H is for Hawk

by

Helen Macdonald

Themes and Colors
Living with the Wild  Theme Icon
Fear, Grief, and Loss Theme Icon
Love, Trust, and Freedom Theme Icon
Time and History Theme Icon
Social Divisions  Theme Icon
LitCharts assigns a color and icon to each theme in H is for Hawk, which you can use to track the themes throughout the work.
Time and History Theme Icon

Because falconry is an ancient art, practicing it tends to collapse time in on itself. This is, in fact, part of the appeal for both Helen Macdonald and T. H. White—at least insofar as Macdonald interprets White’s life for readers. She pictures him feeling so alienated and unloved in his 1930s present that he used falconry to imagine himself into an ancient world where he might have been loved and respected. Similarly, he uses England’s mythical past to explore present issues like the use and abuse of power and the costs of war in his novel The Once and Future King. Macdonald sees White looking for a sense of safety and protection in history, much like her mother’s neighbors, who cling to the idea of a mythical, pure Old England that has been ruined by the arrival of immigrants.

Unfortunately, time cannot be held still or reversed, except in novels. White couldn’t erase the trauma of his personal past or escape the conflagration that engulfed his society in the form of World War II, even if he avoided the front lines himself. Neither can Macdonald escape her own world, in which species become endangered or go extinct and in which human activity is radically changing the face of the planet. Although this truth pains her deeply, she knows she must find ways to live with it. She finds hope in stories like that of the California condor, which prove that humanity can sometimes unite to change the trajectory of history. So, instead of looking to escape into a mythical past, Macdonald offers another model for looking at the world, one which looks to the past for lessons, but which focuses its energy toward building a future that’s worth inhabiting.

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Time and History Quotes in H is for Hawk

Below you will find the important quotes in H is for Hawk related to the theme of Time and History.
Chapter 1: Patience Quotes

Here I was, standing in Evelyn’s Travelling Sands. Most of the dunes are hidden by pines—the forest was planted here in the 1920s to give us timber for future wars—and the highwaymen are long gone. But it still feels dangerous, half-buried, damaged. I love it because of all the places I know in England, it feels to me the wildest. It’s not an untouched wilderness like a mountaintop, but a ramshackle wilderness in which people and the land have conspired to strangeness. It’s rich with the sense of an alternate countryside history; not just the grand, leisured dreams of landed estates, but a history of industry, forestry, disaster, commerce and work. I couldn’t think of a more perfect place to find goshawks. They fit this strange Breckland landscape to perfection, because their history is just as human.

Related Characters: Helen Macdonald (speaker), Father
Page Number: 7
Explanation and Analysis:
Chapter 11: Leaving Home Quotes

“I thought of the small race now underground, strangers of a vanished species safe from comprehension, almost from imagination: monks, nuns, and the eternal villein. I was as close to them as anybody, now, close even to Chaucer, ‘with grey goshawk in hond.’ […] We loved each other.”

White’s visit to Chapel Green was my favourite part of The Goshawk when I was young. It was a communion with something lost and forgotten, and somehow a hawk was at the heart of it. It always gave me a sense of kinship with White […]

Related Characters: Helen Macdonald (speaker), T. H. White (speaker), Mabel (Macdonald’s Goshawk), Gos
Page Number: 105
Explanation and Analysis:
Chapter 17: Heat Quotes

But that was not why I needed her. To me she was bright, vital, secure in her place in the world. Every tiny part of her was boiling with life, as if from a distance you could see a plume of steam around her, coiling and ascending and making everything around her slightly blurred, so she stood out in fierce, corporeal detail. The hawk was a fire that burned my hurts away. There could be no regret or mourning in her. No past or future. My flight from death was on her barred and beating wings. But I had forgotten that the puzzle that was death was caught up in the hawk, and I was caught up in it too.

Related Characters: Helen Macdonald (speaker), Mabel (Macdonald’s Goshawk), Father
Related Symbols: Tethers
Page Number: 160
Explanation and Analysis:
Chapter 23: Memorial Quotes

Gos was still out there in the forest, the dark forest to which all things lost must go. I’d wanted to slip across the borders of this world into that wood and bring back the hawk White lost. Some part of me that was still very small and old had known this, some part of me that didn’t work according to the everyday rules of the world but with the logic of myths and dreams. And that part of me had hoped, too, that somewhere in that other world was my father. His death had been so sudden. There had been no time to prepare for it, no sense in it happening at all. He could only be lost. He was out there, still, somewhere out there in that tangled wood with all the rest of the lost and dead. I know now hat those dream in spring had meant, the ones of a hawk slipping through a rent in the air into another world. I’d wanted to fly with the hawk to find my father; find him and bring him home.

Related Characters: Helen Macdonald (speaker), T. H. White , Mabel (Macdonald’s Goshawk), Gos, Father
Related Symbols: Tethers
Page Number: 220
Explanation and Analysis:
Chapter 27: The New World Quotes

Hunting in Maine is not obviously riven with centuries of class and privilege. There are no vast pheasant shoots here where bankers vie for the largest bags, no elite grouse moors or exclusive salmon rivers. All the land can be hunted over by virtue of common law, and locals are very proud of this egalitarian tradition. […] What’s more, hunting is far more acceptable here than it is in Britain. One of my friends in Maine is Scott McNeff, a wiry and energetic firebrand who runs an ice-cream emporium in summer and spends the winter flying his hawks. He told me that few households in the whole state aren’t touched by the November deer hunt. […] People swap hunting stories here the way people swap drinking stories at home.

Related Characters: Helen Macdonald (speaker), Mabel (Macdonald’s Goshawk), Mother, Erin, Scott McNeff
Page Number: 250
Explanation and Analysis:
Chapter 30: The Moving Earth Quotes

The quake brought no panic, no fear, no sense of wrongness in her at all. She’s at home in the world. She’s here. She ducks her head upside down, pleased to see me, shakes her feathers into a fluffy mop of contentment, and then, as I sit with her, she slowly closes her eyes, tucks her head back into her feathers, and sleeps. She is not a duke, a cardinal, a hieroglyph, or a mythological beast, but right now Mabel is more than a hawk. She feels like a protecting spirit. My little household god. Some things happen only once, twice in a lifetime. The world is full of signs and wonders that come and go, and if you are lucky you might be alive to see them. I had thought the world was ending, by my hawk had saved me again, and all the terror was gone.

Related Characters: Helen Macdonald (speaker), Mabel (Macdonald’s Goshawk)
Page Number: 278
Explanation and Analysis: