Monkey Beach

by

Eden Robinson

Ma-ma-oo Character Analysis

Ma-ma-oo, whose proper name is Agnes Hill, is Lisa’s and Jimmy’s paternal grandmother. With Ba-ba-oo, she had four children: Aunt Kate, Uncle Mick, Aunt Trudy, and Dad. Ma-ma-oo loved Ba-ba-oo, her handsome and powerful husband, but suffered from his physical abuse after an injury suffered in WWII permanently disabled him and he could no longer support his family. She is a tiny, tough, woman who also has deep reserves of kindness, patience, and love for her family. She and Lisa have a particularly close relationship, and she teaches Lisa about the old ways including telling her Haisla myths and stories, teaching her how to forage for food, and showing her the proper way to smoke fish and prepare oolichan grease. Ma-ma-oo lives a simple lifestyle in her old, plain house, allowing her to leave Lisa a decent inheritance. Her only indulgences seem to be excessive salt consumption (which halts after her first heart attack) and an addiction to soap operas, which she watches on her black-and-white television with Lisa. Ma-ma-oo has a sense of connection with the world of the spirits, and she teaches Lisa how to maintain contact with the dead through ritual and Haisla songs. She dies when her house catches on fire a few years after Mick’s death. But even after her death, she continues to visit Lisa in dreams and visions, bringing her important messages from the spirit world.

Ma-ma-oo Quotes in Monkey Beach

The Monkey Beach quotes below are all either spoken by Ma-ma-oo or refer to Ma-ma-oo. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
The Living and the Dead Theme Icon
).
Chapter 1: Love Like the Ocean Quotes

Now that I think back, the pattern of the little man’s visits seems unwelcomely obvious, but at the time, his arrivals and departures had no meaning. As I grew older, he became a variation of the monster under the bed or the thing in the closet, a nightmare that faded with morning. He liked to sit on the top of my dresser when he came to visit, and he had a shock of bright red hair which stood up in messy, tangled puffs that he sometimes hid under a black top hat. When he was in a mean mood, he did a jerky little dance and pretended to poke at my eyes. The night before the hawks came, he drooped his head and blew me sad kisses that sparkled silver and gold in the dark and fell as soft as confetti.

Related Characters: Lisa (speaker), Ma-ma-oo, Dad, Mom
Related Symbols: The Little Man
Page Number: 27
Explanation and Analysis:

“This is for Sherman,” she said, placing it carefully near the centre of the flames. “You’d better appreciate that. Say hi to your ba-ba-oo, Lisa.”

“But he’s not here,” I said.

“Yes, he is,” she said. “You just can’t see him, because he’s dead.”

I frowned. “Can you see him?”

“She gets it from you,” Ma-ma-oo said to the air again. “No, I can’t see him. He’s dead. He can come to you only in dreams. Be polite and say hello when you give him food.” She handed me a Twinkie and told me to throw it in the fire.

“Hello,” I said. I looked at the Twinkie thoughtfully. “Will he share?”

“Say his name. If you don’t say his name, another ghost will snatch it up.”

Related Characters: Lisa (speaker), Ma-ma-oo (speaker), Uncle Mick, Ba-ba-oo
Page Number: 78-9
Explanation and Analysis:

Ba-ba-oo had lost his arm in the Second World War, at Verrières Ridge. When he came home, he couldn’t get the money he thought he should get form Veterans Affairs because they said Indian Affairs were taking care of him. Indian Affairs said if he wanted the same benefits as a white vet, he should move off reserve and give up his status. If he did that, they’d lose their house and by this time, they had three children and my dad, Albert, was on the way.

“Geordie and Edith helped as much as they could,” Mick had told me […] “But they had their own family. My father worked hard all his life, and now he would say things like, ‘Agnes, I’m useless.’ She didn’t know what to do.”

