Nineteen Minutes

by

Jodi Picoult

Nineteen Minutes: Part 1, Chapter 9: One Month After Summary & Analysis

Summary
Analysis
In a handwritten note, the writer explains that no kid admits to wanting to be popular, even if in reality they want it more than anything else in the world. They reflect on how strange it is to have your whole life be shaped by what other people think of you.
The book suggests that, while the particular fixation on popularity created by the enclosed social environment of high school doesn’t last forever, focusing on other people’s opinions sadly can.
Themes
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Diana reviews the logistics of the mass shooting yet another time, getting ready to give her statement. She wonders if the Houghtons ever expected Peter to do something monstrous when he grew up. Diana is shocked to see that one of the injured students is Alex Cormier’s daughter, and she assumes that Alex will recuse herself, as Alex couldn’t possibly be objective. Alex herself, meanwhile, stops at a temporary memorial created for the Sterling High victims on her way back from court. There is a cross for each victim, and when she gets to Matt’s cross she starts crying, looking at a picture of him and Josie together. She thinks about how close she came to losing Josie.
This passage introduces the idea that Alex probably shouldn’t take on the Sterling High case as a judge. While she has justified this gesture as being normal within a small town, Diana’s reaction suggests that—for an event of this scale and severity—it actually isn’t. Perhaps Alex has other reasons for wanting to work the trial herself, inspired by the intense emotions of having almost lost Josie in the incident. 
Themes
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Someone had put a cross there for Peter, too, but people took it down. Alex reflects on the unlikely but true fact that someone out there considers Peter to be a “victim.” Lacy, meanwhile, has delivered three babies since the day of the shooting, but in each birth she managed to do something wrong. Lately, she can’t help but think that if she had never become a mother, her life would be better—“easier.” Today, she hears one of the patients refuse to be treated by her, because she doesn’t want her baby “delivered by a woman whose son is a murderer.” Although the OB nurse tries to defend her, Lacy immediately says it’s alright. 
The question of whether Peter is a “victim” is one of the most important issues raised within the novel. Peter was certainly a victim for most of his life, before he decided to seek revenge. Does his act of violence eliminate his status as a victim, or make him both a victim and a perpetrator? The latter option seems to be more true, in the same way that Peter’s victims didn’t stop being perpetrators of violence just because they themselves were killed. 
Themes
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Lacy wishes she had the opportunity to tell the world that she was just as shocked and horrified by Peter’s actions as they were. She feels that she “lost” her son and doesn’t know it is possible to still love the boy she knew while hating the person he’s become. At that moment Jordan approaches her, and she is embarrassed that he notices she’s crying. She asks him, “Why is it so easy for people to point a finger at someone else?’ Jordan explains that people crave scapegoats and struggle to actually believe in the idea of “innocent until proven guilty.”
This is another key passage in the novel. Overall, Picoult is careful to balance not making excuses for Peter with taking a critical look at the ways in which people use scapegoats in order to make themselves feel better and preserve a more straightforward idea of morality. Nothing makes what Peter did okay, but scapegoating and being overly judgmental are not okay, either.
Themes
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Appearances vs. Reality Theme Icon
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Patrick is visiting Philip O’Shea, Ed McCabe’s partner. He asks Philip if Ed ever mentioned Peter, and Philip explains that Ed noticed that Peter struggled to fit in and he thought that Peter was wondering if he might be gay. However, Ed himself was sure that Peter was straight. When Jordan goes to see Peter that day, Peter is angry, but Jordan doesn’t have any patience for this. He asks how Peter learned how to make explosives, and Peter explains that instructions are easily available online. Peter says he’s started going to church because it allows him to leave his cell. It’s made him think about the souls of “the ten kids who died.” Jordan points out that this phrasing implied their deaths were natural, like Peter didn’t cause them. Peter indicates this is intentional.
