The citizen might be right about England’s crimes in Ireland. But his absurd rhetoric about God-favored Ireland’s bright future shows that, for him, politics is still an emotional fantasy rather than a civic reality. He wants his team to win, at any cost, no matter what they have to do to get there. In fact, this fantasy gives him a promise of fulfillment and happiness—much like the idea of having a son and estate does for Bloom, or the idea of becoming an influential artist does for Stephen. Indeed, by returning to the metaphorical link between family, country, and fertility, the mock wedding scene points out this analogy between the citizen and Bloom. The narrator’s celebration of violence against minorities is a bad omen for Bloom, while the motif of crucifixion connects Bloom to the Messiah (which implies salvation, fulfillment, and sacrifice for the good of the many).