In the last few decades, a monumental amount of ink has been spilled by writers and activists from across South Africa’s political and ethnic spectrums trying to come to terms with apartheid’s legacy and the difficulties of transition to democracy. Without a doubt, the most famous book that grapples with these topics is Nelson Mandela’s classic prison autobiography,
Long Walk to Freedom. More journalistic accounts include Allister Sparks’ history of the political negotiations leading to apartheid’s end,
Tomorrow is Another Country, as well as
Country of My Skull, white anti-apartheid activist Antjie Krog’s account of the Truth and Reconciliation Commissions used by the democratic South African government to address the crimes of the apartheid government. More personal work includes scholar Pumla Dineo Gqola’s meditation on gender relations in South Africa,
Reflecting Rogue: Inside the Mind of a Feminist, and Indian-South African anti-apartheid activist Fatima Meer’s
Prison Diary (in addition to her authorized biography of Mandela,
Higher Than Hope). Another remarkable story similar to Noah’s is that of Sandra Laing, a woman born to white parents but classified as colored and forcibly relocated by the apartheid government, as documented in Judith Stone’s book
When She Was White. Other recent memoirs by black South African celebrities include rapper Kabelo Mabalane’s
I Ran for My Life and actress Bonnie Mbuli’s
Eyebags & Dimples (both, like Noah, are also from Johannesburg). White Nobel Prize-winning novelist and anti-apartheid activist Nadine Gordimer wrote extensively about how in apartheid South Africa, love quickly turned into tragedy, trust eroded between communities and often within families, and individuals grappled with the relationship between their ideals and their material interests. Some of her most prominent novels include
The Lying Days,
Burger’s Daughter, and the recent
No Time Like the Present. When asked to list his favorite books for the
New York Times Magazine, Trevor Noah also included white South African Rian Malan’s
My Traitor’s Heart, South African essayist Khaya Dlanga’s
To Quote Myself: A Memoir, Ghanaian-American writer Yaa Gyasi’s landmark intergenerational historical novel
Homegoing, and acclaimed early Tswana writer Sol Plaatje’s 1916
Native Life in South Africa, a response to the 1913 Natives’ Land Act that prohibited blacks from owning land and one of the earliest books to expose colonialism’s devastating impacts on South Africa’s native population.