Mama has some beloved ceramic figurines of ballet dancers that she keeps on the étagerè. She always polishes them meticulously after Papa beats her. Mama, Kambili, and Jaja never speak aloud of Papa’s violence, but polishing the figurines become a kind of euphemism for his domestic abuse. On Palm Sunday, the turning point for the family, Papa gets angry at Jaja’s open disobedience and throws his missal, breaking the figurines. As she cleans them up, Mama tells Kambili that she won’t need to replace them. This shows that something has changed in the family dynamic, and Mama won’t stand for violence anymore, just as Jaja asserts his independence by disobeying Papa. Thus the figurines symbolize the submissiveness and silence the family lives with under the fear of Papa’s violence, and when the figurines are broken it means the beginning of freedom and free speech.