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Flavio Munguía Galindo (“Rogelio Velasco”)
A character in “Tin Tan Tan” and “Bien Pretty,” an American woman of Mexican heritage who moves from Northern California to Texas to work as an art director. Lupita is interested in New Age spirituality and wants badly to be seen as Mexican. Unfortunately, her Mexican identity seems to pale in comparison to her boyfriend Flavio’s, a fact that enrages her while perhaps also drawing her to him all the more. When Flavio turns out to be insensitive and callous, Lupita spends hours at a time watching telenovelas as a way of escaping from the world. It isn’t until after a conversation with a cashier at a Mexican supermarket—in which the cashier calls her shawl pretty—that she’s able to accept her heartache and start to move on with her life.
Lupita Quotes in Woman Hollering Creek and Other Stories
The Woman Hollering Creek and Other Stories quotes below are all either spoken by Lupita or refer to Lupita. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
).
Bien Pretty
Quotes
“Who dresses you?”
“Silver.”
“What’s that? A store or a horse?”
“Neither. Silver Galindo. My San Antonio cousin.”
“What kind of name is Silver?”
“It’s English,” Flavio said, “for Silvestre.”
I said, “What you are, sweetheart, is a product of American imperialism,” and plucked at the alligator on his shirt.
“I don’t have to dress in a sarape and sombrero to be Mexican,” Flavio said. “I know who I am.”
I wanted to leap across the table, throw the Oaxacan black pottery pieces across the room, swing from the punched tin chandelier, fire a pistol at his Reeboks, and force him to dance. I wanted to be Mexican at that moment, but it was true. I was not Mexican. Instead of the volley of insults I intended, all I managed to sling was a single clay pebble that dissolved on impact—perro. “dog.” It wasn’t even the word I’d meant to hurl.
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And in my dreams I’m slapping the heroine to her senses, because I want them to be women who make things happen, not women who things happen to. Not loves that are tormentosos. Not men powerful and passionate versus women either volatile and evil, or sweet and resigned. But women. Real women. The ones I’ve loved all my life. If you don’t like it lárgate, honey. Those women. The ones I’ve known everywhere except on TV, in books and magazines. Las girlfriends. Las comadres. Our mamas and tías. Passionate and powerful, tender and volatile, brave. And, above all, fierce.
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Get the entire Woman Hollering Creek and Other Stories LitChart as a printable PDF.
Lupita Quotes in Woman Hollering Creek and Other Stories
The Woman Hollering Creek and Other Stories quotes below are all either spoken by Lupita or refer to Lupita. For each quote, you can also see the other characters and themes related to it (each theme is indicated by its own dot and icon, like this one:
).
Bien Pretty
Quotes
“Who dresses you?”
“Silver.”
“What’s that? A store or a horse?”
“Neither. Silver Galindo. My San Antonio cousin.”
“What kind of name is Silver?”
“It’s English,” Flavio said, “for Silvestre.”
I said, “What you are, sweetheart, is a product of American imperialism,” and plucked at the alligator on his shirt.
“I don’t have to dress in a sarape and sombrero to be Mexican,” Flavio said. “I know who I am.”
I wanted to leap across the table, throw the Oaxacan black pottery pieces across the room, swing from the punched tin chandelier, fire a pistol at his Reeboks, and force him to dance. I wanted to be Mexican at that moment, but it was true. I was not Mexican. Instead of the volley of insults I intended, all I managed to sling was a single clay pebble that dissolved on impact—perro. “dog.” It wasn’t even the word I’d meant to hurl.
Related Characters:
Related Themes:
Page Number and Citation:
Explanation and Analysis:
And in my dreams I’m slapping the heroine to her senses, because I want them to be women who make things happen, not women who things happen to. Not loves that are tormentosos. Not men powerful and passionate versus women either volatile and evil, or sweet and resigned. But women. Real women. The ones I’ve loved all my life. If you don’t like it lárgate, honey. Those women. The ones I’ve known everywhere except on TV, in books and magazines. Las girlfriends. Las comadres. Our mamas and tías. Passionate and powerful, tender and volatile, brave. And, above all, fierce.
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