Passion vs. Love Theme Analysis

Our family has maintained something of an historical reputation for deathless romantic encounters. Even my father, a sedate-looking science teacher, was swept through the Second World War by one promising glance from my mother. […] My father’s second cousin John kidnapped his own wife and used the ransom to keep his mistress in Fargo. Despondent over a woman, my father’s uncle, Octave Harp, managed to drown himself in two feet of water. And so on. […] These tales of extravagant encounter contrasted with the modesty of the subsequent marriages and occupations of my relatives. We are a tribe of office workers, bank tellers, book readers, and bureaucrats. […] Yet this current of drama holds together the generations, I think, and my brother and I listened to Mooshum not only from suspense but for instructions on how to behave when our moment of recognition, or perhaps our romantic trial, should arrive.

The day after Easter Monday, in the little alcove on the school playground, I kissed Corwin Peace. Our kiss was hard, passionate, strangely mature. Afterward, I walked home alone. I walked very slowly. Halfway there, I stopped and stared at a piece of the sidewalk I’d crossed a thousand times and knew intimately. There was a crack in it—deep, long, jagged, and dark. It was the day when the huge old cottonwood trees shed cotton. The air was filled with falling down and the ditch grass and gutters were plump with a snow of light. I had expected to feel joy but instead felt a confusion of sorrow, or maybe fear, for it seemed that my life was a hungry story and I its source, and with this kiss I had now begun to deliver myself into the words.

Mooshum really did follow through with what had seemed like a drunken threat. He cast his lot in with the traditionals not long afterward and started attending ceremonies […]

“There is a moment in a man’s life when he knows exactly who he is. Old Hop Along did not mean to, but he helped me to that moment. […] Seraph Milk had a full-blood mother who died of sorrow with no help from the priest. I saw that I was the son of that good woman, silent though she was. Also, I was getting nowhere with the Catholic ladies. I thought that I might find a few good-looking ones out in the bush.”

“That’s not much of a reason.”

“You are wrong there, it is the best reason.”

And Mooshum winked at me as if he knew that I went to church because I hoped to see Corwin.

Neve Harp said that she was going back to the beginning of things and wanted to talk about how the town of Pluto came to be and why it was inside the original reservation boundaries, even though hardly any Indians lived in Pluto, well, both of the old men’s faces became like Mama’s—quiet, with an elaborate reserve, and something else that has stuck in my heart ever since. I saw that the loss of their land was lodged inside of them forever. This loss would enter me, too. […]

“What you are asking,” said Mooshum that afternoon, opening his hands and his mouth into a muddy, gaping grin, “is how was it stolen? How has this great thievery become acceptable? How do we live right here beside you, knowing what we lost and how you took it?”

Neve Harp thought she might like some tea.

In the winter of our great starvation, […] citizens of Argus sold their grain and raffled off a grand piano. More recently, when we traveled to Washington to fight a policy that would have terminated our relationship with the United States Government guaranteed by treaty, only one lawyer, from Pluto, stood up for us. That was my father. And in 1911, when a family was murdered […], a posse mob tore after a wandering bunch of our people.

[…] I told [Geraldine] that later on the vigilantes admitted that they probably were mistaken. She hadn’t known that. “But it happened in the heat of things, one of them said, I think Wildstrand. In the heat of things!”

Geraldine said, “What doesn’t happen in the heat of things? Someone has seized the moment to act on their own biases. That’s it. Or history. Sometimes it is history.”

As I look at the town now, dwindling without grace, I think how strange that lives were lost in its formation. It is the same with all desperate enterprises that involve boundaries we place upon the earth. By drawing a line and defending it, we seem to think we have mastered something. What? The earth swallows and absorbs even those who manage to form a country, a reservation. […]

Nothing that happens, nothing, is not connected here by blood. I trace a number of interesting social configurations to the Wildstrand tendency to sexual excess, or “deathless romantic encounters,” as Geraldine’s niece, Evelina, puts it when listening to the histories laid out by Seraph Milk. But of course the entire reservation is rife with conflicting passions […] and every attempt to foil our lusts through laws and religious dictums seems bound instead to excite transgression.

Burton’s contemporary, Francis Bacon, believed it was only due to Justice that man can be a God to man and not a wolf. But what is the difference between the influence of instinct upon a wolf and history upon a man? In both cases, justice is prey to unknown dreams. And besides, there was a woman.

That fiddle had searched long for Corwin. I had no doubt. For what stuck in my mind, what woke me in the middle of the night, after the fact of reading it, was the date on the letter. 1888 was the year. But the violin spoke to Shamengwa and called him out onto the lake in a dream almost twenty years later.

“How about that?” I said to Geraldine. “Can you explain such a thing?”

She looked at me steadily.

“We know nothing” is what she said.

I was to marry her. […] I do my work. I do my best to make the small decisions well, and I try not to hunger for the great things, for the deeper explanations. For I am sentenced to keep watch over this small patch of earth, to judge its miseries and tell its stories. That’s who I am. Mii’sago iw.

I do think of how I have grown up in the certainty of my parents’ love, and how that is a rare thing and how, given that they love me, my breakdown is my own fault and shameful. I think of how history works itself out in the living. The Buckendorfs, the other Wildstrands, the Peace family, all of these people whose backgrounds tangled in the hanging.

I think of all the men who hanged Corwin’s great-uncle Cuthbert, Asiginak, and Holy Track. I see Wildstrand’s strained whipsaw body, and Gostlin walk off slapping his hat on his thigh. Now that some of us have mixed in the spring of our existence both guilt and victim, there is no unraveling the rope.

[…] Sometimes doves seem to hover in this room. At night, when I can’t sleep, I hear the flutter of their wings.

Judge Coutts was unwilling to confess and be absolved of his sins […] so they were married by the tribal judge who preceded Judge Coutts, on a gentle swell of earth overlooking a field of half-grown hay in which the sage and alfalfa and buffalo grass stood heavy—Mooshum’s old allotment land.

Corwin played for us of course—he was the only entertainment. When we are young, the words are scattered all around us. As they are assembled by experience, so also are we, sentence by sentence, until the story takes shape. I didn’t want to go. I didn’t know what would happen to me, bad or good, or whether I could bear it either way. But Corwin’s playing of a wordless tune my uncle had taught him brightened the air. As I walked away I kept on hearing that music.