 102
Explanation and Analysis:

I tell you the story of this morning mindful that the storyteller, from her office, claims the place of right. It is through my eyes that you see; the voice that speaks in your head is mine. Through me alone do you find yourself here on these desolate flats, smell the smoke in the air, see the bodies of the dead, hear the weeping, shiver in the rain. It is my thoughts that you think, my despair that you feel, and also the first stirrings of welcome for whatever will put an end to thought: sleep, death. To me your sympathies flow; your heart beats with mine.

Related Characters: Mrs. Curren (speaker), Bheki, Mrs. Curren’s Daughter
Page Number: 103
Explanation and Analysis:

What did I want? What did the old lady want? What she wanted was to bare something to them, whatever there was that might be bared at this time, in this place. What she wanted, before they got rid of her, was to bring out a scar, a hurt, to force it upon them, to make them see it with their own eyes: a scar, any scar, the scar of all this suffering, but in the end my scar, since our own scars are the only scars we can carry with us.

Related Characters: Mrs. Curren (speaker), Bheki
Page Number: 107
Explanation and Analysis:

Vercueil held out the bottle. A full four inches were gone. I pushed his hand away. “I don't want to drink any more,” I said.

“Go on,” he said: “get drunk for a change.”

“No!” I exclaimed. A tipsy anger flared up in me against his crudity, his indifference. What was I doing here? In the exhausted car the two of us must have looked like nothing so much as belated refugees from the platteland of the Great Depression. All we lacked was a coir mattress and a chicken-coop tied on the roof. I snatched the bottle from his hand; but while I was still rolling down the window to throw it out, he wrested it back.

Related Characters: Mrs. Curren (speaker), Vercueil (speaker)
Page Number: 126
Explanation and Analysis: