Cane

by

Jean Toomer

Avey is a relatively privileged and very alluring Black girl growing up in Washington, D.C. As a young teenager, she begins hanging out with boys and men, including the Top Floor Feller, when her mother isn’t around. Avey’s admirer is hopelessly in love with her from an early age. Although she doesn’t return his affection, they do spend time together growing up and she appreciates it when he teaches her to swim. Avey attends school in preparation for becoming a teacher, but Avey’s narrator strongly implies that she lives her early adult life as the kept woman of a series of affluent Black men.

Avey Quotes in Cane

The Cane quotes below are all either spoken by Avey or refer to Avey . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Navigating Identity Theme Icon
).
19. Avey Quotes

I have a spot in Soldier’s Home to which I always go when I want the simple beauty of another’s soul. Robins spring about the lawn all day. They leave their footprints in the grass. I imagine that the grass at night smells sweet and fresh because of them. The ground is high. Washington lies below. Its light spreads like a blush against the darkened sky. Against the soft dusk sky of Washington. And when the wind is from the South, soil of my homeland falls like a fertile shower upon the lean streets of the city. Upon my hill in Soldier’s Home. I know the policeman who watches the place of nights. When I go there alone, I talk to him. I tell him I come there to find the truth that people bury in their hearts.

Related Characters: Avey’s Admirer (speaker), Avey
Page Number: 60-61
Explanation and Analysis:
22. Theater Quotes

Above the staleness, one dance throws herself into it. Dorris. John sees her. Her hair, crisp-curled, is bobbed. Bushy, black hair bobbing about her lemon-colored face. Her lips are curiously full, and very red. Her limbs in silk purple stockings are lovely. John feels them. Desires her. Holds off.

John: Stage-door johnny; chorus-girl. No, that would be all right. Dictie, educated, stuck-up; show-girl. Yep. Her suspicion would be stronger than her passion. It wouldn’t work. Keep her loveliness. Let her go.

Dorris sees John and knows that he is looking at her. Her own glowing is too rich a thing to let her feel the slimness of his diluted passion.

Related Characters: Karintha , Fern , Avey , John , Dorris
Page Number: 67
Explanation and Analysis:
29. Kabnis Quotes

Their meeting is a swift sun-burst. Lewis impulsively moves towards her. His mind flashes images of her life in the southern town. He sees the nascent woman, her flesh already stiffening to cartilage, drying to bone. Her spirit-bloom, even now touched sullen, bitter. Her rich beauty fading…He wants to— He stretches forth his hands to hers. He takes them. They feel like warm cheeks against his palms. The sun-burst from her eyes floods up and haloes him. Christ-eyes, his eyes look to her. Fearlessly she loves into them. Sand then something happens. Her face blanches. Awkwardly she draws away. The sin-bogies of respectable southern colored folks clamor at her: “Look out! Be a good girl. A good girl. Look out!”

Related Characters: Karintha , Carma , Fern , Avey , Ralph Kabnis , Lewis , Fred Halsey , Carrie K. , Stella, Cora
Page Number: 138
Explanation and Analysis:
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Avey Quotes in Cane

The Cane quotes below are all either spoken by Avey or refer to Avey . For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Navigating Identity Theme Icon
).
19. Avey Quotes

I have a spot in Soldier’s Home to which I always go when I want the simple beauty of another’s soul. Robins spring about the lawn all day. They leave their footprints in the grass. I imagine that the grass at night smells sweet and fresh because of them. The ground is high. Washington lies below. Its light spreads like a blush against the darkened sky. Against the soft dusk sky of Washington. And when the wind is from the South, soil of my homeland falls like a fertile shower upon the lean streets of the city. Upon my hill in Soldier’s Home. I know the policeman who watches the place of nights. When I go there alone, I talk to him. I tell him I come there to find the truth that people bury in their hearts.

Related Characters: Avey’s Admirer (speaker), Avey
Page Number: 60-61
Explanation and Analysis:
22. Theater Quotes

Above the staleness, one dance throws herself into it. Dorris. John sees her. Her hair, crisp-curled, is bobbed. Bushy, black hair bobbing about her lemon-colored face. Her lips are curiously full, and very red. Her limbs in silk purple stockings are lovely. John feels them. Desires her. Holds off.

John: Stage-door johnny; chorus-girl. No, that would be all right. Dictie, educated, stuck-up; show-girl. Yep. Her suspicion would be stronger than her passion. It wouldn’t work. Keep her loveliness. Let her go.

Dorris sees John and knows that he is looking at her. Her own glowing is too rich a thing to let her feel the slimness of his diluted passion.

Related Characters: Karintha , Fern , Avey , John , Dorris
Page Number: 67
Explanation and Analysis:
29. Kabnis Quotes

Their meeting is a swift sun-burst. Lewis impulsively moves towards her. His mind flashes images of her life in the southern town. He sees the nascent woman, her flesh already stiffening to cartilage, drying to bone. Her spirit-bloom, even now touched sullen, bitter. Her rich beauty fading…He wants to— He stretches forth his hands to hers. He takes them. They feel like warm cheeks against his palms. The sun-burst from her eyes floods up and haloes him. Christ-eyes, his eyes look to her. Fearlessly she loves into them. Sand then something happens. Her face blanches. Awkwardly she draws away. The sin-bogies of respectable southern colored folks clamor at her: “Look out! Be a good girl. A good girl. Look out!”

Related Characters: Karintha , Carma , Fern , Avey , Ralph Kabnis , Lewis , Fred Halsey , Carrie K. , Stella, Cora
Page Number: 138
Explanation and Analysis: