The House of the Spirits

by

Isabel Allende

The House of the Spirits: Chapter 13 Summary & Analysis

Summary
Analysis
The first day of the coup d’état, Jaime wakes at dawn to a call from the President’s secretary. The President isn’t ill, she says, but he has asked for all his doctors to come to the palace. Jaime arrives at eight o’clock and is stunned to see the city empty. A group of soldiers is standing guard outside the castle, and after Jaime identifies himself as a doctor, they let him through. Inside, the President tells Jaime that “the Navy has revolted.”
Jaime’s character is thought be based on Arturo Jirón, a real-life Chilean physician and the personal doctor of President Salvador Allende. Like Jaime, Jirón was at the Presidential Palace on the morning of September 11, 1973 when the coup d’état began. Jirón was arrested and detained at a detention camp but was later released.   
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Jaime quickly calls Alba, warns her not to leave the house, and tells her to call Amanda. Jaime never speaks to Alba again. An hour and a half later, all branches of the military have joined the coup, quickly followed by the police. The President tells the guards at the palace to leave—without their weapons—and they exit, “confused and ashamed.” One of the guards stops at the door. “I’m staying with you, Compañero President,” he says. By midmorning, the President goes on the radio to address the nation. He tells them he won’t resign. He is prepared to repay their loyalty with his life. “Long live the people!” the President cries. “Long live the workers!”
The President clearly supports the people, and, evidenced by the “confused and ashamed” guards who are forced turn on him during the coup, including the guard who refuses, the President seems to have the support of the people as well. The President was democratically elected by the people, and he refuses to betray their loyalty, even under the violent threats of the conservative opposition. 
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Soon, the bombing begins. As Jaime takes cover, he can’t believe it has come to this. He always thought that the military respected the law. The President is quickly on his feet, firing a bazooka out the window at the military tanks below. The bombing doesn’t last long, but the palace is demolished. An officer outside orders them to surrender, and the President turns to Jaime and the others and shakes their hands. “I’ll go last,” he says. Jaime never sees him alive again. 
The President is dedicated to protecting the country and their government, and he holds out until the very end. During the Chilean coup of 1973, the Presidential Palace was destroyed by bombings early in the takeover, and President Allende was never seen or heard from again.
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Outside, the soldiers fire guns into the air, and one of them punches Jaime in the stomach so hard that he soils himself. “Make way, we’re going to run the tank over these bastards!” yells a colonel. Jaime looks up at the man and thinks that he recognizes him from Tres Marías. Jaime and the others are loaded into a van and taken to the Ministry of Defense. There, a kind soldier tells Jaime to sit and rest but to get up immediately when the soldier says so. “You operated on my mother and saved her life,” the kind soldier says. Within minutes, the soldier tells Jaime to stand, and two men handcuff Jaime and take him to be interrogated.
While it isn’t confirmed, Allende implies that the colonel who wants to “run the tank over these bastards!” is Esteban García. It seems like Esteban García should have some sympathy for the President and his men, since Esteban García is himself a peasant from Tres Marías, but he is again portrayed as entirely violent and unforgiving. On the other hand, the kind soldier represents those who are forced to participate in the coup and do so reluctantly.
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Jaime’s interrogators know that he doesn’t have anything to do with politics or what is happening, but they want him to go on television and say the President is an alcoholic and that he committed suicide. Jaime refuses, so they hold him down and beat him. Afterward, they take him to a military building, and, after tying his hands and feet with barbed wire, throw him face-first into an animal stall. The other stalls are filled with people, too, and Jaime is left there for two days without food or water. Then the stalls are emptied, and everyone, Jaime included, is taken to an empty lot near the airport and shot.
Jaime’s death is the evidence of the “blood, pain, and death” that Luisa Mora warns Esteban his victory will bring. Due in part to Esteban’s support and enthusiasm for the coup, his own son is dead. The violent way in which Jaime is treated and ultimately killed reflects the extreme corruption of the opposition government, and their desire to completely take over the socialist government at any cost.
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At the big house on the corner, Esteban pours a glass of champagne in celebration. Alba grabs the glass from his hand and throws it against the wall, shattering it. Blanca smiles. In the middle of the night, the phone rings. Alba answers, and Miguel tells her that he is leaving to fight. She must not talk about him with anyone, and he instructs her destroy her address book and stop seeing all their friends. He tells her he loves her and hangs up. A curfew is enforced over the next two days, and when it is lifted, goods have magically appeared in stores and shops everywhere. Meat and produce fill the shelves, but free pricing has been decreed, and everything is priced three times as high as it was before.
Blanca smiles when Alba throws Esteban’s glass against the wall because she has never seen anyone stand up to Esteban in such a way. Miguel’s phone call means that the revolution is beginning, and that it will meet the opposition with equal violence. The fact that goods appear in stores implies that there wasn’t really a shortage after all—the opposition government was simply holding out on the people to damage the economy and weaken the socialist government.
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Soldiers patrol the streets, and some of them beat men with beards and harass women wearing slacks. The new government condemns their actions and says the offending soldiers are communists in disguise. Over the next few days, word spread that the President has committed suicide, but no one really believes it. Three days later, Esteban goes to the Ministry of Defense, wondering why no one has invited him to take part in the new government. Esteban used his name and money to buy arms for the coup, and while he isn’t necessarily interested in political power, he would like to be an advisor. He believes wholeheartedly that the coup was they only way to regain control and get rid of Marxism for good.
The soldiers beat men with beards and harass women wearing slacks because slacks and beards violate traditional views (men should be clean shaven and women should wear dresses) and are likely indicators of support for the socialist government. As the soldiers are working for the opposition—the conservatives—they target those they think are against them. Allende implies that the President was murdered, just as many Chileans believed President Allende was murdered during the Chilean coup of 1973.
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At the Ministry of Defense, Esteban is surprised to find it a complete disorganized mess. A soldier with his feet on the desk greets him, and without allowing Esteban to speak, tells him to hand over the keys to his car. Congress has been suspended, the soldier says, and all Congressional privileges have been suspended, too. It is obvious to Esteban that the new government has no intention of reopening Congress. Without a way to get home, Esteban gets a ride from a lieutenant, who tells him that there has been very little resistance to the coup, but many have been arrested, and the people are scared. Esteban can tell the soldier feels guilty, so he tells him they had no choice. A coup d’état was necessary to rid the country of Marxism, but even as he says the words, Esteban isn’t so sure. 
Obviously, Esteban’s support of the coup is beginning to wane. According to the official plan, the military is supposed to relinquish power back to the conservatives, but the military has obviously betrayed the conservatives. Without Congress, the country is officially a dictatorship, which Sebastián Gómez swore would never happen. The lieutenant feels guilty because the military is exerting force on innocent people who aren’t even trying to resist, which further underscores the military’s cruelty and corruption. 
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Two weeks later, the kind solider goes to the big house on the corner and tells Blanca all about Jaime’s death. Blanca calls for Esteban so he can hear, too, but Esteban doesn’t believe him. Esteban goes to his library, sits in a chair, and calls Jaime’s name. Finally, Jaime’s spirit comes to him, covered in blood and rags, and Esteban knows that Jaime is dead. After Jaime’s death, Esteban begins to speak of tyranny, which Alba has known about all along—she has inherited Clara’s gift.
Esteban’s inability to initially accept Jaime’s death reflects his deep love for his son, despite their obvious differences. Unfortunately, it takes Jaime’s death for Esteban to finally accept that the coup was a bad idea; however, Alba has always known the coup would lead to a dictatorship because she is clairvoyant just like Clara was.
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Alba blames Esteban for everything, and she believes he is the reason why she will never see Jaime or Miguel again. However, when Alba sees her grandfather slumped in a chair, calling out to Clara and Jaime, she realizes how much she loves him. Alba helps wanted revolutionaries sneak out of the country, and she suspects her grandfather knows it. Amanda introduces Alba to some priests who are trying to feed the poor with very few supplies, so Blanca lets Alba raid the stockpile of goods she still has hidden in the back of the house. Like most people of the upper class, Esteban ignores the poor, but when women and children begin begging door to door, he orders the cook to always have something hot available.
The fact that Esteban orders the cook to always have food prepared for the poor implies that his cruelty and resentment for the lower class are beginning to resolve, and that he isn’t as hateful as he once was. In many ways, Esteban is the reason why Alba will never see Jaime again, but even Alba can’t hate Esteban for long. Alba’s love for her grandfather again underscores the deep connection and love between family members, even in the face of serious disagreements.
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The new government erases any history that the regime disapproves of, and they change maps to suit their desires. They appropriate distant countries in geography books, and the United Nations threatens to send in tanks if they don’t stop. The new government censors all books, movies, and songs, and they outlaw words like “freedom,” “justice,” and “trade union.” Most of the professors at Alba’s school have been arrested or killed, including Sebastián Gómez.
This passage reflects the totalitarian control of the military after the coup. The people are allowed few liberties, which is reflected in the outlawed words of “freedom,” “justice,” and “trade union.” As free thought has been outlawed, intellectuals like Sebastián are removed from society. 
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Still believing the coup a necessary evil, Esteban decides to go to Tres Marías and get his land back. When he arrives, he finds the remaining peasants miserable and starving. He dismisses them and chases them from the hacienda—the very land they have lived on for generations. That night, Esteban looks around and, seeing nothing but death, curses his temper. He knows he can rebuild Tres Marías again, so he sends word to the peasants that they are welcome to return; however, no one comes back. Esteban leaves for the capital with a heavy soul.
Esteban is reluctant to fully admit that he was wrong about the coup, but his behavior at Tres Marías helps him see the error of his ways. Esteban is beginning to realize that Tres Marías belongs more to the peasants than to him, but it is too late to get the peasants back after he has mistreated them for so many years. 
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In the meantime, the Poet lies dying in his seaside home. He has been sick for some time, but that doesn’t stop the police from ransacking his home in search of hidden communists and subversive poetry. They take the Poet from his deathbed to the capital, where he dies four days later of heart failure. A wake is held for those with enough courage to go, and even though Esteban doesn’t support the Poet’s ideological convictions, he attends with Alba. At the small funeral, shouts of the Poet’s name begin, along with calls of “Here! Now and forever!” and “Compañero President!” As the Poet is put to rest, his funeral is a “symbolic burial of freedom.”
The Poet represents intellectualism and free thought, which is eliminated with the coup. Pablo Neruda, the poet thought to be the inspiration for Allende’s Poet, was killed in much the same way in the months following the Chilean coup of 1973. Authorities searched Neruda’s home and forced him to go to the capital, where he died days later. While the Chilean government initially said Neruda died of a heart attack, they have since admitted that he likely died due to his treatment by the police.
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Months pass, and Alba is busy hiding revolutionaries and feeding the poor. It becomes obvious to everyone, even Esteban, that the military has no intention of handing over power. One day, Blanca drops to her knees in front of Esteban and confesses that Pedro Tercero is hiding in one of the house’s abandoned rooms, where he has been since the coup started. He snuck in Blanca’s window after he was placed on the wanted list and told her the President had been killed. Blanca begs Esteban to help her get him out of the country. 
Alba’s efforts on behalf of the revolutionaries further challenges the traditional gendered assumptions of her sexist society, which expects women to be quiet and obedient. Pedro Tercero’s claim that the President has been murdered aligns historically with the 1973 Chilean coup, in which President Allende was said to have committed suicide but was thought by many to have been murdered. Blanca’s pleas for Esteban to save Pedro suggest that she is still deeply in love with Pedro despite their long separation. 
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Esteban goes to the room in which Pedro Tercero is hiding and opens the door. He stands there, and the two men stare at each other. Esteban tells Pedro he has come to get him out of the country, and Pedro initially resists, telling Esteban to “Go to hell.” But when Esteban tells Pedro that that’s where they’re going and to come with him, both men smile and leave the room together. Esteban quickly arranges for both Blanca and Pedro to leave the country, and as he says goodbye, he admits to Blanca that he hasn’t been a very good father. “I love you so much, Papa!” Blanca cries and hugs him. They never see each other again.
This interaction between Pedro and Esteban mirrors their interaction at Tres Marías when Pedro saves Esteban, and their knowing smiles suggest their resentment for each other is beginning to fade. Esteban’s willingness to help Blanca and her cries of love suggests that Esteban and Blanca deeply care for each other, despite their difficult history.
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Alba decides to start hiding wanted revolutionaries in the abandoned rooms of the big house on the corner, just as Blanca hid Pedro Tercero. Esteban, who has come across Clara’s spirit many times in the house, tells the servants that the strange noises are just the ghosts. One day, Miguel appears, and Alba hides him in the basement, where they have sex and hold each other for days. She tells him about the weapons she buried with Jaime and offers to take him there. Miguel tells Alba that her grandfather is a “bastard.” He says Esteban will get killed one day and admits he has even considered killing him himself. “God forbid, Miguel,” Alba says, “because then I’d have to do the same to you.”
Alba’s promise to kill Miguel should he kill Esteban suggests that Alba’s love for her grandfather surpasses even the love she feels for Miguel, which speaks to the deep, unbreakable connection between family members. While Esteban clearly believes in Clara’s ghost, he presumably knows that Alba is hiding revolutionaries in the house, and his explanation to the servants is simply a coverup. Miguel’s description of Esteban as a “bastard” is particularly loaded, given Esteban’s refusal to recognize his illegitimate children or grandchildren, like Esteban García. 
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Two weeks later, Alba takes the children from the soup kitchen where she volunteers on an outing, and on the way, she picks up Miguel in disguise. They go for a picnic near the spot where the weapons are buried, and Alba asks what is next. Miguel won’t say; it is better for Alba if she knows nothing. That way, if the police interrogate her, she won’t know anything. In the meantime, Esteban is feeling old and tired. The line between right and wrong is blurry to him, and he has no idea the police have Alba and the house under surveillance. 
The line between right and wrong is becoming blurry for Esteban because his conservative politics, which he has supported his entire adult life, are proving to be so terribly wrong. He knows that the coup was the wrong decision, and he is beginning to realize that conservative politics can be just as dangerous and corrupt as any other political ideology or party.
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The police barge into the big house on the corner in the middle of the night and force Esteban and Alba outside. Luckily, there aren’t any wanted revolutionaries hiding in the house, but the police trash the house and burn all of Jaime’s books, the contents of Marcos’s trunks, and various papers and pamphlets in a massive bonfire in the courtyard. The police tell Esteban that Alba is “the whore of a guerrilla” and throw her into a van. They tape her eyelids closed and begin to drive, grabbing and fondling her along the way. They finally stop and tell their colonel they have arrested Senator Trueba’s granddaughter. “So I see,” a voice says, and Alba immediately recognizes the voice of Esteban García.
The fact that the police barge into Esteban house proves that no one is safe from the new government. Esteban aided and supported the coup, but it matters little to the police now. The massive bonfire, made mainly of books, represents the destruction of free thought and alternative ideas under an authoritarian government. Furthermore, Alba’s treatment by the police underscores her vulnerability as a woman in a sexist society. She is branded a “whore” and sexually assaulted by the police merely because she is female.
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