Breath, Eyes, Memory

by

Edwidge Danticat

Breath, Eyes, Memory: Chapter 8 Summary & Analysis

Summary
Analysis
It is summer, and school doesn’t start for two more months. Sophie accompanies Martine to her job at a local nursing home each day, watching soap operas in the lounge while her mother works. She also goes with Martine to her night job—working as a private nurse for a very sick old woman. Sophie feels terrible for her mother, whose night terrors, hard work, and obsession with skin-lightening cream have weathered her young face beyond her years. Martine tells Sophie that she wants Sophie to work hard in school so that when she’s grown, there will be certain things she “won’t have to do.”
Sophie is trying her best to adjust to life in America, but finds herself saddened and intimidated by her mother’s hard life and serious emotional problems, and the role she herself has had to assume as a caretaker and constant companion.
Themes
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Martine asks Sophie what she thinks of Marc, and Sophie says she thinks Marc is “smart.” Martine tells Sophie the story of how she met Marc—when she was getting her green card through an amnesty program, she needed a lawyer, and found Marc’s name in a Haitian newspaper. Marc and Martine became friends, and Marc, old-fashioned but kind and generous, took her out frequently to restaurants and even once brought her to Canada. Sophie asks Martine if she is going to marry Marc, but Martine says she has no idea.
Martine’s relationship with Marc seems very proper and almost professional. Sophie wonders about the nature of their relationship—and its future—but can’t really get a straight answer from her mother about what Marc’s intentions with her are , or vice versa.
Themes
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Martine turns the question around on Sophie, asking if Sophie has ever liked a boy back in Haiti. Sophie says she hasn’t. Martine tells Sophie that when school starts, she needs to ignore boys and stay “good.” Sophie knows that by “good,” her mother means that she needs to stay a virgin and not let anyone touch her. Sophie promises her mother that she has always been “good,” and will stay that way. Martine tells Sophie that when she herself was a young girl, Granmè Ifé used to “test” Martine and Tante Atie to see if they were still virgins by putting her finger in their “very private parts.” Martine recalls how Tante Atie used to “scream like a pig in a slaughterhouse” during the testing—but Granmè Ifé, Martine says, was raised to believe that it was her responsibility to keep her daughters pure.
This passage marks the first time in the novel that anyone mentions testing—a violent, invasive practice by which mothers insert their fingers into their daughters’ vaginas in order to “test” their virginities, with the intention of keeping them pure until marriage. The blithe, blasé way in which Martine talks about the practice of testing—even as she acknowledges how emotionally and physically painful it was for Tante Atie—suggests that Martine is not opposed to the practice, and may even be threatening the young Sophie with subjecting her to it if she doesn’t behave like a “good girl.”
Themes
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Quotes
Martine continues her story, telling Sophie that Granmè Ifé stopped testing her early because one day, when she was not much older than Sophie, a man pulled her off the side of the road into a cane field and raped her. Sophie doesn’t want to hear the story her mother is telling. Martine tells Sophie that though she never saw her rapist’s face, she knows now, by looking at Sophie, that the old adage is true: “A child out of wedlock always looks like its father.”
The second major revelation to come from this conversation is that Sophie is the product of a violent rape, one that Martine must relive each night in her night terrors. This further establishes Martine’s preoccupation with sex and purity, and suggests that because of her own trauma, she is inherently suspicious of men and doubts Sophie’s ability to remain pure, regardless of whether or not Sophie herself pursues love or sex.
Themes
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Virginity and Violence Theme Icon
Memory, Storytelling, and the Past Theme Icon
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