Related Characters: Lisa (speaker), Uncle Mick (speaker), Ma-ma-oo, Dad, Tab, Aunt Edith, Uncle Geordie, Ba-ba-oo, Aunt Trudy, Aunt Kate
Page Number: 82
Explanation and Analysis:

The greengage tree was covered with a fishing net. The greengages were almost ripe, so Dad had put the net on to keep the crows from raiding our tree. Crows are clever, though, and find the holes or simply go under the net. I don’t like ripe greengages, anyway. I like them tart and green, hard enough to scrape the roof of my mouth.

White feathers tumbled down from the half-eaten chickens caught near the top of the tree, where the hawks had dropped them. The chickens were still alive. They flapped wings, kicked feet, struggled against the net. Their heads had fallen to the ground like ripe fruit. Their beaks opened and closed soundlessly, and their eyes blinked rapidly, puzzled and frightened.

Related Characters: Lisa (speaker), Uncle Mick, Ma-ma-oo, Jimmy, Dad
Related Symbols: Crows
Page Number: 123-124
Explanation and Analysis:

“Watch this,” Jimmy said to me. “She’s going to haul it up in the air, then drop it until it busts open. They do that with clams, too.”

Spotty did no such thing. She waited patiently by the side of the road, preening in the early-morning sunlight and occasionally screeching. Jimmy tried not to look disappointed. I was about to go inside when a car drove by, missing the pocket watch completely. Spotty hopped over and moved it two feet to the left, so that when the next car came along, it ran right over the watch. Jimmy and I looked at each other, then back at Spotty, who picked up the exposed innards of the pocket watch. She gathered some of the pieces and flew away.

Related Characters: Lisa (speaker), Jimmy (speaker), Ma-ma-oo
Related Symbols: Crows
Page Number: 125
Explanation and Analysis:
Chapter 2: The Song of Your Breath Quotes

Contacting the dead, lesson one. Sleep is an altered state of consciousness. To fall asleep is to fall into a deep, healing trance. In the spectrum of realities, being awake is on one side and being asleep is way, way on the other. To be absorbed in a movie, a game, or work is to enter a light trance. Daydreams, prayers or obsessing are heavier trances. Most people enter trances reflexively. To contact the spirit world, you must control the way you enter this state of being that is somewhere between waking and sleeping.

Related Characters: Lisa (speaker), Uncle Mick, Ma-ma-oo, Jimmy, Mom, Ba-ba-oo
Page Number: 139
Explanation and Analysis:

Oxasuli,” she said. “Powerful medicine. Very dangerous. It can kill you, do you understand? You have to respect it.” She handed me the root and I put it in the bucket. There were some more oxasuli bushes around, but she said to let them be. We slogged some more, found two suitable plants, then Ma-ma-oo declared we had enough. “You put these on your windowsill, and it keeps ghosts away.”

“How?”

“Ghosts hate the smell. It protects you from ghosts, spirits, bad medicine. Here, you break off this much and you burn it on your stove—”

“Like incense?”

“What’s incense?”

“Like cedar and sweetgrass bundles.”

“Oh. Yes, yes like that. Smoke your house. Smoke your corners. When someone dies, you have to be careful.”

“Why?”

She paused again, frowning. “Hard to explain.”

Related Characters: Lisa (speaker), Ma-ma-oo (speaker), Uncle Mick, Jimmy
Page Number: 151-152
Explanation and Analysis:

“He’s a guide, but not a reliable one. Never trust the spirit world too much. They think different from the living.”

“What about Mom?”

“When Gladys was very young, lots of death going on […] She used to know who was going to die next […]”

“Mom doesn’t see anything” […]

“She doesn’t tell you […] Or she’s forgotten how […] Her grandmother, now she was a real medicine woman. Oh, people were scared of her. If you wanted to talk to your dead, she was the one people went to. She could really dance, and she made beautiful songs—that no one sings any more […]”

“[…] How do you do medicine?”

“All the people knew the old ways are gone. Anyone else is doing it in secret these days. But there’s good medicine and bad. Best not to deal with it at all if you don’t know what you’re doing.”

