Puberty, Adolescence, and Coming of Age
In Carrie, puberty is simultaneously a source of terror and power for the titular protagonist. Having been raised by the fundamentalist Margaret White, Carrie has learned to view normal markers of puberty, such as breast development and the growth of pubic hair, as evidence of her sin. Margaret’s hatred for puberty is so intense that she does not even tell Carrie about menstruation, leading to the novel’s opening scene in which Carrie gets…
read analysis of Puberty, Adolescence, and Coming of AgeFemale Sexuality and Shame
The stigma around female sexuality, especially the sexuality of teenage girls, is an important driver of Carrie’s plot. Carrie herself is taught from a young age to associate sexual desire with shame thanks to her mother Margaret, who believes that the development of a woman’s body during puberty is the result of sin. Carrie’s shame is the result of Margaret’s own shame, as seen when she admits later in the novel that she…
read analysis of Female Sexuality and ShameConformity vs. Ostracization
The struggle to conform is constant for multiple characters throughout Carrie. Carrie herself has never been able to fit in with her peers due to her extreme religious upbringing and the severe bullying she’s endured as a result. Throughout the novel, she badly wishes to be like everyone else, but her attempts to do so have consistently backfired, increasing her alienation from her peers. However, when Tommy asks her to prom, it momentarily seems…
read analysis of Conformity vs. OstracizationCycles of Abuse
In Carrie, the cyclical nature of abuse creates much of the conflict in the novel. The most notable instance is with Margaret, Carrie’s mother, who is heavily implied to have been abused and possibly raped by Carrie’s late father Ralph. While Margaret had fundamentalist beliefs before marrying Ralph, the misogynistic abuse she suffers under him is replicated in her raising of Carrie, whom she severely abuses any time she even expresses…
read analysis of Cycles of AbuseSin vs. Atonement
In Stephen King’s Carrie, the desire to atone for one’s sins—whether real or imagined—is a major driver of the novel’s plot. The most explicit manifestation of this is Margaret’s understanding of sin, which largely revolves around sexuality and womanhood. Margaret feels that her own “original sin” is allowing Carrie to live after realizing she had telekinetic powers, and she attempts to atone for her sin first by abusing Carrie, then by attempting to…
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