It is striking and almost funny (albeit also somewhat tragic) that after Peter spends a lifetime of being bullied by straight people for being gay, an actual gay person determines very simply and casually that he believes Peter is straight. In a way, this shows that the accusations of Peter being a “fag” and a “homo” have almost nothing to do with gender or sexuality at all.  They are simply a way to assert that Peter doesn’t belong.
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Haley and John are still recovering from the injuries they sustained in the shooting, and with Matt, Courtney, and Maddie dead, Josie’s friend group only consists of Drew, Emma, and Brady. Right now, the four of them are watching a movie. Although it’s a dumb comedy, it makes Josie think about how it is possible to die at any moment, from any kind of freak event. Telling the others she needs “some air,” she gets up and goes outside. Drew follows her, and Josie pretends to be fine. Drew offers words of comfort and hugs her, and Josie replies, “I don’t think I can do this.” When Drew replies that he still thinks she belongs to Matt, Josie pretends that that is what she originally meant, too. 
Although Drew means it in a kind and respectful way, saying that he feels like Josie belongs to Matt highlights the sexist social norms that exist within their friend group. In reality, Josie doesn’t belong to anyone—she is her own person, and this was as true when Matt was alive as it is now. Yet the possessiveness and extreme control Matt exerted over her while he was alive was clearly produced by toxic social norms.
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When Peter was a child, his parents sent him to sleepaway camp. Although Joey loved this camp, Peter immediately called and begged to be taken home. Lewis and Lacy decided to make him stay the full two weeks, thinking it would build his confidence. When he returned, Peter no longer seemed like he could trust Lacy. Now, in prison, Lacy tries to bring up happy childhood memories, but Peter is sour in response. She then apologizes for not picking him up from camp, but he brushes it off. After snapping at Lacy, Peter apologizes and says he’s grateful that she comes to see him, unlike Lewis. Peter asks if she wishes he died instead of Joey; Lacy says no, but Peter says she’s lying.
Lacy fixates on the sleepaway camp moment as a turning point in Peter’s life, blaming herself for not acting in a more merciful and caring way. Yet according to the narrative of Peter’s life that’s been presented to the reader, this incident was not particularly important. The major factors that seem to have led to Peter becoming a murderer are almost all centered around school—even Joey’s cruelty mostly took place at school, rather than at home within the sight of their parents.
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Diana is shocked to learn that Alex is indeed sitting on the Houghton case, and she immediately goes to see her. Jordan is pleased to see Diana looking so flustered. When Diana asks Alex about her bias considering the fact that Josie was involved in the shooting, Alex calmly points out that there are thousands of students at Sterling High, and that many people working on the case in various capacities are parents of these students. When Alex asks if Diana is planning on calling Josie as a witness, Diana says she isn’t. Jordan thinks about the fact that Josie does seem to have a special connection to Peter and thus to the shooting. However, he doesn’t say anything.
In a way, Jordan is the one who should be more worried about Alex being the judge for this case, considering he is serving as the defense. Theoretically, the fact that Alex has a daughter at Sterling High would make Alex less sympathetic to Peter (if it affects her at all). Perhaps Diana is worried about other people perceiving Alex as biased against Peter, which might undermine Diana’s own work.
Themes
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At Mount Lebanon, Josie thinks about the future of the survivors of the shooting, imagining an article in People magazine entitled “Where Are They Now?” Drew strikes up a conversation with her and says that Peter isn’t “crazy.” He says he remembers looking into his eyes and seeing that everything he was doing was calculated. Josie replies that the jury will decide whether this is true or not, and Drew accuses her of defending Peter. However, they both quickly apologize, and the tension between them dissipates.
Perhaps there is still an extent to which Josie’s former friendship with Peter makes her suspicious in the eyes of her friends. At the same time, the speed with which Drew apologizes suggests that he doesn’t really view Josie this way at all, and that the tension between them was just the result of the charged situation in which they find themselves.
