The Changeling

by

Thomas Middleton and William Rowley

Lollio Character Analysis

Lollio is Alibius’s second-in-command at the madhouse; while Alibius focuses his energy on managing the madmen, Lollio generally works with the fools. Lollio is characterized by his clever wit and his adept wordplay, which he often uses to blur the boundaries between those who are labeled patients and those who are put in charge. Though Alibius hopes Lollio will keep Isabella away from other suitors, Lollio—a self-professed knave—is in fact interested in Isabella himself. By the end of The Changeling, Lollio’s constant pranks result in Alibius firing him, as Alibius reluctantly admits that Lollio will otherwise continue to outsmart him. Lollio is at the center of most of the show’s comedy, though he also provides important commentary about class and desire.

Lollio Quotes in The Changeling

The The Changeling quotes below are all either spoken by Lollio or refer to Lollio. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Appearance vs. Reality Theme Icon
).
Act 1, Scene 2 Quotes

LOLLIO: Yes, sir, for every part has his hour: we wake at six and look about us, that’s eye-hour; at seven we should pray, that's knee-hour; at eight walk, that's leg-hour; at nine gather flowers and pluck a rose, that's nose-hour; at ten we drink, that’s mouth-hour; at eleven lay about us for victuals, that’s hand-hour; at twelve go to dinner, that’s belly-hour.

Related Characters: Lollio (speaker), Beatrice, Vermandero, Alibius
Related Symbols: Eyes
Page Number: 356
Explanation and Analysis:

LOLLIO: Tony; mark my question: how many fools and knaves are here? A fool before a knave, a fool behind a knave, between every two fools a knave; how many fools, how many knaves?

ANTONIO: I never learnt so far, cousin […].

LOLLIO: I’ll make him understand it easily; cousin, stand there […]. Master, stand you next the fool […]. Here’s my place; mark now, Tony, there a fool before a knave.

ANTONIO: That’s I, cousin.

LOLLIO: Here’s a fool behind a knave, that’s I, and between us two fools there is a knave, that’s my master; ‘tis but we three, that’s all.

Related Characters: Lollio (speaker), Antonio (speaker), Alibius
Page Number: 359
Explanation and Analysis:
Act 3,  Scene 3 Quotes

LOLLIO: This is easy, sir, I’ll warrant you: you have about you fools and madmen that can dance very well; and ‘tis no wonder, your best dancers are not the wisest men; the reason is, with often jumping they jolt their brains down into their feet, that their wits lie more in their heels than their heads […]

ISABELLA: Y’have a fine trade on’t,
Madmen and fools are a staple commodity.

ALIBIUS: O wife, we must eat, wear clothes, and live;
Just at the lawyer’s haven we arrive,
By madmen and fools we both do thrive.

Related Characters: Isabella (speaker), Alibius (speaker), Lollio (speaker), Beatrice, Vermandero, Alonzo de Piracquo
Page Number: 382
Explanation and Analysis:
Act 4, Scene 3 Quotes

ISABELLA: Does love turn fool, run mad, and all at once?
Sirrah, here’s a madman, akin to the fool too,
A lunatic lover.

LOLLIO: No, no, not he I brought the letter from?

ISABELLA: Compare his inside with his out, and tell me.

Related Characters: Isabella (speaker), Lollio (speaker), Antonio, Franciscus
Page Number: 399
Explanation and Analysis:
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Lollio Quotes in The Changeling

The The Changeling quotes below are all either spoken by Lollio or refer to Lollio. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
Appearance vs. Reality Theme Icon
).
Act 1, Scene 2 Quotes

LOLLIO: Yes, sir, for every part has his hour: we wake at six and look about us, that’s eye-hour; at seven we should pray, that's knee-hour; at eight walk, that's leg-hour; at nine gather flowers and pluck a rose, that's nose-hour; at ten we drink, that’s mouth-hour; at eleven lay about us for victuals, that’s hand-hour; at twelve go to dinner, that’s belly-hour.

Related Characters: Lollio (speaker), Beatrice, Vermandero, Alibius
Related Symbols: Eyes
Page Number: 356
Explanation and Analysis:

LOLLIO: Tony; mark my question: how many fools and knaves are here? A fool before a knave, a fool behind a knave, between every two fools a knave; how many fools, how many knaves?

ANTONIO: I never learnt so far, cousin […].

LOLLIO: I’ll make him understand it easily; cousin, stand there […]. Master, stand you next the fool […]. Here’s my place; mark now, Tony, there a fool before a knave.

ANTONIO: That’s I, cousin.

LOLLIO: Here’s a fool behind a knave, that’s I, and between us two fools there is a knave, that’s my master; ‘tis but we three, that’s all.

Related Characters: Lollio (speaker), Antonio (speaker), Alibius
Page Number: 359
Explanation and Analysis:
Act 3,  Scene 3 Quotes

LOLLIO: This is easy, sir, I’ll warrant you: you have about you fools and madmen that can dance very well; and ‘tis no wonder, your best dancers are not the wisest men; the reason is, with often jumping they jolt their brains down into their feet, that their wits lie more in their heels than their heads […]

ISABELLA: Y’have a fine trade on’t,
Madmen and fools are a staple commodity.

ALIBIUS: O wife, we must eat, wear clothes, and live;
Just at the lawyer’s haven we arrive,
By madmen and fools we both do thrive.

Related Characters: Isabella (speaker), Alibius (speaker), Lollio (speaker), Beatrice, Vermandero, Alonzo de Piracquo
Page Number: 382
Explanation and Analysis:
Act 4, Scene 3 Quotes

ISABELLA: Does love turn fool, run mad, and all at once?
Sirrah, here’s a madman, akin to the fool too,
A lunatic lover.

LOLLIO: No, no, not he I brought the letter from?

ISABELLA: Compare his inside with his out, and tell me.

Related Characters: Isabella (speaker), Lollio (speaker), Antonio, Franciscus
Page Number: 399
Explanation and Analysis: