Monkey Beach

by

Eden Robinson

The Living and the Dead Theme Analysis

Themes and Colors
The Living and the Dead Theme Icon
Myths, Magic, and Monsters Theme Icon
Abuse and Historical Trauma Theme Icon
Protest and Power Theme Icon
Love and Family  Theme Icon
LitCharts assigns a color and icon to each theme in Monkey Beach, which you can use to track the themes throughout the work.
The Living and the Dead Theme Icon

With its focus on the death of three of the most important people in Lisa’s life—Uncle Mick, Ma-ma-oo, and JimmyMonkey Beach is, fundamentally, a story about making sense of loss. Lisa’s one-time therapist, Doris Jenkins, suggests in their one session that Lisa’s dreams about the little man are her (flawed) attempts to deal with death. Lisa does indeed struggle mightily with her losses, initially fighting them and trying to run away from her pain. She begins acting out at school after Mick’s death. Shortly after Ma-ma-oo’s death, she runs away to Vancouver where she dampens her feelings with drugs and alcohol. It isn’t until she learns to accept her losses as part of her own story in her waking life that she regains control of her life.

Lisa’s experiences repeatedly remind her that death is a part of life, and that the dead nourish the living. The sweetest blueberries grow over the graves at Kemano. The lives of the dead—Mick, Ma-ma-oo, Ba-ba-oo, Mimayus—offer Lisa lessons about how to live her own life. And it isn’t death itself that’s frightening—it’s being left behind. Ma-ma-oo bluntly tells Lisa that the dying have no choice; they must go when their time comes. Moreover, the land of the dead is a place of peace and happiness. Over the course of the book, Lisa slowly and painfully learns to accept the inevitability of loss in her life and to move through her pain. She adopts rituals like hair cutting and carries on Ma-ma-oo’s knowledge. And surviving each loss makes her stronger, as Jimmy observes in the wake of his own painful experiences. Death and loss are natural parts of life, and a part of living involves learning to accept death’s inevitability and work through the pain of loss. By the time she finds Jimmy in the land of the dead at the end of the book, Lisa has gained enough strength to survive even his loss, and his spirit pushes her out of the water and back to life in the waking world. The book thus claims that, while death is an inevitable part of life, it isn’t the same as loss. The legacies of the people one loves remain in the world, through memories (and, for Lisa, through visions) in ways that continue to exercise a powerful influence on the ones they leave behind in the world.

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The Living and the Dead ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of The Living and the Dead appears in each chapter of Monkey Beach. Click or tap on any chapter to read its Summary & Analysis.
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The Living and the Dead Quotes in Monkey Beach

Below you will find the important quotes in Monkey Beach related to the theme of The Living and the Dead.
Chapter 1: Love Like the Ocean Quotes

I plugged my nose and jumped.

Although the ocean around Kitamaat warms up by August, this means that it’s no longer ice water but isn’t exactly tropical. Given a choice, I like to move in up to my ankles. Wait until my body adjusts. Up to the knees. Wait. Up to the thighs. Wait. And on and on, slowly, until I am dog-paddling around. Even then, I never enjoyed the first icy shock as much as Jimmy. I always felt panic, felt my heart stutter until I reached the surface.

Related Characters: Lisa (speaker), Jimmy, Tab, Erica
Page Number: 43
Explanation and Analysis:

“This is for Sherman,” she said, placing it carefully near the centre of the flames. “You’d better appreciate that. Say hi to your ba-ba-oo, Lisa.”

“But he’s not here,” I said.

“Yes, he is,” she said. “You just can’t see him, because he’s dead.”

I frowned. “Can you see him?”

“She gets it from you,” Ma-ma-oo said to the air again. “No, I can’t see him. He’s dead. He can come to you only in dreams. Be polite and say hello when you give him food.” She handed me a Twinkie and told me to throw it in the fire.

“Hello,” I said. I looked at the Twinkie thoughtfully. “Will he share?”

“Say his name. If you don’t say his name, another ghost will snatch it up.”

Related Characters: Lisa (speaker), Ma-ma-oo (speaker), Uncle Mick, Ba-ba-oo
Page Number: 78-9
Explanation and Analysis:

The greengage tree was covered with a fishing net. The greengages were almost ripe, so Dad had put the net on to keep the crows from raiding our tree. Crows are clever, though, and find the holes or simply go under the net. I don’t like ripe greengages, anyway. I like them tart and green, hard enough to scrape the roof of my mouth.

White feathers tumbled down from the half-eaten chickens caught near the top of the tree, where the hawks had dropped them. The chickens were still alive. They flapped wings, kicked feet, struggled against the net. Their heads had fallen to the ground like ripe fruit. Their beaks opened and closed soundlessly, and their eyes blinked rapidly, puzzled and frightened.

Related Characters: Lisa (speaker), Uncle Mick, Ma-ma-oo, Jimmy, Dad
Related Symbols: Crows
Page Number: 123-124
Explanation and Analysis:
Chapter 2: The Song of Your Breath Quotes

Contacting the dead, lesson one. Sleep is an altered state of consciousness. To fall asleep is to fall into a deep, healing trance. In the spectrum of realities, being awake is on one side and being asleep is way, way on the other. To be absorbed in a movie, a game, or work is to enter a light trance. Daydreams, prayers or obsessing are heavier trances. Most people enter trances reflexively. To contact the spirit world, you must control the way you enter this state of being that is somewhere between waking and sleeping.

Related Characters: Lisa (speaker), Uncle Mick, Ma-ma-oo, Jimmy, Mom, Ba-ba-oo
Page Number: 139
Explanation and Analysis:

Oxasuli,” she said. “Powerful medicine. Very dangerous. It can kill you, do you understand? You have to respect it.” She handed me the root and I put it in the bucket. There were some more oxasuli bushes around, but she said to let them be. We slogged some more, found two suitable plants, then Ma-ma-oo declared we had enough. “You put these on your windowsill, and it keeps ghosts away.”

“How?”

“Ghosts hate the smell. It protects you from ghosts, spirits, bad medicine. Here, you break off this much and you burn it on your stove—”

“Like incense?”

“What’s incense?”

“Like cedar and sweetgrass bundles.”

“Oh. Yes, yes like that. Smoke your house. Smoke your corners. When someone dies, you have to be careful.”

“Why?”

She paused again, frowning. “Hard to explain.”

Related Characters: Lisa (speaker), Ma-ma-oo (speaker), Uncle Mick, Jimmy
Page Number: 151-152
Explanation and Analysis:

Food is dust in my mouth without you.
I see you in my dreams and all I want to do is sleep.
If my house was filled with gold, it would still be empty.
If I was king of the world, I’d still be alone.
If breath was all that was between us, I would stop breathing to be with you again.
The memory of you is my shadow and all my days are dark, but I hold on to these memories until I can be with you again.
Only your laughter will make them light; only your smile will make them shine.
We are apart so that I will know the joy of being with you again.
Take care of yourself, wherever you are.
Take care of yourself, wherever you are.

Related Characters: Ma-ma-oo (speaker), Lisa, Uncle Mick, Jimmy, Ba-ba-oo, Erica
Page Number: 174
Explanation and Analysis:

In a time distant and vague from the one we know now, she told me, flesh was less rigid. Animals and humans could switch shapes simply by putting on each other’s skins. Animals could talk, and often shared their knowledge with the newcomers that humans were then. When this age ended, flesh solidified. People were people, and animals lost their ability to speak in words. Except for medicine men, who could become animals, and sea otters and seals, who had medicine men too. They loved to play tricks on people. Once, a woman was walking along the shore and she met a handsome man. She fell in love and went walking with him every night. Eventually, they made love and she found out what he really was when she gave birth to an otter.

Related Characters: Lisa (speaker), Ma-ma-oo
Page Number: 210-211
Explanation and Analysis:

Most people only learn about their body when something goes wrong with it. Mom could tell you anything about skin when she got her first deep wrinkle. Dad could talk for hours about the stomach after he got a hiatus hernia. After she had her first attack, Ma-ma-oo read everything she could about the human heart.

The doctors gave her pamphlets, a slew of nurses sat patiently by her bed and drew her pictures of what had gone wrong, and Mom tried to translate the jargon into something that made sense […] When she came back to the Kitimat hospital, I would visit her after school, catching the late bus home after we had looked at my picture book describing the heart. Even in the kids’ books, the technical words were confusing.

Related Characters: Lisa (speaker), Ma-ma-oo, Dad, Mom
Page Number: 235-236
Explanation and Analysis:

The footsteps stopped a few feet away from me. I shook Ma-ma-oo’s shoulder and she grunted, unwilling to wake up. I turned my head slowly, but nothing and no one was there. As I was pulling the sleeping bag up over my head, something bright streaked across the sky. I paused. The clouds had cleared, the moon was down, and the stars shone hard and unwinking white against the late-night sky. Another frantic streak seared its afterimage against the darkness. I closed my eyes and made a wish. When I opened my eyes, three falling stars, one after another, raced across the tops of the mountains. The frequency built until the sky was lit by silent fireworks.

When we got back to Kitamaat, I told Ma-ma-oo about the footsteps on the beach. She raised an eyebrow at me. “You don’t have to be scared of things you don’t understand. They’re just ghosts.”

Related Characters: Lisa (speaker), Ma-ma-oo (speaker), Uncle Mick, Jimmy, Cheese
Page Number: 265
Explanation and Analysis:

“Good, hey?” she said, pleased with the way I’d demolished her dish.

I nodded. She picked up my bowl, but instead of putting it in the sink, added more uh’s. I kept smiling. I had no idea how I was going to finish it. Ma-ma-oo practically licked her bowl clean. She waited for me to finish, sipping her tea. I hoped she would go to the bathroom, so I could pour it down the sink, but she sat and looked mildly into the distance. I made my way through the second bowl. I ate slower. Ma-ma-oo patted my hand. “We have enough for the whole winter,” she said.

“Oh, good,” I said.

By the end of the week, I had become used to the taste. I didn’t even notice the bitterness any more. It was like whipped cream, but not as nauseatingly sweet as the canned stuff Mom bought.

Related Characters: Lisa (speaker), Ma-ma-oo (speaker)
Related Symbols: The Little Man
Page Number: 269-270
Explanation and Analysis:
Chapter 3: In Search of the Elusive Sasquatch Quotes

“Well,” I said. “You’re talking to the queen of fuckups and you’d have to do a lot more to take my crown away.”

He reached over and kept giving me nudges until I looked at him. “You weren’t that bad.”

“You weren’t the one that ran away.”

“You’re back now. You’re dealing with things. I didn’t understand what it was like to lose something. Now that I do, I think you’re doing fine. I mean, Karaoke didn’t die on me. She just dumped me and I flipped. I don’t know what I’d do if someone actually died on me.”

I laughed. “You call that flipping? That was a little spaz.”

“Yeah, well…”

We drifted off in a comfortable silence.

Related Characters: Lisa (speaker), Jimmy (speaker), Uncle Mick, Ma-ma-oo, Karaoke (Adelaine Jones)
Page Number: 350
Explanation and Analysis: