Milkweed

by

Jerry Spinelli

Themes and Colors
Identity and Relationships Theme Icon
War, Dehumanization, and Innocence Theme Icon
Ingenuity, Resilience, and Survival Theme Icon
Family Theme Icon
LitCharts assigns a color and icon to each theme in Milkweed, which you can use to track the themes throughout the work.

Identity and Relationships

In Milkweed, which takes place in the Warsaw, Poland ghetto in World War II, a young orphan boy knows no other name than “Stopthief,” and he doesn’t remember where he comes from. As the novel develops, Stopthief’s identity develops as he meets and develops relationships with other characters—his friend Uri gives him the name Misha along with a fictional past, and he’s later unofficially adopted into a Jewish family, the Milgroms. By…

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War, Dehumanization, and Innocence

In Milkweed, Spinelli doesn’t shrink from highlighting the Nazis’ brutal anti-Semitism during the regime’s occupation of Poland in World War II. There are numerous examples of characters being bullied, tortured, or killed just because they are Jewish. Misha Pilsudski is an outsider to the Jewish community, but even as a small boy, he witnesses brutality firsthand, shares in communal suffering, and shows a willingness to follow his friends even unto death. Through all this…

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Ingenuity, Resilience, and Survival

Misha Pilsudski, an orphan in the Warsaw ghetto during World War II, is not treated as particularly clever. Other street kids mock him for being a runt and for being clueless about the wider world. Yet Misha, who’s never known anything but life on the streets, knows how to be quick, adaptable, and observant in order to survive. As the story goes on, he learns to further develop his supposed weaknesses—especially his small size—in…

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Family

An orphan wandering the streets of Warsaw, Misha has no memory of his family of origin. The first semblance of family that Misha knows is Uri, a teenager and fellow orphan who takes a liking to him, watches over him, and gives him a name. Misha contents himself with the made-up family history that Uri gives him, even though he knows deep down that his huge caravan of Russian “Gypsy” relatives doesn’t exist, because…

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