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In court, four television cameras are set up, filming Alex reading the charges against Peter. When she reads the name of one of the people Peter killed, Grace Murtaugh, a woman screams, “Do you remember Grace?” She slams a framed photograph in front of Peter, shattering it. Peter doesn’t turn to look at her. Gently, Alex asks Grace’s mother to be quiet. Remembering that she needs to demonstrate her own lack of bias, Alex tells the bailiffs to remove her. She then asks Jordan to make Peter show his hand, revealing a shard of glass from the frame. Embarrassed, Jordan thanks Alex, who finishes reading out the charges. Jordan then announces that Peter is claiming not guilty to all of them. 
Peter’s decision to take the shard of glass in his hand is ill-advised and rather creepy. It also suggests that—even while he is literally appearing in court for committing an act of violence—his violent tendencies haven’t left him. At the same time, there is also a chance that Peter planned to use the shard of glass to hurt or kill himself, not someone else.
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Alex tells her secretary to clear her schedule for two hours and she drives straight to Mount Lebanon, where she asks the school secretary to pull Josie out of class, claiming it is for an orthodontist appointment. When Josie gets in the car, she skeptically asks Alex why she is there. Eventually, Alex confesses that after seeing bereaved parents in the courtroom, she felt an urgent need to see Josie. As she speaks, she starts to feel self-conscious and regrets being so emotionally vulnerable. Alex then says that she wanted to check that Josie was alright with her presiding over the case, and to emphasize that Josie should still feel free to talk to Alex about anything to do with the shooting.
Though it is understandable that seeing bereaved parents up close made Alex desperate to see Josie, her attempt to connect with Josie backfires. In a way, Alex’s decision to pick Josie up from school was somewhat selfish. She wasn’t thinking about what was best for Josie, but only acting based on her own emotional instinct. Although this is hardly an unforgivable offense, it shows why Josie can get frustrated over the way her mom behaves.
Themes
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Josie asks about Peter, wanting to know how he looks and if he will be given a life sentence. Josie then asks if he will be allowed to talk to people on the outside, indicating that she might want to talk to him herself. Concerned, Alex tells Josie that there are other people looking after Peter. Josie requests that they drive back to school. At 2 A.M., Jordan and Selena are up with Sam, and—to Selena’s annoyance—Jordan is once again talking about the case. Jordan expresses concern about Alex’s impartiality, but Selena says it would be better for him to do nothing and wait for Diana to request that she be removed from the case.
Everyone in the novel finds that the shooting infuses their whole lives. Those working on it can’t manage to distance themselves from the case, and those trying to conduct normal personal lives find that their entire world has been turned upside down.
Themes
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Peter is slowly becoming accustomed to the dull brutality of life in jail. He has even started exercising, even though he hates it, because he doesn’t want others to perceive him as weak. However, he no longer goes outside during exercise hour, because the smell of fresh air is too painful. Today, a correctional officer delivers Peter’s mail. One letter is from his mother, who writes to him three or four times a week but never says anything particularly consequential. The other is from someone called Elena Battista, whom he has never heard of before.
Peter may be getting physically stronger and tougher, but this belies the fact that inside, he is still immature and totally ill-equipped to deal with the extraordinarily difficult situation he finds himself in. This does not absolve Peter from accountability, of course, but it brings into question what role prisons actually serve in delivering justice.
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Elena writes that she feels connected to Peter because she was also bullied in high school, and she is now writing her undergraduate thesis on the effects of bullying. She says she wishes they’d known each other when she was in school. Violating Jordan’s advice that Peter shouldn’t communicate with anybody, he decides to write back. Selena, meanwhile, goes to speak to Arthur McAllistar. She asks him about the school’s bullying policy, and he explains, “We’re completely on top of it.” Yet he adds that when the administration intervenes in bullying, it usually makes it worse for the victim. He claims that the reasons behind the shooting have been misconstrued, and that prior to it happening, Peter got into trouble twice for fighting in the halls.
One of the most direct critiques Picoult makes in the novel regards the failure of schools and teachers to properly address bullying. (Note that in interviews, she has stated that her depiction of bullying was inspired by the experiences of her own children, suggesting that the frustrations expressed in the novel regarding these failures may be personal). Selena’s conversation with McAllistar suggests he is unable or unwilling to even see the full extent of the problem, let alone tackle it.
Themes
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While defending an abused women who murdered her partner, Jordan called upon a forensic psychiatrist named Dr. King Wah, who specializes in battered woman syndrome. Now, at King’s office in Boston, he is told that King is booked up for the next six months. Jordan claims to be King’s adopted brother, and his secretary skeptically buzzes him in. King greets him warmly, joking, “how’s Mom doing?” When Jordan initially asks King to evaluate his client, King reiterates that he is booked for six months. But after Jordan gives details, King is intrigued and suggests they get lunch.
This passage provides a somewhat jarring reminder that, even though Jordan is personally invested in the case, this is still also his job. He can joke around with Dr. Wah even as the issue that has brought them together—abused women who murder their abusers—is one of the darkest topics imaginable. This contradiction becomes almost normal when one works in such a field. 
Themes
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Patrick has called Josie to the police station to ask her “a few more questions.” Josie is nervous, and Alex immediately tells Patrick that Josie doesn’t remember anything. However, Patrick says he needs to talk to Josie himself, promising that it won’t take long. Josie panics when she realizes that Alex won’t be accompanying her. Patrick makes her a cup of coffee, then leads her into a conference room. After announcing that he’ll record their conversation, he notes that Josie has the same eyes as Alex, although Josie notes that they are a different color. When Patrick asks her, Josie tries to remember what happened in the locker room on the day of the shooting. She can’t remember anything but the color red—the red of “anger” and “blood.”
Patrick’s comment about Josie’s eyes further confirms that he’s attracted to Alex and also suggests that, even amidst the chaos and trauma of the shooting’s aftermath, he is still unable to take his mind off her. While it is perhaps a little strange for the police officer interviewing her to be subtly conveying his crush on her mother, there is also something moving about how Patrick and Alex are brought together in the midst of tragedy.
Themes
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When Josie emerges from her conversation with Patrick in tears, Alex feels furious. Yet when Alex tries to comfort her daughter, Josie snaps, “None of you understand.” To their surprise, Patrick has followed them out of the police station, offering a sweater that Josie left behind. He puts an arm on Josie’s shoulder and promises that everything will be alright. Josie nods, and Alex is surprised to see her looking calmer. She wishes that she’d been able to reassure Josie herself.
It might be easy to assume—especially if one is not a parent oneself—that parents feel confident in their own role. Even if they are aware of the flaws in their skills, parents are supposed to feel a natural sense of authority, as if they are the right person for the role. Alex’s feelings in this passage show how untrue this can be.
Themes
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The narrator lists the similarities between Peter and Derek, while also pointing out the major difference: that Derek never killed anyone. Selena is interviewing Derek at his house, while his mother, Dee Dee, watches “like a hawk.” Derek is distraught, wondering if everything is his fault because he heard the clues that Peter was planning an act of violence and never did anything about it. During the interview, Derek mentions Peter’s former friendship with Josie. Immediately, Selena excuses herself, calls Jordan, and tells him that Peter and Josie were once best friends.
It is surprising that the fact of Peter and Josie’s previous friendship—which at this point is obviously evident to the reader—is revealed as news to Selena and Jordan for the first time here. This highlights that within a small town, things can become secret not necessarily because anyone is hiding them (although Josie does actively pretend she was never friends with Peter), but because they are common knowledge and thus go unspoken. 
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Quotes
When Elena comes to visit Peter in prison, he is pleasantly surprised to see that she is “hot.” He fantasizes about them getting married. She gets out a notepad, explaining that while she was being bullied as a teenager, she used to fantasize about suicide. She asks Peter about the kinds of things his tormenters subjected him to, then asks if Peter intended to kill them. Peter smiles, hoping to look “seductive,” and tells her, “Let’s just say it need to stop.” Weeks later, Jordan is at the dentist, flipping through magazines in the waiting room. He finds an article about Peter with the headline “Inside the Mind of a Killer” and he is so horrified that he immediately leaves the dentist’s office, bringing the magazine with him.
 Peter’s comment about Elena being “hot” is significant, and it may read differently to contemporary readers than it did when the novel was first published. In the present day, it is widely acknowledged that many (although not all) mass shooters are men who feel unfairly rejected by women. There are some indications that Peter also feels this way; on the other hand, he is perhaps just thinking like a normal teenage boy.
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Jordan goes straight to the prison and immediately demands to see Peter, whom he yells at for talking to the press. Peter explains that Elena was his “friend,” but Jordan replies, “You don’t get to have any friends.” Jordan calms down, asking Peter more gently to tell him if anyone contacts him in the future. A silence settles between them. Eventually, Jordan strikes up a conversation about computer games. Meanwhile, Alex’s secretary informs her that Diana is requesting that Alex recuse herself from the case. Alex is horrified; it would have been alright to recuse herself at the beginning of the case, but doing so now would have a seriously negative impact on her reputation. However, she feels like she has no choice but to go ahead with the hearing Diana has requested.
Ultimately, it is Peter himself who undermines his own success with repeated (if inadvertent) acts of self-sabotage. He fails to express much remorse about what he has done, acts carelessly by picking up the shard of glass in court, and lets himself be tricked by a woman purely out of lust. At the same time, the reader is arguably encouraged to feel a small sliver of sympathy for Peter due to his intense social isolation, which is harshly driven home by Jordan’s statement that he doesn’t get to have friends. 
Themes
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As Alex opens the fire door to go outside for a cigarette, it accidentally hits Patrick. She asks him, “off the record,” if Josie seemed okay when Patrick interviewed her. Patrick replies that, “off the record,” he once investigated a case involving the son of a woman he loved. He learned the hard way that, although he’d convinced himself he would be the best person for the job, the opposite was actually true. This is because when someone you love is directly impacted by a case, it no longer becomes work but “revenge.”
There are many examples throughout the novel of the dangers of mixing one’s professional and personal lives. Yet at the same time that the novel presents these dangers, it also questions whether it is possible to ever separate the two in the first place. Every worker is also human, after all, and no one can totally cut themselves off from their own background and emotions at work.
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Lewis has been telling Lacy that he is visiting Peter in jail, and now that she knows this is not true, she decides to follow him. She watches him go into a flower shop, and wonders, horrified, if he’s having an affair. Lewis then drives to the cemetery, with Lacy still following. It is raining hard. Lacy watches as he lays flowers at the graves of each of the people Peter murdered. He tells Lacy he knows she’s there, and she replies with anger that Lewis is coming here but not visiting his own son in jail. Lewis explains that he feels that, because he took Peter hunting, he might be responsible for the murders. He breaks down, and Lacy embraces him. She feels a horrifying sense of guilt for her sons’ fates.   
Like Lacy dumping out her whole wallet into the collection for the Sterling High memorial fund, Lewis pays tribute to the victims in secret, leaving flowers anonymously. This moving and heartbreaking scene suggests that people should be more forgiving to Lacy and Lewis, who clearly feel a deep sense of guilt, shame, and remorse for what Peter has done, yet can’t even express this publicly because people have already judged them so harshly.
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Quotes
Lacy says that Peter needs them, but Lewis says he can’t go to see him. He thinks about the burning rage and desire for vengeance he feels against the drunk driver who killed Joey, and he feels too much sympathy for the parents who feel that way about Peter. Meanwhile, Jordan is meeting King after his interview with Peter. King immediately announces that Jordan’s strategy of using battered woman syndrome will work, as there are substantial similarities between Peter’s mindset and that of an abused woman. King also notes that “a single incident of bullying in childhood can be as traumatic to a person, over time, as a single incident of sexual abuse.” Furthermore, almost everyone can relate to being bullied, because everyone has experienced it.
Depending on one’s knowledge and experience of bullying, King’s statement that even one incident of bullying can be as traumatic as sexual abuse might be quite shocking. Bullying is such a common experience that its effects are perhaps underplayed. One of the purposes of Nineteen Minutes is to draw attention to the truly horrifying nature of bullying and illuminate the connection between this issue and the problem of school shootings.
Themes
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Alex is looking for a skirt Josie borrowed and never returned. While searching Josie’s closet, she’s found a “trove of treasures,” mementoes from across Josie’s life. On Wednesday night, Patrick is at the Golden Dragon, waiting for his usual takeout order when he spots a woman alone at the bar. He tries to buy her a drink, and she turns around and he realizes that it’s Alex. She says they shouldn’t even be seen talking to each other. Patrick mentions that he doesn’t have kids, and Alex asks if he was ever married. He tries to avoid the subject, but eventually admits the woman he was in love with was already married to someone else. Alex says the same was true for her.
This moving moment shows how a painful part of a person’s life can be redeemed, or at least partially healed, by connecting with someone who experienced something similar. Although they have known each other for a while, this is the first time that Alex and Patrick have interacted outside of a work environment, and they immediately realize that they have something very important in common.
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Suddenly, an older man who has “lawyer written all over him” approaches them, greeting Alex and introducing himself to Patrick as Whit Hobart. He feels horrified that this is who Alex is dating, even though he knows it’s none of his business, and he leaves in a bad mood. Meanwhile, Jordan and Selena are watching the evening news, which has a report about the hearing which will determine whether Alex will stay on the case. Suddenly, Jordan decides that he will use Josie as a witness, which will both provide crucial support for Peter and force Alex to step down. Selena applauds his brilliance, and Jordan suggests they have sex. However, Selena ruins the vibe by asking if he feels anxious about their kids. 
Jordan is not presented as a morally bad character, but he is a lawyer through and through. As such, he is willing to pull out all the stops in order to enhance his defense of Peter, including using Josie as a prop and potentially subjecting her to further trauma. While the ethics of such a move are debatable, they are a common and inevitable part of the legal system.
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Alex goes into court, preparing to recuse herself from the case. However, she then sees a note on her desk saying that Jordan is planning on calling Josie as witness. Alex is furious, desperate to protect her daughter from the pain this would cause. Meanwhile, Patrick overhears that an officer is planning to go to the courthouse and offers to drive them, because he wants an excuse to see Alex. When he gets there, he finds her sitting in her car and crying. He walks up to her and asks if she’s okay, offering to buy her coffee. Although Alex is resistant, she eventually relents. They go to the Golden Dragon.
Patrick is taking on the role of hero in Alex’s life, (literally) playing the “good cop” who does everything he can to protect and support her. One could argue that he is using her emotional vulnerability as a way to get close to her—just as Matt did with Josie—but based on what the reader knows about his personality, it seems as if his intentions are more noble than that.
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Alex confesses that she sometimes struggles with the expectation that, as a judge, she should always be perfect. Patrick offers words of support, saying everyone experiences similar struggles and that Alex shouldn’t be afraid of being “human.” Alex also confesses that she’s worried about Josie being traumatized by being called as a witness, and she doesn’t know how to support her. While they are talking, Alex notices Patrick’s kindness, but she is also suspicious of it. Later, Alex goes to Jordan’s house, where he had been playing with Sam. Alex greets Sam warmly, but then turns to Jordan more sternly and asks if he called Josie as a witness on purpose, in order to get her removed from the case. Jordan refuses to answer.
Of course, while it is completely understandable for Alex to be worried about Josie (and suspect that Jordan seems to be using her in order to force Alex to drop the case), there is also an extent to which Alex has unrealistic expectations about Josie’s rights. As someone who (literally) witnessed the shooting at such close range, it is—unfortunately—not outrageous to suggest that Josie be called in as a witness, despite the further trauma this may cause.
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The narrative is interrupted by a quote about popularity taken from the handwritten section preceding this chapter; the implication is that Josie has written it in her notebook. There is a knock on Josie’s bedroom door; it’s Alex, who announces that she has recused herself from the case, then tells Josie she might be called as a witness. Josie instantly becomes upset and tries to make Alex promise she’ll stop her from being called, and Alex indicates she’ll try. After Alex leaves, Josie lies on her bed and murmurs Matt’s name.
Some readers will interpret this scene as undeniable evidence that it is Josie, not Peter or someone else, who is the author of the handwritten sections (which are presumably extracts from her notebook). While this certainly seems likely, Picoult’s choice to not reveal the author’s identity for certain is deliberate. It serves as a reminder that the issues the writer discusses are universal.
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On Peter’s birthday, a correctional officer brings him a “present”—a new cellmate. it is a young man, with the “glassy-eyed, gum-lipped look of a special-needs kid.” The kid asks if Peter has a dog, and Peter immediately grabs the kid’s glasses and stamps on them, causing him to shriek. Peter is immediately handcuffed. Contemplating the punishment that will inevitably follow, Peter wonders if he himself believes in Jordan’s “bullied victim syndrome” argument. He wishes he could kill himself quickly rather than spending the rest of his life in prison.
This scene arguably confirms that Peter is an unforgivably cruel, violent, even evil person. The fact that he lashes out at someone who is obviously disabled (and who did not attack him in any manner) is horrifying. At the same time, some might argue that the experience of being in prison so long has itself turned Peter into a more brutal person.
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On Saturday morning, Alex goes back to Jordan’s house, this time with Josie in tow. She suggests that Jordan could ask Josie the questions he wants to know now. Jordan is resistant. When Selena joins them, Alex implores that she has come to them not as a judge, but as a parent, and Selena suggests they invite Alex in for coffee. Jordan questions Josie about her friendship with Peter. When he asks what Peter’s relationship with Matt was like, Josie begins to cry. At this point, Alex suggests that Josie go wait in the other room. She then addresses Jordan “parent to parent,” promising she can get an affidavit signed by Josie that officially states she doesn’t remember anything. Mindful that his main goal was always getting Alex’s recusal, Jordan agrees.
Josie’s tears at the sound of Matt’s name could of course be triggered by the memory of her boyfriend and her grief at his passing. On the other hand, considering the context in which Jordan mentions Matt, perhaps Josie is crying out of guilt, or fear about people discovering the extent to which Matt bullied Peter.   
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Appearances vs. Reality Theme Icon
Now that Alex is home all day, she and Josie have started cooking together. At first Josie did this simply because Alex’s culinary skills were scarily bad, but now she finds herself enjoying the time they spend together. The doorbell rings unexpectedly, and when Josie goes to answer it, she panics at the sight of Patrick. However, to her surprise he is holding a bottle of wine—and to her even greater surprise, she notices that Alex is “blushing.” Josie immediately runs up to her room, saying she needs to do homework. She turns the music up loud and thinks about when Matt used to come over while her mother went upstairs to give them privacy.
The blossoming romance between Alex and Patrick is essentially the only redemptive, uplifting narrative arc in the whole novel—a reminder that silver linings can emerge even amidst total horror. Furthermore, the almost teenagerish excitement and nervousness both Alex and Patrick have about their romance suggests that people never fully stop growing up, which also means that innocence never completely disappears.   
Themes
Expectations and the Failures of Family Theme Icon
Lost Innocence Theme Icon
Downstairs, Alex and Patrick initially speak in a warm, flirtatious manner. However, Alex asks Patrick to describe the state Josie was in when he found her on the day of the shooting. He describes seeing her lying with Matt in a pile of blood, and the euphoric feeling he had when he noticed her move. Alex calls him a “hero,” but Patrick brushes this off. He kisses her, and after a moment of hesitation, she kisses him back. 
There is a bright side to the fact that tragic circumstances have brought Alex and Patrick together. Instead of superficial attraction, they are drawn to each other for the right reasons, and they also reliably know how the other would react in crisis, which often doesn’t come until much later in a relationship.
Themes
Victims vs. Perpetrators Theme Icon
Lost Innocence Theme Icon
Appearances vs. Reality Theme Icon