Related Characters: Lisa (speaker), Ma-ma-oo (speaker), Uncle Mick, Mom
Related Symbols: The Little Man
Page Number: 153-154
Explanation and Analysis:

Food is dust in my mouth without you.
I see you in my dreams and all I want to do is sleep.
If my house was filled with gold, it would still be empty.
If I was king of the world, I’d still be alone.
If breath was all that was between us, I would stop breathing to be with you again.
The memory of you is my shadow and all my days are dark, but I hold on to these memories until I can be with you again.
Only your laughter will make them light; only your smile will make them shine.
We are apart so that I will know the joy of being with you again.
Take care of yourself, wherever you are.
Take care of yourself, wherever you are.

Related Characters: Ma-ma-oo (speaker), Lisa, Uncle Mick, Jimmy, Ba-ba-oo, Erica
Page Number: 174
Explanation and Analysis:

In a time distant and vague from the one we know now, she told me, flesh was less rigid. Animals and humans could switch shapes simply by putting on each other’s skins. Animals could talk, and often shared their knowledge with the newcomers that humans were then. When this age ended, flesh solidified. People were people, and animals lost their ability to speak in words. Except for medicine men, who could become animals, and sea otters and seals, who had medicine men too. They loved to play tricks on people. Once, a woman was walking along the shore and she met a handsome man. She fell in love and went walking with him every night. Eventually, they made love and she found out what he really was when she gave birth to an otter.

Related Characters: Lisa (speaker), Ma-ma-oo
Page Number: 210-211
Explanation and Analysis:

Most people only learn about their body when something goes wrong with it. Mom could tell you anything about skin when she got her first deep wrinkle. Dad could talk for hours about the stomach after he got a hiatus hernia. After she had her first attack, Ma-ma-oo read everything she could about the human heart.

The doctors gave her pamphlets, a slew of nurses sat patiently by her bed and drew her pictures of what had gone wrong, and Mom tried to translate the jargon into something that made sense […] When she came back to the Kitimat hospital, I would visit her after school, catching the late bus home after we had looked at my picture book describing the heart. Even in the kids’ books, the technical words were confusing.

Related Characters: Lisa (speaker), Ma-ma-oo, Dad, Mom
Page Number: 235-236
Explanation and Analysis:

The footsteps stopped a few feet away from me. I shook Ma-ma-oo’s shoulder and she grunted, unwilling to wake up. I turned my head slowly, but nothing and no one was there. As I was pulling the sleeping bag up over my head, something bright streaked across the sky. I paused. The clouds had cleared, the moon was down, and the stars shone hard and unwinking white against the late-night sky. Another frantic streak seared its afterimage against the darkness. I closed my eyes and made a wish. When I opened my eyes, three falling stars, one after another, raced across the tops of the mountains. The frequency built until the sky was lit by silent fireworks.

When we got back to Kitamaat, I told Ma-ma-oo about the footsteps on the beach. She raised an eyebrow at me. “You don’t have to be scared of things you don’t understand. They’re just ghosts.”

Related Characters: Lisa (speaker), Ma-ma-oo (speaker), Uncle Mick, Jimmy, Cheese
Page Number: 265
Explanation and Analysis:

“Good, hey?” she said, pleased with the way I’d demolished her dish.

I nodded. She picked up my bowl, but instead of putting it in the sink, added more uh’s. I kept smiling. I had no idea how I was going to finish it. Ma-ma-oo practically licked her bowl clean. She waited for me to finish, sipping her tea. I hoped she would go to the bathroom, so I could pour it down the sink, but she sat and looked mildly into the distance. I made my way through the second bowl. I ate slower. Ma-ma-oo patted my hand. “We have enough for the whole winter,” she said.

“Oh, good,” I said.

By the end of the week, I had become used to the taste. I didn’t even notice the bitterness any more. It was like whipped cream, but not as nauseatingly sweet as the canned stuff Mom bought.

Related Characters: Lisa (speaker), Ma-ma-oo (speaker)
Related Symbols: The Little Man
Page Number: 269-270
Explanation and Analysis:
Chapter 3: In Search of the Elusive Sasquatch Quotes

“Well,” I said. “You’re talking to the queen of fuckups and you’d have to do a lot more to take my crown away.”

He reached over and kept giving me nudges until I looked at him. “You weren’t that bad.”

“You weren’t the one that ran away.”

“You’re back now. You’re dealing with things. I didn’t understand what it was like to lose something. Now that I do, I think you’re doing fine. I mean, Karaoke didn’t die on me. She just dumped me and I flipped. I don’t know what I’d do if someone actually died on me.”

I laughed. “You call that flipping? That was a little spaz.”

“Yeah, well…”

We drifted off in a comfortable silence.

Related Characters: Lisa (speaker), Jimmy (speaker), Uncle Mick, Ma-ma-oo, Karaoke (Adelaine Jones)
Page Number: 350
Explanation and Analysis:
Get the entire Monkey Beach LitChart as a printable PDF.
Monkey Beach PDF

Ma-ma-oo Quotes in Monkey Beach

The Monkey Beach quotes below are all either spoken by Ma-ma-oo or refer to Ma-ma-oo. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
The Living and the Dead Theme Icon
).
Chapter 1: Love Like the Ocean Quotes

Now that I think back, the pattern of the little man’s visits seems unwelcomely obvious, but at the time, his arrivals and departures had no meaning. As I grew older, he became a variation of the monster under the bed or the thing in the closet, a nightmare that faded with morning. He liked to sit on the top of my dresser when he came to visit, and he had a shock of bright red hair which stood up in messy, tangled puffs that he sometimes hid under a black top hat. When he was in a mean mood, he did a jerky little dance and pretended to poke at my eyes. The night before the hawks came, he drooped his head and blew me sad kisses that sparkled silver and gold in the dark and fell as soft as confetti.

Related Characters: Lisa (speaker), Ma-ma-oo, Dad, Mom
Related Symbols: The Little Man
Page Number: 27
Explanation and Analysis:

“This is for Sherman,” she said, placing it carefully near the centre of the flames. “You’d better appreciate that. Say hi to your ba-ba-oo, Lisa.”

“But he’s not here,” I said.

“Yes, he is,” she said. “You just can’t see him, because he’s dead.”

I frowned. “Can you see him?”

“She gets it from you,” Ma-ma-oo said to the air again. “No, I can’t see him. He’s dead. He can come to you only in dreams. Be polite and say hello when you give him food.” She handed me a Twinkie and told me to throw it in the fire.

“Hello,” I said. I looked at the Twinkie thoughtfully. “Will he share?”

“Say his name. If you don’t say his name, another ghost will snatch it up.”

Related Characters: Lisa (speaker), Ma-ma-oo (speaker), Uncle Mick, Ba-ba-oo
Page Number: 78-9
Explanation and Analysis:

Ba-ba-oo had lost his arm in the Second World War, at Verrières Ridge. When he came home, he couldn’t get the money he thought he should get form Veterans Affairs because they said Indian Affairs were taking care of him. Indian Affairs said if he wanted the same benefits as a white vet, he should move off reserve and give up his status. If he did that, they’d lose their house and by this time, they had three children and my dad, Albert, was on the way.

“Geordie and Edith helped as much as they could,” Mick had told me […] “But they had their own family. My father worked hard all his life, and now he would say things like, ‘Agnes, I’m useless.’ She didn’t know what to do.”

Related Characters: Lisa (speaker), Uncle Mick (speaker), Ma-ma-oo, Dad, Tab, Aunt Edith, Uncle Geordie, Ba-ba-oo, Aunt Trudy, Aunt Kate
Page Number: 82
Explanation and Analysis:

The greengage tree was covered with a fishing net. The greengages were almost ripe, so Dad had put the net on to keep the crows from raiding our tree. Crows are clever, though, and find the holes or simply go under the net. I don’t like ripe greengages, anyway. I like them tart and green, hard enough to scrape the roof of my mouth.

White feathers tumbled down from the half-eaten chickens caught near the top of the tree, where the hawks had dropped them. The chickens were still alive. They flapped wings, kicked feet, struggled against the net. Their heads had fallen to the ground like ripe fruit. Their beaks opened and closed soundlessly, and their eyes blinked rapidly, puzzled and frightened.

Related Characters: Lisa (speaker), Uncle Mick, Ma-ma-oo, Jimmy, Dad
Related Symbols: Crows
Page Number: 123-124
Explanation and Analysis:

“Watch this,” Jimmy said to me. “She’s going to haul it up in the air, then drop it until it busts open. They do that with clams, too.”

Spotty did no such thing. She waited patiently by the side of the road, preening in the early-morning sunlight and occasionally screeching. Jimmy tried not to look disappointed. I was about to go inside when a car drove by, missing the pocket watch completely. Spotty hopped over and moved it two feet to the left, so that when the next car came along, it ran right over the watch. Jimmy and I looked at each other, then back at Spotty, who picked up the exposed innards of the pocket watch. She gathered some of the pieces and flew away.

Related Characters: Lisa (speaker), Jimmy (speaker), Ma-ma-oo
Related Symbols: Crows
Page Number: 125
Explanation and Analysis:
Chapter 2: The Song of Your Breath Quotes

Contacting the dead, lesson one. Sleep is an altered state of consciousness. To fall asleep is to fall into a deep, healing trance. In the spectrum of realities, being awake is on one side and being asleep is way, way on the other. To be absorbed in a movie, a game, or work is to enter a light trance. Daydreams, prayers or obsessing are heavier trances. Most people enter trances reflexively. To contact the spirit world, you must control the way you enter this state of being that is somewhere between waking and sleeping.

Related Characters: Lisa (speaker), Uncle Mick, Ma-ma-oo, Jimmy, Mom, Ba-ba-oo
Page Number: 139
Explanation and Analysis:

Oxasuli,” she said. “Powerful medicine. Very dangerous. It can kill you, do you understand? You have to respect it.” She handed me the root and I put it in the bucket. There were some more oxasuli bushes around, but she said to let them be. We slogged some more, found two suitable plants, then Ma-ma-oo declared we had enough. “You put these on your windowsill, and it keeps ghosts away.”

“How?”

“Ghosts hate the smell. It protects you from ghosts, spirits, bad medicine. Here, you break off this much and you burn it on your stove—”

“Like incense?”

“What’s incense?”

“Like cedar and sweetgrass bundles.”

“Oh. Yes, yes like that. Smoke your house. Smoke your corners. When someone dies, you have to be careful.”

“Why?”

She paused again, frowning. “Hard to explain.”

Related Characters: Lisa (speaker), Ma-ma-oo (speaker), Uncle Mick, Jimmy
Page Number: 151-152
Explanation and Analysis:

“He’s a guide, but not a reliable one. Never trust the spirit world too much. They think different from the living.”

“What about Mom?”

“When Gladys was very young, lots of death going on […] She used to know who was going to die next […]”

“Mom doesn’t see anything” […]

“She doesn’t tell you […] Or she’s forgotten how […] Her grandmother, now she was a real medicine woman. Oh, people were scared of her. If you wanted to talk to your dead, she was the one people went to. She could really dance, and she made beautiful songs—that no one sings any more […]”

“[…] How do you do medicine?”

“All the people knew the old ways are gone. Anyone else is doing it in secret these days. But there’s good medicine and bad. Best not to deal with it at all if you don’t know what you’re doing.”

Related Characters: Lisa (speaker), Ma-ma-oo (speaker), Uncle Mick, Mom
Related Symbols: The Little Man
Page Number: 153-154
Explanation and Analysis:

Food is dust in my mouth without you.
I see you in my dreams and all I want to do is sleep.
If my house was filled with gold, it would still be empty.
If I was king of the world, I’d still be alone.
If breath was all that was between us, I would stop breathing to be with you again.
The memory of you is my shadow and all my days are dark, but I hold on to these memories until I can be with you again.
Only your laughter will make them light; only your smile will make them shine.
We are apart so that I will know the joy of being with you again.
Take care of yourself, wherever you are.
Take care of yourself, wherever you are.

Related Characters: Ma-ma-oo (speaker), Lisa, Uncle Mick, Jimmy, Ba-ba-oo, Erica
Page Number: 174
Explanation and Analysis:

In a time distant and vague from the one we know now, she told me, flesh was less rigid. Animals and humans could switch shapes simply by putting on each other’s skins. Animals could talk, and often shared their knowledge with the newcomers that humans were then. When this age ended, flesh solidified. People were people, and animals lost their ability to speak in words. Except for medicine men, who could become animals, and sea otters and seals, who had medicine men too. They loved to play tricks on people. Once, a woman was walking along the shore and she met a handsome man. She fell in love and went walking with him every night. Eventually, they made love and she found out what he really was when she gave birth to an otter.

Related Characters: Lisa (speaker), Ma-ma-oo
Page Number: 210-211
Explanation and Analysis:

Most people only learn about their body when something goes wrong with it. Mom could tell you anything about skin when she got her first deep wrinkle. Dad could talk for hours about the stomach after he got a hiatus hernia. After she had her first attack, Ma-ma-oo read everything she could about the human heart.

The doctors gave her pamphlets, a slew of nurses sat patiently by her bed and drew her pictures of what had gone wrong, and Mom tried to translate the jargon into something that made sense […] When she came back to the Kitimat hospital, I would visit her after school, catching the late bus home after we had looked at my picture book describing the heart. Even in the kids’ books, the technical words were confusing.

Related Characters: Lisa (speaker), Ma-ma-oo, Dad, Mom
Page Number: 235-236
Explanation and Analysis:

The footsteps stopped a few feet away from me. I shook Ma-ma-oo’s shoulder and she grunted, unwilling to wake up. I turned my head slowly, but nothing and no one was there. As I was pulling the sleeping bag up over my head, something bright streaked across the sky. I paused. The clouds had cleared, the moon was down, and the stars shone hard and unwinking white against the late-night sky. Another frantic streak seared its afterimage against the darkness. I closed my eyes and made a wish. When I opened my eyes, three falling stars, one after another, raced across the tops of the mountains. The frequency built until the sky was lit by silent fireworks.

When we got back to Kitamaat, I told Ma-ma-oo about the footsteps on the beach. She raised an eyebrow at me. “You don’t have to be scared of things you don’t understand. They’re just ghosts.”

Related Characters: Lisa (speaker), Ma-ma-oo (speaker), Uncle Mick, Jimmy, Cheese
Page Number: 265
Explanation and Analysis:

“Good, hey?” she said, pleased with the way I’d demolished her dish.

I nodded. She picked up my bowl, but instead of putting it in the sink, added more uh’s. I kept smiling. I had no idea how I was going to finish it. Ma-ma-oo practically licked her bowl clean. She waited for me to finish, sipping her tea. I hoped she would go to the bathroom, so I could pour it down the sink, but she sat and looked mildly into the distance. I made my way through the second bowl. I ate slower. Ma-ma-oo patted my hand. “We have enough for the whole winter,” she said.

“Oh, good,” I said.

By the end of the week, I had become used to the taste. I didn’t even notice the bitterness any more. It was like whipped cream, but not as nauseatingly sweet as the canned stuff Mom bought.

Related Characters: Lisa (speaker), Ma-ma-oo (speaker)
Related Symbols: The Little Man
Page Number: 269-270
Explanation and Analysis:
Chapter 3: In Search of the Elusive Sasquatch Quotes

“Well,” I said. “You’re talking to the queen of fuckups and you’d have to do a lot more to take my crown away.”

He reached over and kept giving me nudges until I looked at him. “You weren’t that bad.”

“You weren’t the one that ran away.”

“You’re back now. You’re dealing with things. I didn’t understand what it was like to lose something. Now that I do, I think you’re doing fine. I mean, Karaoke didn’t die on me. She just dumped me and I flipped. I don’t know what I’d do if someone actually died on me.”

I laughed. “You call that flipping? That was a little spaz.”

“Yeah, well…”

We drifted off in a comfortable silence.

Related Characters: Lisa (speaker), Jimmy (speaker), Uncle Mick, Ma-ma-oo, Karaoke (Adelaine Jones)
Page Number: 350
Explanation and Analysis: