The Overstory

by

Richard Powers

Consciousness, Value, and Meaning Theme Analysis

Themes and Colors
Humans and Trees Theme Icon
Time Theme Icon
Destruction, Extinction, and Rebirth Theme Icon
Human Nature, Psychology, and Storytelling Theme Icon
Complexity, Branching, and Interdependence Theme Icon
Consciousness, Value, and Meaning Theme Icon
LitCharts assigns a color and icon to each theme in The Overstory, which you can use to track the themes throughout the work.
Consciousness, Value, and Meaning Theme Icon

The Overstory seeks to question human assumptions about basic things like consciousness, value, and meaning. If people were able to step outside of our limited selves, the novel suggests, we could take a larger view of these concepts and grow wiser in the process, recognizing that we are not the only conscious beings in the universe and that ideas of meaning and value might mean different things to different species (most notably to trees).

The Overstory suggests that trees have a kind of consciousness all their own. The book presents scientific evidence for this, primarily through Patricia Westerford and her studies. She is the first to discover that trees communicate with each other, warning other trees of threats or sharing and distributing resources. The novel cites real science in these sections, and Patricia herself is based on real-life figures like the ecologist and professor Suzanne Simard and the forester and writer Peter Wohlleben. These passages about tree consciousness are essentially Richard Powers working his research into the constraints of the novel’s form, fitting a non-fiction essay into the words of his characters.

The novel also makes non-scientific arguments for the consciousness of trees through characters like Olivia, Neelay, and Mimi. All three characters experience visions or voices of some kind that are associated with trees. The most extreme example is Olivia, who dies by electrocution, comes back to life, and then senses “beings of light” who eventually lead her west to fight for the redwoods. She can’t say specifically what these beings are, but she senses that they are intimately connected to the redwoods themselves. Neelay has a vision of his future creations while looking at trees, and Mimi receives a kind of enlightenment while sitting under a pine. The book thus presents trees as not only conscious beings but also spiritual and sentient ones.

If trees have consciousness and intelligence of their own, then this raises questions of value that extend beyond human gain. Human laws and systems only know how to measure forests for our own utility and profit. The loggers fighting the Life Defense Force repeatedly state that they are just trying to do their jobs and feed their families. Logging companies as a whole are concerned only with their own immediate growth and profits, and they have no space for philosophical questions of value. The book’s argument is then most clearly stated again through Patricia, when she speaks with a judge in defense of old-growth forests. While the opposing lawyer argues for “managed” and “consistent” forests, Patricia responds that these would be “better for us. Not for the forest.” She acknowledges that to maximize immediate profit, the easiest thing to do is clear-cut. “But,” she says, “if you want next century’s soil, if you want pure water, if you want variety and health, if you want stabilizers and services we can’t even measure, then be patient and let the forest give slowly.” In this way, the book suggests that we must rethink questions of value to not just focus on the immediate and the profitable, but also on long-term benefits and the consciousness and worth of other creatures.

Finally, the book questions common ideas of what is meaningful. In the opening pages, a woman (presumably Mimi) receives messages from the trees who say, “If your mind were only a slightly greener thing, we’d drown you in meaning.” What the trees speak of must be necessarily different from human conceptions of meaning, as it requires the human mind to become something “greener” to comprehend. This is the kind of meaning that Powers tries to hint at. As Patricia looks out over an ancient aspen grove, she thinks, “Life will not answer to reason. And meaning is too young a thing to have much power over it”—implying that ideas like reason and meaning are human constructs that are of little concern to nature as a whole. Indeed, if we are dealing with consciousnesses other than our own and systems of time and value other than our own, then surely we must also allow for new concepts of meaning as well.

Dorothy and Ray Brinkman read countless books together, but the narrator notes that they all share a connecting thread: assuming that human life and character is “all that matters in the end.” “To be human is to confuse a satisfying story with a meaningful one, and to mistake life for something huge with two legs,” the narrator says. Instead, The Overstory tries something more ambitious—to show life as something rooted and branching, to separate itself from usual human ideas of meaning and value, and to instead consider what those ideas might mean to consciousnesses other than our own.

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Consciousness, Value, and Meaning ThemeTracker

The ThemeTracker below shows where, and to what degree, the theme of Consciousness, Value, and Meaning appears in each chapter of The Overstory. Click or tap on any chapter to read its Summary & Analysis.
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Consciousness, Value, and Meaning Quotes in The Overstory

Below you will find the important quotes in The Overstory related to the theme of Consciousness, Value, and Meaning.
Part 1: Roots—Nicholas Hoel Quotes

The generations of grudge, courage, forbearance, and surprise generosity: everything a human being might call the story happens outside his photos’ frame. Inside the frame, through hundreds of revolving seasons, there is only that solo tree, its fissured bark spiraling upward into early middle age, growing at the speed of wood.

Related Characters: Nicholas Hoel/Watchman, Frank Hoel Jr.
Related Symbols: The Hoel Chestnut Tree
Page Number: 16
Explanation and Analysis:
Part 1: Roots—Douglas Pavlicek Quotes

In fact, it's Douggie's growing conviction that the greatest flaw of the species is its overwhelming tendency to mistake agreement for truth. Single biggest influence on what a body will or won't believe is what nearby bodies broadcast over the public band. Get three people in the room and they'll decide that the law of gravity is evil and should be rescinded because one of their uncles got shit-faced and fell off the roof.

Related Characters: Douglas “Douggie” Pavlicek/Doug-fir (speaker)
Page Number: 84-85
Explanation and Analysis:
Part 1: Roots—Neelay Mehta Quotes

There's a story he's waiting for, long before he comes across it. When he finds it at last, it stays with him forever, although he’ll never be able to find it again, in any database. Aliens land on Earth. They're little runts, as alien races go. But they metabolize like there's no tomorrow. They zip around like swarms of gnats, too fast to see—so fast that Earth seconds seem to them like years. To them, humans are nothing but sculptures of immobile meat. The foreigners try to communicate, but there's no reply. Finding no signs of intelligent life, they tuck into the frozen statues and start curing them like so much jerky, for the long ride home.

Related Characters: Neelay Mehta
Page Number: 97
Explanation and Analysis:
Part 1: Roots—Patricia Westerford Quotes

Watching the man, hard-of-hearing, hard-of-speech Patty learns that real joy consists of knowing that human wisdom counts less than the shimmer of beeches in a breeze. As certain as weather coming from the west, the things people know for sure will change. There is no knowing for a fact. The only dependable things are humility and looking.

Related Characters: Dr. Patricia “Patty” Westerford, Bill Westerford
Page Number: 115
Explanation and Analysis:

She controls for everything she can, and the results are always the same. Only one conclusion makes any sense: The wounded trees send out alarms that other trees smell. Her maples are signaling. They're linked together in an airborne network, sharing an immune system across acres of woodland. These brainless, stationary trunks are protecting each other.

She can't quite let herself believe. But the data keep confirming. And on that evening when Patricia finally accepts what the measurements say, her limbs heat up and tears run down her face. For all she knows, she's the first creature in the expanding adventure of life who has ever glimpsed this small but certain thing that evolution is up to. Life is talking to itself, and she has listened in.

Related Characters: Dr. Patricia “Patty” Westerford
Page Number: 125-126
Explanation and Analysis:
Part 2: Trunk Quotes

Before it dies, a Douglas-fir, half a millennium old, will send its storehouse of chemicals back down into its roots and out through its fungal partners, donating its riches to the community pool in a last will and testament. We might well call these ancient benefactors giving trees.

The reading public needs such a phrase to make the miracle a little more vivid, visible. It's something she learned long ago from her father: people see better what looks like them. Giving trees is something any generous person can understand and love.

Related Characters: Dr. Patricia “Patty” Westerford (speaker)
Page Number: 220-221
Explanation and Analysis:

"I'd like to determine the personality factors that make it possible for some individuals to wonder how everyone can be so blind . . ."

"…while everyone else is still trying to stabilize in-group loyalties. Now we get somewhere. This could be a topic. With much more narrowing and definition. You could look at the next step in this same historical progression of consciousness. Study those people who support a position that any reason- able person in our society thinks is crazy."

"For instance?"

"We're living at a time when claims are being made for a moral authority that lies beyond the human. […] You've seen the news. People up and down this coast are risking their lives for plants. I read a story last week—a man who had his legs sheared off by a machine he tried to chain himself to."

Adam has seen the stories, but he ignored them. Now he can't see why. "Plant rights? Plant personhood." A boy he knew once jumped into a hole and risked live burial to protect his unborn brother's sapling from harm. That boy is dead. "I hate activists."

Related Characters: Adam Appich/Maple (speaker), Professor Mieke Van Dijk (speaker)
Page Number: 237
Explanation and Analysis:

The opposing counsel asks whether preserving slightly larger forest tracts is worth the millions of dollars it costs people. The judge asks for numbers. The opposition sums up the opportunity loss—the crippling expense of not cutting down trees.

The judge asks Dr. Westerford to respond. She frowns. "Rot adds value to a forest. The forests here are the richest collections of biomass anywhere. Streams in old growth have five to ten times more fish. people could make more money harvesting mushrooms and fish and other edibles, year after year, than they do by clear-cutting every half dozen decades."

"Really? Or is that a metaphor?"

"We have the numbers."

"Then why doesn't the market respond?"

Because ecosystems tend toward diversity, and markets do the opposite. But she's smart enough not to say this.

Related Characters: Dr. Patricia “Patty” Westerford (speaker), The Judge (speaker)
Page Number: 282-283
Explanation and Analysis:

"We're not saying don't cut anything." She dangles her arm, reaching out to the men from two hundred feet away. "We're saying, cut like it's a gift, not like you've earned it. Nobody likes to take more gift than they need. And this tree? This tree would be a gift so big, it would be like Jesus coming down and…"

She trickles off on a thought that Watchman has at the same moment. Been there. Felled that, too.

Related Characters: Olivia Vandergriff/Maidenhair (speaker), Nicholas Hoel/Watchman
Page Number: 288-289
Explanation and Analysis:

"It's so simple," she says. "So obvious. Exponential growth inside a finite system leads to collapse. But people don't see it. So the authority of people is bankrupt." Maidenhair fixes him with a look between interest and pity. Adam just wants the cradle to stop rocking. "Is the house on fire?"

A shrug. A sideways pull of the lips. "Yes."

"And you want to observe the handful of people who're screaming, Put it out, when everyone else is happy watching things burn."

A minute ago, this woman was the subject of Adam's observational study. Now he wants to confide in her. "It has a name. We call it the bystander effect. I once let my professor die because no one else in the lecture hall stood up. The larger the group . . ."

"…the harder it is to cry, Fire?"

"Because if there were a real problem, surely someone—"

"—lots of people would already have—"

Related Characters: Olivia Vandergriff/Maidenhair (speaker), Nicholas Hoel/Watchman (speaker), Adam Appich/Maple (speaker), Rubin Rabinowski
Page Number: 321
Explanation and Analysis:

On his fourth night in the cell, Nick dreams about the Hoel family chestnut. He watches it, sped up thirty-two million times, reveal again its invisible plan. He remembers, in his sleep, on the cot's thin mattress, the way the time-lapse tree waved its swelling arms. The way those arms tested, explored, aligned in the light, writing messages in the air. In that dream, the trees laugh at them. Save us? What a human thing to do. Even the laugh takes years.

Related Characters: Nicholas Hoel/Watchman
Related Symbols: The Hoel Chestnut Tree
Page Number: 329
Explanation and Analysis:

"You're a psychologist," Mimi says to the recruit. "How do we convince people that we're right?"

The newest Cascadian takes the bait. "The best arguments in the world won't change a person's mind. The only thing that can do that is a good story."

Maidenhair tells that story that the rest of the campfire knows by heart. First she was dead, and there was nothing. Then she came back, and there was everything, with beings of light telling her how the most wondrous products of four billion years of life needed her help.

Related Characters: Mimi Ma/Mulberry (speaker), Adam Appich/Maple (speaker), Olivia Vandergriff/Maidenhair, Nicholas Hoel/Watchman, Douglas “Douggie” Pavlicek/Doug-fir
Page Number: 336
Explanation and Analysis:

He looks up at the peaked roof of the construction office and thinks, What the hell am I doing? The clarity of recent weeks, the sudden waking from sleepwalk, his certainty that the world has been stolen and the atmosphere trashed for the shortest of short-term gains, the sense that he must do all he can to fight for the living world's most wondrous creatures: all these abandon Adam, and he's left in the insanity of denying the bedrock of human existence. Property and mastery: nothing else counts. Earth will be monetized until all trees grow in straight lines, three people own all seven continents, and every large organism is bred to be slaughtered.

Related Characters: Adam Appich/Maple, Neelay Mehta
Related Symbols: Mastery
Page Number: 347-348
Explanation and Analysis:

“How long can it last?”

“Not long,” he promises.

She claws at him, an animal falling from a great height. Then she calms again. “But not this? This will never end—what we have. Right?”

He waits too long, and time replies for him. She struggles for a few seconds to hear the answer, before softening into whatever happens next.

Related Characters: Olivia Vandergriff/Maidenhair (speaker), Nicholas Hoel/Watchman (speaker)
Related Symbols: The Hoel Chestnut Tree
Page Number: 352
Explanation and Analysis:
Part 3: Crown Quotes

The books diverge and radiate, as fluid as finches on isolated islands. But they share a core so obvious it passes for given. Every one imagines that fear and anger, violence and desire, rage laced with the surprise capacity to forgive—character—is all that matters in the end. It's a child's creed, of course, just one small step up from the belief that the Creator of the Universe would care to dole out sentences like a judge in federal court. To be human is to confuse a satisfying story with a meaningful one, and to mistake life for something huge with two legs. No: life is mobilized on a vastly larger scale, and the world is failing precisely because no novel can make the contest for the world seem as compelling as the struggles between a few lost people.

Related Characters: Dorothy Cazaly Brinkman, Ray Brinkman
Page Number: 382-383
Explanation and Analysis:

One passage keeps springing back, every time fear or scientific rigor makes her prune it. Trees know when we're close by. The chemistry of their roots and the perfumes their leaves pump out change when we're near. . . . When you feel good after a walk in the woods, it may be that certain species are bribing you. So many wonder drugs have come from trees, and we haven't yet scratched the surface of the offerings. Trees have long been trying to reach us. But they speak on frequencies too low for people to hear.

[…]

As soon as she seals the carton with packing tape, she cracks it open again. The last line of the last chapter is still wrong. She looks at what she has, although the sentence has long since burned itself into permanent memory. With luck, some of those seeds will remain viable, inside controlled vaults in the side of a Colorado mountain, until the day when watchful people can return them to the ground. She purses her lips, and pens an addendum. If not, other experiments will go on running themselves, long after people are gone.

Related Characters: Dr. Patricia “Patty” Westerford (speaker)
Related Symbols: Seeds
Page Number: 424-425
Explanation and Analysis:

“A forest knows things. They wire themselves up underground. There are brains down there, ones our own brains aren't shaped to see. Root plasticity, solving problems and making decisions. Fungal synapses. What else do you want to call it? Link enough trees together, and a forest grows aware.”

Her words sound far away, cork-lined and underwater. Either both her hearing aids have died at once or her childhood deafness has chosen this moment to come back.

“We scientists are taught never to look for ourselves in other species. So we make sure nothing looks like us! Until a short while ago, we didn't even let chimpanzees have consciousness, let alone dogs or dolphins. Only man, you see: only man could know enough to want things. But believe me: trees want something from us, just as we've always wanted things from them. This isn't mystical. The ‘environment’ is alive—a fluid, changing web of purposeful lives dependent on each other.”

Related Characters: Dr. Patricia “Patty” Westerford (speaker), Mimi Ma/Mulberry, Neelay Mehta
Page Number: 453-454
Explanation and Analysis:

The single best thing you can do for the world. It occurs to her: The problem begins with that word world. It means two such opposite things. The real one we cannot see. The invented one we can't escape. She lifts the glass and hears her father read out loud: Let me sing to you now, about how people turn into other things.

Neelay’s shouts come too late to break the room's spell. The speaker raises her glass, and the world splits. Down one branch, she lifts the glass to her lips, toasts the room—To Tachigali versicolor—and drinks. Down another branch, this one, she shouts, "Here's to unsuicide," and flings the cup of swirling green over the gasping audience. She bumps the podium, backs away, and stumbles into the wings, leaving the room to stare at an empty stage.

Related Characters: Dr. Patricia “Patty” Westerford (speaker), Olivia Vandergriff/Maidenhair, Neelay Mehta, Dennis Ward
Page Number: 466
Explanation and Analysis:
Part 4: Seeds Quotes

The words Neelay writes add to a growing organism, one that has just now begun to add to itself. At other screens in other cities, all the best coders that several hundred million dollars can hire contribute to the work in progress. Their brand-new venture into cooperation is off to the most remarkable beginning. Already their creatures swallow up whole continents of data, finding in them the most surprising patterns. Nothing needs to start from scratch. There's so much digital germplasm already in the public domain.

The coders tell the listeners nothing except how to look. Then the new creations head off to scout the globe, and the code spreads outward. New theories, new offspring, and more evolving species, all of them sharing a single goal: to find out how big life is, how connected, and what it would take for people to unsuicide. The Earth has become again the deepest, finest game, and the learners just its latest players.

Related Characters: Dr. Patricia “Patty” Westerford, Neelay Mehta
Related Symbols: Mastery
Page Number: 482
Explanation and Analysis:

Although he should just shut up, so much time has passed since Nick has had the luxury of saying anything to anyone that he can't resist. His hand goes out, gesturing toward the conifers. "It amazes me how much they say, when you let them. They're not that hard to hear."

The man chuckles. "We've been trying to tell you that since 1492."

The man has jerked meat. Nick doles out the last of his fruit and nuts. "I'm going to have to think about restocking soon."

For some reason, his colleague finds this funny, too. The man swivels his head around the woods as if there were forage everywhere. As if people could live here, and die, with just a little looking and listening. From nowhere, in a heartbeat, Nick understands what Maidenhair's voices must always have meant. The most wondrous products of four billion years of life need help.

Not them; us. Help from all quarters.

Related Characters: Nicholas Hoel/Watchman (speaker), The Man in the Red Plaid Coat (speaker)
Related Symbols: The Hoel Chestnut Tree
Page Number: 493
Explanation and Analysis:

In silence, he walks his lifelong partner through old and central principles of jurisprudence, one syllable at a time. Stand your ground. The castle doctrine. Self-help.

If you could save yourself, your wife, your child, or even a stranger by burning something down, the law allows you. If someone breaks into your home and starts destroying it, you may stop them however you need to.

[…]

He can find no way to say what so badly needs saying. Our home has been broken into. Our lives are being endangered. The law allows for all necessary force against unlawful and imminent harm.

[…]

In mounting excitement, he sees how he must win the case. Life will cook; the seas will rise. The planet's lungs will be ripped out. And the law will let this happen, because harm was never imminent enough. Imminent, at the speed of people, is too late. The law must judge imminent at the speed of trees.

Related Characters: Ray Brinkman (speaker), Adam Appich/Maple, Dorothy Cazaly Brinkman
Page Number: 497-498
Explanation and Analysis:

There are seeds that need fire. Seeds that need freezing. Seeds that need to be swallowed, etched in digestive acid, expelled as waste. Seeds that must be smashed open before they'll germinate.

A thing can travel everywhere, just by holding still.

She sees and hears this by direct gathering, through her limbs. The fires will come, despite all efforts, the blight and windthrow and floods. Then the Earth will become another thing, and people will learn it all over again. The vaults of seed banks will be thrown open. Second growth will rush back in, supple, loud, and testing all possibilities. Webs of forest will swell with species shot through in shadow and dappled by new design. Each streak of color on the carpeted Earth will rebuild its pollinators. Fish will surge again up all the watersheds, stacking themselves as thick as cordwood through the rivers, thousands per mile. Once the real world ends.

Related Characters: Olivia Vandergriff/Maidenhair, Mimi Ma/Mulberry, Dr. Patricia “Patty” Westerford
Related Symbols: Seeds
Page Number: 499-500
Explanation and Analysis: